gasolio

as I do not particularly like the first Caposella either. I find the diptych 'canzoni a manovella' and 'ovunque proteggi' to be far superior to his other works.

@ Clako: for me it was a disappointment, there are albums that you sense are beautiful and you listen to them and re-listen to them until you have complete awareness. Towards 'Da solo' I have a kind of rejection: I can't get to the bottom of it. Personal opinion.

Absolutely the best album by Capossela. It made people scream miracle. Too bad about the slip of 'da solo': very heavy.

X Factor is my weakness. I watched the entire second season, the third only for a short time due to signal issues. It's clear that it's a mess, and those who say that 'Amici' and X Factor are like the Italian right and left are right. What’s good about it? Morgan, who says things that may not be exceptional but are things I don't think anyone else on television says, and Aunt Mara, who always manages to get a good laugh out of you, and that’s it. I believe that, exclusively thanks to Morgan, some young guy coming up through 'musical trash' might discover something new. Who said Amanda Lear? Genius.

At the time, I lived 100 meters away, that is, on Corso San Gottardo. I remember passing by on my bike at 8 in the morning on my way to work and almost colliding head-on with the 15 coming towards me. I didn't understand what the hell it meant and went to work pissed off like every other morning. Ah, art, art...

For me, one of the best of 2009. Inspired, simple (but not simplistic), of high quality and (potentially) not niche. A really great album.

Here, aside from the professors, this is the album that made me discover Conte. I can only listen to those songs here; the original versions seem 'wooden' to me, but here everything flows smoothly and painfully. For me: wonderful!

Masterful, when live performances were not yet a money-grabbing tool. Beautiful reinterpretations of pieces from the early 70s. Breathtaking, one of the best live performances of Italian songwriting (with Dallamericaruso, Fra la via Emilia e il West, and De Andrè-Pfm). The sufficiently happy has always seemed to me a stroke of irony. A somewhat clumsy review.

indispensable. But after listening to Esco's version slowed down to agony on 'La terra la guerra una questione privata' and that even more stripped down version of 'Sogni e Sintomi' from one of the posthumous live shows, I set it aside a bit. For Hypnosphere boy: Happy New Year guys' originally appeared on a single CD attached to 'Maciste', a magazine of CPI (Consorzio produttori indipendenti), which during those years produced other Italian bands such as Ustmamo and Dishiplinatha, but you can find it on the aforementioned live albums Noi non ci saremo vol 1 and 2.
The Pgr have made 3 studio albums plus one live album. For me, the first (self-titled from late 2001) is a masterpiece, but I’ve heard very mixed opinions; the second (D'anime e d'animali from 2004) has never appealed to me: a few great tracks (difficult cases among them) but many tedious moments (and this is coming from someone who generally enjoys tediousness; there are obviously inspired tedious moments and uninspired ones). The third came out a few months ago: Ultime notizie di Cronaca, minimal musical tapes for the new explicitly Catholic Ferretti. Almost everything is beautiful and moving. The live album actually predates the first record and is a recording of a concert in Montesole on the Emilian Apennines: very dark, listenable with difficulty from start to finish.
Hi

I knew I had to do this!!! Masterpiece.