telespallabob

Henry Cow, truly great. It’s not a full 5 (as Jargon rightly stated) but I won’t round it up to the maximum.

But look at Ballarò? Of course, you’re really doing well. And to think it’s on the best channel we have (the third RAI network). Looking at the caliber of the guests, it must have been quite an episode. P.S. Concitina absent? I wonder why; I think they hired her to outperform Veltroni as the worst editor in the history of l'Unità.

Give me time to get it, meanwhile I quite like the premises (cancella Battisti, the new "Linea Gotica").

And I’ll jot these down.

To me, it seems like a classic case of deCaso; in fact, I don't think I understood it.

It was about time he came out with a record like this, he dropped certain preachy bits that don’t suit his style or stature as a person (he had said that if he were a megaphone, he would get jammed, but with Ferrara, it went better than that chubby guy thought. Giovanni was wronged here). The man with a discerning eye on society is back, and a great human side has emerged that had remained quite nebulous in other places (for example, in some passages of "Reduce"). Not by chance, a greater quality in Ferretti's lyrics has coincided with better results from Maroccolo and Canali musically. This is the first PGR album I’ve managed to appreciate, and I would love to see them in concert. It would be a fitting way to close a musical era forever and thank them for (almost) everything.

These book adaptations of the episodes of "Blu Notte" don't appeal to me; they lose a lot of the emphasis and style that Lucarelli manages to convey on TV. Sometimes the booklets are paired with the single episode and a whole series of bonus clips (like the one on the G8), and in that case, the work is definitely better. I believe that the episodes themselves, especially those dedicated to the "Misteri d'Italia," have tremendous civil value and rank among the television highlights of recent years. Better than Minoli? On this point, I disagree with Kosmo, primarily due to the type of reportage and the approach (which are hardly comparable) and then because of the caliber of the personalities involved. Let's say that Minoli, in certain circumstances, manages to do good investigative work; however, more than once he has presented episodes and elements of questionable taste. After all, he is the symbol of television servility to the fugitive from Hammamet during the times he was in power, and this is something we should not forget.

The prelude to "Double Nickels on The Dime"

I'll look for the record, also because despite your words (and let it be clear that I didn't like the review) it doesn't seem that bad to me.

A historic album in many ways, a classic. "More Than a Feeling" is a perfect song, especially for an airband (the reference is to be found in the TV series Scrubs).