telespallabob

Sorry sunflower, I hadn't read who had written the review. I was referring to someone else, sorry again.

Copying? I don't believe that Ferretti and Zamboni needed to copy. The CCCP paid tribute to the DAF but in their own way, with a irreverence and a style that others wouldn't have had. Think of the statement Manifesto dei CCCP (beyond the songs): We choose the East not so much for political reasons as for ethical and aesthetic ones. We prefer the enduring to the ephemeral West; steel to plastic. We prefer mausoleums to nightclubs, the changing of the guard to break dance. The DAF, with that pro-Soviet cover, were one of the references for two kids from paranoid Emilia who then changed Italian music.

Good reception, as soon as he comes to Brescia I will go see him (on August 22 at the Radio Onda D'Urto festival, Offlaga Disco Pax are also playing).

I've already shared my thoughts on Schulze. I really like "On The Run"; of course, in Germany, they made a more sophisticated and sublime use of the VCS3. Regarding genres, I appreciate that you labeled it as "unclassifiable," a concept that suits albums that transcend the mere dimension of ordinary beauty.

Gustavo, I’d like to share my thoughts on the concert as you suggested. First of all: I wasn't there physically; unfortunately, I had to rely on Rai's images, which as usual made a fool of itself and does not reflect well on public service, as it can do better. It was a concert that left me a bit disappointed, considering the REAL potential that such a concert could express because there was not only the superband (the one from Vai Mò, so to speak) but also other high-level musicians and guests who could have had their say (I’m particularly referring to Giorgia and the Avion Travel). Given the nonsense coming from Milly Carlucci, it could have seemed like a "propaganda" show because it's true that Naples needs to rise again, but it won't do so with a mega spectacle or with Berlusconi's little outings. There was continuous talk of rising again and the rebirth of Naples, which is a city that can do and give much more to our country. I am convinced that Pino's intentions (musically speaking) were overwhelmed by a social and political game that heavily influenced the musical performances as such.

Nice review, Doctor. I don't adore the aforementioned group, although they have done a little bit of good.

Personally, I didn't like the reception very much, and it's also the fourth one.

It's not a coincidence, is it? Of course, Ferretti has celebrated them in his own way, but it's still a tribute. Enjoy the reception.

The Venom so low? I really hope not.

I'll tell you, he got confused (even making mistakes in writing!) with Jim Morrison, whose real name is James Douglas Morrison.