Dr.Adder

Abandoned asteroid Gateway... now I'm on the spaceship C-57-D but despite this, I can send tachyon messages (slow tachyons).
Great live review, lucky you for being there, here in space I can listen to all the music I want but not the live shows!
Now I will 'switch' to reading your second review.
Greetings from space (brv).

Last post from this asteroid (due to the invasion of mutated Nanobots), the departure is now imminent...
Great review of Shooting Star, I remember this guitarist very well; I will definitely get the album (when and if I return to Earth).
His technique, quite unique, allowed him to 'extract' an enormous amount of sublime music from his guitar.
Well done for reviewing this album; unfortunately he is no longer here, but what an Artist created remains.
PS: "by the way, you were right to mention Southern Rock on the ARA album, I probably didn’t note it down because I’m getting older or maybe because when you send a review from space some information gets lost).
Guitaristic greetings (brv):

Tachyon transmission from the asteroid Gateway.
Currently, the escape of Nanobots inside the meteorite (appropriately modified by an unknown alien race) is becoming critical. It seems likely that both I and the crew of spaceship C-57-D will have to abandon the asteroid, also due to the mutation of these Nanobots, which apparently seem intent on taking over Gateway...
I still have a little time to ‘comment’ on this ‘review,’ which certainly contains very interesting and profound points; it’s a pity, though, because (in my opinion) it’s a bit too ‘monolithic,’ but despite this, it is very deep.
I agree with the reasoning of the ‘child,’ even though in some respects ‘children’ could also be seen as little ‘men.’
Maybe you knew this, but the first years of a ‘child’s’ life are crucial for their subsequent ‘evolution’ and their future behaviors in ‘good’ and ‘evil.’
The concept of ‘evil’ is also a valid point; unfortunately, it is part of our life, but sometimes negative experiences can be fundamentally positive for an individual.
Not all evil comes to harm, and not all good comes to help—everything is very strange, but life itself is strange as well.
In short, this review contains noteworthy insights, and for this, you have my (virtual) respect, and therefore (in my opinion) it cannot be dismissed simply, even though at certain points it feels a bit heavy. In certain cases, the grade does not matter and doesn’t truly represent the value of what someone has expressed; grades are often correlated with the ‘heritage’ of the s(q)uola—high grade (good), low grade (bad)... well!
Also interesting is the cover with those kinds of black holes (5) and the underlying chessboard; the black holes viewed symbolically as passages through the subconscious and the chessboard as the chessboard of life (excuse the pun), with all the pawn-people (where we all find ourselves) 'arranged' in a 'project' that we are currently not given to know (for better or worse).
There is so much to write about the concepts you expressed, but here in the control room, I am being advised not to send kilometer-long posts.
Now I have to go; the preparations to abandon Gateway are almost finished.
Esoterically enigmatic greetings (brv).

Tachyon transmission from the asteroid Gateway.
Regarding the 'comment' above (it really resembles a 'verdict', nice as a 'first' comment, maximum inspiration and creativity, compliments, biiit, thanks for participating).
So I reiterate (in my opinion, I wonder why we often forget to write it, huh!), at times the work is lacking in emotion, especially compared to the dozens and dozens of works by other guitarists. The fact remains that I gave it a 4 (actually, for the record, the exact score would be 3.9 without periodic) not one, a correct evaluation for an album that (in my opinion) is not a masterpiece.
Okay, now I can go back to my lab to deal with more important issues, like these damned Nanobots, I wonder if I’ll be able to stop them.
Synthesized regards (brv).

Message (slow tachyons) from the asteroid Gateway.
Thank you all for the comments: Telespalla, Dr. Zaireeka, Icnard, Oma, Dr. Elio, master Jake (jazz), Anatas, Melissa, and Spaccamascella.
@zaireeka, I haven’t read that book, but I know Penrose because he is often mentioned in the nice book "The End of Science" by John Horgan.
I hope to return with another review (even though these nanobots are causing me quite a bit of trouble, apparently a strange mutation is also underway; if they keep this up, I’ll have to leave the asteroid).
Mutant greetings (brv).

Tachyon transmission (slow tachyon) from the asteroid Gateway.
Fortunately, I managed to 'trap' the Nanobots in a containment field (at the expense of life support) and so I have a chance to comment on this writing (I don’t know for how long).
I haven’t seen the film (if I get the chance, I will watch it) and therefore I won’t give it a rating.
I agree with the bigotry that pervades our world, but it is not always like that, and not everyone is, hope (in my opinion) still exists (regardless of many factors), as demonstrated by the fact that you took the time to 'create' this writing.
Regarding the 'review,' even though I personally find it a bit 'fragmented,' it contains several interesting and rather deep insights.
I am almost of the same opinion regarding compassion, although compassion can sometimes be positive, whether it is Buddhist or Christian; certainly, empathy exists on a deeper and more complex level (see the empathic relationship that can be created between an artist and their audience, even if I’ve only experienced it a few times in my life, both in music and otherwise).
In my view, the reviewer undoubtedly possesses a certain sensitivity, sensibility, and depth that comes through in the writing; my note is that they should make everything a bit more understandable and 'simple' (I know this isn’t easy, it wouldn’t be even in words).
Praiseworthy is the effort and passion that shines through for Pasolini.
Beautiful are the last five lines on the meaning of dreams (or dream), I have always been fascinated by the reason for dreams; within them lie fears, unresolved problems, and perhaps (for those who believe) 'fragments' of past and future lives (who knows), within our subconscious is hidden an immense and even 'unsettling' vastness of 'information.'
There is so much more to write, but unfortunately, I must go now because of those Nanobots.
Empathetic regards (brv).

Tachyon transmission from the asteroid Gateway to reviewer Anatas.
In my opinion, the review is valid and the examination of the group seems sincere, but your charming review note doesn't quite fit with certain 'terminologies' that are a bit too exaggerated (review rating 3.71, without a periodical).
I should clarify that I am not a big listener of this group and I can understand the 'dissatisfaction' with the technical-artistic output of the group, but if a 'critique' is to be made, I believe it should be done with a sense of charm; however, Anatas can do it however he prefers.
Regarding Metallica, I've particularly listened to "And Justice..."; perhaps after so many years, they should 'broaden' their musical horizons, but likely the right choice should come from both fans and musicians.
The cover is mediocre, flat, and boring; I had no idea there were all these magnetic fields around the 'coffin'; is the graphic representation correct?
To see how the magnetic fields are arranged, you would need a strong magnet, a sheet of paper, a table that's not too thick, a chair, and some iron powder. By placing the magnet under the table with the sheet and powder on top, you can observe the arrangement of the magnetic field.
Now I have to go because I have problems with a leak of self-replicating Nanobots from laboratory no. 77 of nanotechnology.
Magnetic regards (brv).

Transmission from the asteroid (at slowed tachyons) Gateway (F. Pohl) to Dr. Eliodoro.
I really appreciate the capsule reviews, especially since they are easily absorbed with a nice sip of pure H2O from a source (Irish or Scottish, of course).
I haven't heard this album either (so I will have to perform the usual sprinkling of ash, but here in deep space I can’t do that because it doesn't exist; I could possibly use the remnants of polarized silicone, as there’s plenty of that in space).
The cover is interesting; it has its own artistic value.
Better the CD version because the LP is a bit too expensive.
To counteract the distortions and microfractures that LPs suffer over time, I've set up a special cryogenic container in my home basement that keeps their state unchanged. The problem is that it consumes a lot of power, and if I want to listen to one, I have to wait several minutes for it to defrost (I often wonder if it's really worth it).
Psychedelic greetings (brv).

I am currently still on the asteroid Gateway because the spaceship C-57-D has issues with the iso-linear chips, so I have time to comment on this nice review.
Of course, I continue to use slowed tachyons to send the message, and I am using a special 'rollable' screen and keyboard. I rate the review 4.45 (without periodic), a good review.
I own a few discs by Ry, but not this one; the cover is mediocre, yet it is included in a long list.
My favorites so far are the one with Bhatt "A Meeting by the River" and "Mambo Sinuendo," the latter for its great elegance and refinement, with excellent packaging and cover.
However, I believe that Ry has not undeservedly fallen into oblivion; he has certainly gone through dark periods, but now he is a living legend.
Certainly, his artistic mission of enhancing the most diverse musical genres has been and is masterful, and he is undoubtedly brilliant and possesses an impressive technical 'baggage.'
There is so much more to write about this great artist...
Has anyone happened to listen to his latest work I Flathead?
Okay! Now I have to go to the mess hall because they are about to distribute the 'rancio'; it's not bad, but it's always better to eat at home.
Guitaristically paradisiacal greetings (brv).

Currently, I am on the asteroid Gateway to perform repairs on the C-57-D spaceship's warp drive, so I have a bit of time to comment on this review. To send this message (given the immense distance), scientists advised me to use slowed tachyons (maximum allowed speed, that of light).
Great review typically Spaccamascellare, rating 4.74 which rounded up becomes 5.0 (no fake!).
I have Frith's album with Henry Cow Leg End (Sock by Ry Smith, still a horrifying cover) and I've also listened to Maybe Monday (an album capable of giving nightmares even at 12:30, both before and after lunch).
Certainly, he is an important musician-multi-instrumentalist, especially in the field of experimentation; this album must be interesting but Gravity should be too, even though I haven't listened to them yet.
The collaboration with J French, Henry Kaiser, and the evergreen R Thompson should also be interesting.
Decent 'photographic' cover.
Greetings Spaccati, with or without genetically modified jaw (brv).