Dr.Adder

DeRank : 8,74
DeAge™ : 6670 days • Here since 6 march 2008
Napalm Death Time Waits For No Slave
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Cool this Rec.
Definitely (un)fashionable & decked out like never before.
In this case, the writing goes beyond just the simple black dot rating (from 1.0 to 6.0).
However, I'm not going to listen to the samples, because my ears are a bit too worn out now (more worn than out...) and I wouldn't want any unpleasant auditory & sonic surprises.
I'll unite the interesting areas with my polyamide brush, certainly not the relatable voices, but maybe not.
So I certainly won't win the first prize, too bad for the "ti scert" XXXL (certainly without the scent of a post-concert would have been better, but maybe not).
See you later Mimì & Metallurgico™.
Philip K. Dick Confessioni di un Artista di Merda
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Thank you all for the nice comments bëli (a bëlo without ifs and buts in Omaha).
"Usually, when there was something worth doing, the three of us did it together, me and St. James and Bob Paddleford, using St. James's '57 convertible Ford with the dual exhaust and twin headlights and the dropped rear end.
It's a gem of a car, known all over Seville and Santa Cruz; it's in metallic gold paint with handmade purple finishes done by us.
It took molded fiberglass to achieve those sleek lines.
It looks more like a rocket than a car, and has a look that reminds one of outer space and speeds approaching that of light." Excerpt from "Confessions of a Crap Artist" by Philip K. Dick.
An Inner & Californian Goodbye™.
Herman Melville Moby Dick
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In this context, I feel like quoting Bartle & Alessio in part (around 50.0%). I, too, would always like to find recommendations for unknown books (and not only) especially on topics that interest me, but obviously, it will never be that way. Here you can find a bit of everything, and this is the beauty and the beast of Deb (of course depending on taste). Just to make a kind of meta-analogy (like Hofstadter), when I go to the bookstore, I certainly don’t start moving around like a madman in all directions, but I head towards the literary sections that interest and stimulate me. When I come across a book I already know, I simply move on to another area.
Of course, it’s more interesting to find recommendations for unknown or almost unknown books, rather than the ones known by the majority of carbon units that populate our world. Bringing originality, personality, charm, and emotions to a recommendation is not easy to achieve; it requires commitment, passion, and, not least, the time available to reach a satisfying result. It may not be so easy for everyone to express emotions in writing (at least in my opinion).
Of course, who doesn’t seek emotions? Perhaps it isn’t always the case for everyone; maybe one day a person prefers a more emotional recommendation, while on another day they prefer a more rational and analytical one, depending on the subject matter. The same applies to those writing the recommendation (depending on the topics). Perhaps at one time they prefer to write in a more conventional way, while at another they prefer to be more sentimental or comedic.
Moreover, for certain particular and unknown books, on one hand, one might want to share the pleasure derived from reading with everyone, but on the other hand, they might want to keep that experience personal (it’s a bit hard to explain). At least that’s how it is for me, and for some books I’m still considering whether to write a review or not. Let’s not forget those who might stumble upon this site by chance, depending on their age and the number of books they have read, both known and unknown.
I haven’t read many extremely famous books, and I believe I never will, both due to time constraints and because I prefer to read others that are less known. I don’t think these reviews are bothersome, and one is always free not to read them. It’s a discussion that will always remain open and periodic, at least I believe so. The recommendation from Mr. Giustiziere seems valid to me (even without the sought-after emotions). An internal & meditative farewell™.
Robert Fripp Exposure
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So, the review is very detailed and thorough, but...
the reference of the cover to the title is not relevant (in my opinion).
The meaning of the cover (especially in relation to the back cover) is much more complex and difficult to explain in this context.
The title "Exposure" relates to the practical and daily biography of Bob Fripp (level I), psychological because it investigates the internal life (level II).
But it’s also a search for the meaning of what we mean by inner life (level III).
The languages used range from the restructuring of the solid Rock of the '50s to particularly sophisticated chords.
It is a kind of compendium that reached Rock during those years.
"Exposure" is therefore also a metalinguistic album (level IV), because it catalogs various possible forms of Rock. The work is neither 'incoherent' nor 'disconnected'.
It is Fripp's personal way of expanding and approaching the 'vocabulary' of Rock & Roll.
The New York Fripp is at least seemingly a completely different person; the experience at Sherborne House taught him a lot (under the guidance of J. G. Bennet).
Let's not confuse Fripp's emotional period of '74-'75 with the period '77-'79 (I wonder why people always forget to mention that Fripp is left-handed?).
Personally, in his work overall, I do not hear all of these 'virtuosic flourishes for their own sake', but rather a very deep and intricate search throughout his career; he is certainly a complex guitarist to analyze.
He possesses a multifaceted personality, and his irony has taught me quite a lot, while some still miss it, and I believe it will always be so...
The Frippertronics (which later became Soundscapes) are a guitar application of the particular tape loop invented and used by Eno in "No Pussyfooting".
However, Fripp keeps the second recorder at a slightly lower volume than the first in order to achieve a sort of infinite musical & sound regression.
The presence of only Frippertronics determines the strength of this record, and its importance is much broader than it might seem.
There is still much to write and say.
"Breathless": main theme 7/4, central 3/8, with guitar over a 9/8 rhythm (almost a kind of Heavy Metal starting from Rock & Roll).
Let’s not forget Narada Michael Walden...
Furthermore, in this work, Fripp rediscovers an ancient irony, inventing (or almost) a 'trick' that will be used by futurist Rock, namely: inserting recorded speech interludes between songs.
"You Burn me up I'm a sigarette" (drums and echoes on the voice with a nod to the Sun Sound of early Presley, with a Punk-inflected rhythm).
"Exposure" (frippertronics on a Soul base, idea from Gabriel).
"Disengage" (for Fripp) is a particular version of Rock-Schizophrenia, Madness and the Family (Ronald Laing).
"NY3" (urban alienation, a sort of psychological-musical experiment).
The lyrics of the 'songs' are remarkably sophisticated and multifaceted.
Stunning and chilling "Here Comes the Flood".
"Water Music II" is profoundly deep and shows a higher sensitivity in Fripp, even though it is, so to speak, 'musically transfigured' (at least from my point of view).
And what about the conclusive meaning of "Postscript"?
Review score (3.45), album score (4.25).
The scores were obtained with the 'phantasmagorical' Analytical Engine (Babbage), which has been recently serviced (greasing mechanical parts, replacement of diodes, triodes, quadriodes, integrated & disintegrated circuits).
Guitarist & frippertronic™ greetings.
Mick Goodrick In Pas(s)ing
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'Ammappete', a guitar Rec from 'our' Macaco, I can't miss it!
Thank goodness for some new proposals and not always the usual 'famous' names.
Well done, a solid Rec (4.33 recurring) with a delicate conclusion.
The connection with the word pas(s)aggio and the title of the album is charming.
I've already heard of the guitarist, and he's been on my list (guitar & instrumental) for quite a while (Biorhythms).
Essential & refined cover, in classic ECM 'style'.
A goodbye (also to Omaha) of passing & guitaristic™.
Joe R. Lansdale La Notte del Drive-In 3
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Wow! I read the first and the second, I liked them, especially the first one, because the second seemed a bit less 'bright' to me, yet it's not really my genre (Urania 1214 & 1224).
The first novel is dedicated to my good friend David Webb and their late-night meetings at the famous (for them) Trash Theater. "I'll bring the chips, Dave; you think about the drinks."
The second one is also dedicated to the talented writers Koontz and Barrett; I read a few of their books ages ago.
A shout-out to Jake & Bartle.
The review is 'picoscopic,' good thing I have Brazil's lens.
See you again, Drive-In & Trash.
H.R. Giger Palazzo Bagatti Valsecchi: Visioni di fine Millennio
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Thank you for the comments.
A hello to Jake, Il_Paolo, Macaco, and Sfascia Carrozze.
A special thanks to those who published this 'memory review.' I have decided to 'conclude' with a somewhat unique memory for me.
By precise direction, I simply meant the 'flow' of life, in this specific time towards...(yes, I certainly believe in what Gödel said).
I also wondered why it was included in the Acustiche, but ultimately (in my opinion) the 'placement' in this context isn’t that relevant.
As I had previously expressed, DeB possesses potential that has yet to be unveiled; it will also depend on those who come after...
An acoustic & visual (but not only) goodbye.
Richard Linklater A Scanner Darkly (Un Oscuro Scrutare)
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The book "Scrutare nel Buio" (written in '73, revised in '75, and published in '77) I read many years ago (too many!), I liked it but it's not my favorite. Of course, I must add that this work now falls into a 'new creative phase' and is particularly important for its not strictly science fiction content, partly autobiographical with anti-drug themes. Certain details classify it as FS of anticipation (Alterabito or disindividualizing suit). The idea of the suit comes from Phil's 'phosphenes vision' on 2/3/74. It involves a faceted quartz lens connected to a microcomputer containing millions of meticulous physiognomic representations of different people. These 'cascading' images are projected onto a sort of 'ultra-thin membrane' in human shape, in which Fred is wrapped. In fact, I would like to read it again because it might reveal certain aspects initially unperceived, but after all this time I don’t think I will due to all the other books I still want to read. For personal reasons, Dick considered it his masterpiece. The little I was able to see of this 'Film' did not particularly convince me (in my opinion). Given the dramatic subject matter, I would have preferred a Film with a more 'classic & cinematic' approach using predominantly monochromatic tones (sepia). Not long ago it was aired at night on TV; I could have recorded it if I had been notified... However, the account I received was enthusiastic, and after a heated discussion, I ended up having to 'throw in the towel,' as rightly I cannot 'accurately evaluate' a work if I haven't seen it in its entirety (just like records and books). When I have the opportunity, I will watch it. Good review. Recommended dish...grilled shrimp.
Godfrey Reggio Koyaanisqatsi
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Always attentive and profound Dr. Macaco.
Good Rec, but it's a pity because, in my opinion, if you had developed it better (not in length, I mean), it would have become excellent.
But as we know, time is like gold.
I have never seen this work, but I'm intrigued by the topics discussed.
Our 'society' can be compared meta-analogically to an immense assembly line, where the powerful 'reside' at the top, but are actually deluding themselves into thinking they are such, because they too are pawns of the 'global system.'
Anyway, there will always be a part of us that no one can ever take away.
Planet Earth, understood as a vast living organism, is the true master, as long as it is not destroyed by our ignorance.
We are indeed unique individuals, each with their own inner universe, but above all: one, none, and a hundred thousand, as it was written...(discover it for yourself!).
Recommended dish...sweet and sour shrimp.
Ralph Towner Open Letter
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Dear Mr. Mien, first of all, I would like to congratulate you on the beautiful Rec, which has a light and particular touch of irony. Every now and then, a bit of irony is necessary in life just as it is in a Rec; life can be mocking, and therefore sometimes a touch of irony is also needed (even though there are people who don’t see it that way). Well done on analyzing the cover as well. I observed it, and to me, it almost looks like a piece of paper (of a letter?) with lines marred by some mysterious chemical substance that prevents it from being a true 'open letter'... but maybe it's just my imagination. I haven’t listened to the album yet. "Nightfall" definitely reminds me of Asimov's wonderful story; who knows, maybe reading it... I know the guitarist 'well enough,' and regardless of his technical and artistic caliber, I actually agree with what you’ve written in some respects. His guitar work (also with Oregon) is at times almost 'intangible,' and at other times 'nervous,' 'enigmatic,' and uncertain, so it’s not so simple to fully understand and grasp it (just like life). In the end, it’s not so crucial to be experts in certain musical genres and possess vast technical knowledge; what matters is the feeling (at least from my perspective). Personally, I also take a long time to 'decode' certain albums, sometimes even months or years (yes, really) and it also depends on the contexts in which they are listened to. Today, here with me, the day is 'silent,' and the sky is a leaden gray, perfect for listening to Towner... Recommended dish of the moment... boiled shrimp.