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Bubi, that's a one-of-a-kind western, almost experimental, the music is deliberately detached from the western myth, it has a carefree comedic air, the two heroes are almost like defeated figures in a world that doesn't want them, like the two in Easy Rider...
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Bubi, the music is by Burt Bacharach, I couldn't imagine Paul Newman cycling without "Raindrops Keep Fallin on My Head."
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Poletti....Poletti...how difficult it is to discuss with you, because one thinks they have someone competent on the other side (an impression created by your empty pomposity) and then you realize that they don't understand or pretend (which would be quite diabolical) not to understand... what the hell does Robert Wise's refined film have to do with this? We're talking about the splatter genre, the one with chainsaws, you know? And who said we need to praise Hooper as a GREAT director? That would be as ridiculous as claiming you can overlook him as modest!!! In return, I wouldn’t trade "The Texas Chainsaw Massacre" for any other Joe Dante film.
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Butch Cassidy doesn’t convince me to stand on par with the others, but in that film Katharine Ross is perpetually enchanting...
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I see the point as well, so muffinman isn’t seeing things... I would say that Ombre Rosse is the quintessence of the western film just as Easy Rider is of the road movie, but in both cases there are superior films. For example, in the case of the western, and in my personal opinion, even Ford’s own Sentieri selvaggi is superior to it, as well as Il buono, il brutto, il cattivo, Il mucchio selvaggio, Fiume rosso, Sfida nell'alta sierra, and... how can you even choose? They are all masterpieces.
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In 1969, when Kick Out was released, the hippie movement of the Summer of Love in '67 was already on its last legs... Sinclair with the White Panthers was accused of the bomb placed at the CIA office in Ann Arbor and spent a few years inside.
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"...overlooking Tobe Hooper, a truly modest director." And so Hooper, who is in history for changing horror cinema with that visionary low-budget film "The Texas Chain Saw Massacre," which made us shudder before switching on the symbol of consumerism, the television, with Poltergeist, is an inconsequential director because he lacks the directorial tools and the citation skills of a Joe Dante. As if these two things were enough. When has it ever been?
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...listen to the record again before you fall asleep, maybe tonight the good souls of Rob Tyner and Fred Sonic Smith will visit you in your dreams to offer some guidance....
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"Ellioth's gritty voice is as fierce as Fogerty's." Clearly, the gritty voice belongs to Ethan...
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paraphrasing Dennis Hopper in the movie Flashback: "it’s not enough to buy Kick out the jams to feel like a rebel."