Cover of MC5 Kick Out The Jams
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For fans of mc5,lovers of classic rock and punk,readers interested in 60s counterculture,enthusiasts of revolutionary music,rock music historians,listeners seeking music with social messages
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THE REVIEW

What a Shame 

I was reading, just a few minutes ago, about a complete rejection of today's society, its structures, its customs, its trappings. A criticism that is certainly understandable, yet incredibly false in content. Undoubtedly, we have much to complain about, everything around us, in our reality controlled by GPS and a thousand other satellites that monitor our every move and keep track of our every movement, without our beloved powerful ones, and their media services, changing their smiling expression to inform us. Of course, knowing how many times we go to the toilet each day might prove useful, for the sake of a potential interrogation.

Doesn't it seem like a nightmare? Doesn't it seem like we are living it too calmly? I wonder why we sometimes still feel that thrill, that adrenaline, in doing certain things, in planning, in action. We are incredibly foolish to continue living every day in the same way, to serve and foster a system more idiotic than us, to rejoice in our brands. Only now do I realize this dichotomy between what we know to be right and what we do.

The saddest, most shameful aspect of the matter is that we are the children of a generation that was the first to raise its head, chant its slogans, loudly express its indignation and anger. The '68 was a miserably wasted opportunity. I remember my grandfather talking about kids going to school armed, the vibrant atmosphere of that era, the sense of impending changes that, month after month, year after year, never came. Sexual revolution? Let's not tell ourselves stories. Most of the sixties' activists ended up in devouring and parasitic companies, which base their profits on the exploitation of human and natural resources. Opportunists. Even my grandfather, against his will, gave in.

One of those who believed in it was John Sinclair. A true "gray eminence" of the MC5, Sinclair from Detroit etched a part of last century’s history among the grooves of this unforgettable live album. Screams, incredible riffs, outbursts between punk and something else, a scorching magma of anger and desire to be united. Bearers of the "torch of Guccinian anarchy," in a way, the MC5 represents what the world could have been today. Not a commune, of course, but a fundamentally different entity. His naive yet so heartfelt sermons on revolution, awakening, on being proud of one's identity as social agitators, still offer a particular feeling. Listening to them, it's hard not to nod and smile, and think about how to make a change,

Perhaps there's nothing left to do, many say. A civilization that tends towards self-destruction logically loses the acquired supremacy and the privilege of existing. But in the depths of your heart, don't you feel an irresistible urge to unite and participate in something new, something better? I'm tired of putting on my grandfather's leather jacket and thinking about what I could have done if I had lived in that era.

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Summary by Bot

The review praises MC5’s live album ‘Kick Out The Jams’ as a powerful glimpse into 60s rebellion and revolutionary hope. It reflects on lost opportunities of that era, the raw energy of the band, and critiques today's complacent society. John Sinclair's role as a social agitator is highlighted, emphasizing the album's lasting passion and relevance. The author expresses both nostalgia and a call to rediscover the spirit of change.

Tracklist Lyrics Videos

01   Ramblin' Rose (04:15)

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02   Kick Out the Jams (02:52)

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03   Come Together (04:29)

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04   Rocket Reducer No. 62 (Rama Lama Fa Fa Fa) (05:41)

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06   Motor City Is Burning (06:04)

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07   I Want You Right Now (05:22)

MC5

MC5 were an American rock band from Lincoln Park, Michigan, active 1963–1972. Celebrated for high-energy performances and radical politics, they became key proto‑punk influencers. The classic lineup featured Rob Tyner, Wayne Kramer, Fred “Sonic” Smith, Michael Davis, and Dennis Thompson. Their signature live debut, Kick Out the Jams (1969), is a touchstone of Detroit rock.
08 Reviews

Other reviews

By VincVega

 Kick Out The Jams is a fundamental album for subsequent generations, influencing more than one genre, from punk to garage, from hard rock to metal.

 Tyner unleashes chaos by shouting their battle cry, 'Kick Out The Jams, motherfuckers!!!'


By Sempresolointer

 Kick Out The Jams is the proof that people like Wayne Kramer and Rob Tyner can change music.

 They just wanted to scream their anger and play like crap and this was the secret of the already mentioned Iggy Pop.