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@azzo, you really have lost it, you left out Maggie Bell from the old Stone the Crows...
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1 for the duplication and for the plagiarism of the Bible verse...
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Since I work as a pharmacist in life, before doing it, I went to check and under "perverse hallucination" there was nothing. Thanks to the report of the occult, who surely is also a pharmacist, I went to check again now using Jacob's Ladder and I discovered that on this site there is a lot of native English-speaking people who read the Bible...
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I just saw your comment n.41 and I have to say it displays a unique level of superficiality and ignorance. You're losing a lot of points in my consideration of you (and you can rightfully post below a nice: ecchissenefrega).
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mien, you are a good reviewer, but you have the flaw of wanting to make a big statement, like the last paragraph of this review. Given that I don’t know the guy in question and now that you’ve warned me, I won't know him either, I personally don't want to rank English music against Australian music because that would make me a crazy idiot. I contest your bold statement, which either shows a lack of knowledge about the Australian scene, in which case you were short-sighted and I'll not forgive you in your role as a reviewer, or it’s a belief of yours that you stand behind, and that, even though I disagree, I respect as your opinion. Which of the two options should I give credit to?
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Honestly, I only listened to their album once and that was enough for me. I understand that they can be fun live, like a trip to the amusement park, but as far as English indie goes, I’m still stuck with Walking Seeds, Filipinos, Thee Hypnotics. These Klaxons are crap; it's stuff for ladies.
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Right, kosmogabri, let's not forget that Faithfull is a white European singer and therefore her voice cannot compete in range with the black voice, which is more than gifted; as you say, it is evocative.
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Having listened to it again this morning, I'm left with the impression that it works wonderfully in conjunction with the film, but it's worth more than the hastily assigned 3. Peter's trip is magnificent... I'm giving it a 5 to balance out the previous undervaluation...
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This is where the donkey falls, dear Electric One, because beyond the music, these Ain Soph., who have been around for almost twenty years, have always gotten on my nerves precisely because they seem to dictate dogmas, as if they were the only ones holding the truth.
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half a record by Radio Birdman or Celibate or Beasts of Bourbon is more alive, more intoxicated, more vibrant, denser, more psychedelic than all of Britpop put together, and you can even throw in for free all of Rudgren/Utopia and that bore Mike Scott along with Karl Wallinger. Australian rock isn't just in the three names you mentioned, dear mien_mo_man.