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The symbol of the crass is an A enclosed in a circle with a broken rifle right at the top of the circle... not bad for a nihilist group.
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I think andre86 does not have a clear understanding of the concept of nihilism, and so we are just wasting time here.
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Enough: can someone stop these two idiots, defender and battlegods, who are everywhere like the blob! You say you haven't listened to the album, but reading the review, you don't agree with the 5!!! Come on, don't unnecessarily break my balls! As for the Four Horsemen, what Viking said, someone else could say about Junkyard or the early Black Crowes, nothing new under the sun but a great sound. And besides, they were signed to Rick Rubin's Def American and you can tell... I don't understand why the Black Crowes are famous and these guys, who have more grit (but maybe less class), have passed under guilty silence.
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everything true everything right: fish it out and everything (or almost) will be clear to you...
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@purpulan I've always preferred Tura Satana in "Faster Pussycat: Kill Kill Kill!" Be careful because if ampere is that guy, he'll give you a hard time!
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Sure, keeping up with the times, but to me, lured by the comparison with the Stooges, it seemed a bit monotonous and of much lower substance. Nonetheless, it's worth listening to and reflecting on: Link Wray's guitar work is something that remains unknown to most today, yet it has influenced and will continue to influence dozens of generations without ever being fully recognized for its value, let's say it, damn it.
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"Live fast die young," if they had stuck to the motto of this song, they would have been eternal; unfortunately, we grow up. They have always been fools, and they have always amused me with their irony, so much so that I still listen to their 1995 comeback, "Oddities..."
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...with the difference that GG Allin's first record "Always was..." (let's remember well it's from 1980, before those of the Mentors) is a very enjoyable snotty punk that deserves a MUSICAL review, while the Mentors are really at odds with music, so one can only discuss them on a ...merdale level.
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but it is clear that "poppanti" is not referred to the age group up to 8 years, but let’s say it is a film directed primarily at young people and not at an adult audience as the 1933 film may have been, and also to some extent the De Laurentiis edition.
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The problem is that many of you keep trying to squeeze blood from turnips, that is, from Christmas movies and movies for babies. The film from '33 was designed for an adult audience, which was the only one going to the cinema; this one is for babies accompanied by their parents or uncles (like in my case) who bring a mountain of money for this reason. The special effects are not used to mask the mediocrity of the director but because 'o popolo che o' vvo'!