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I agree with Azzo's ranking except for the blasphemy of associating the worst word with this album. As for the reviewer, I have my suspicions too, but they must have been pretty angry to put the crazy monk Rasputin on their personal profile, who seems to curse more than bless. And then that quote taken from Dean Moriarty in "On the Road"! Come on... only Battlegods and Defender get impressed, not Azzo or OleEinar...
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I was actually quoting Totò and not Latin....
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...and then I bought my edition of The Dark Knight Returns published by Rizzoli in 1990 with the 30,000 lire earned from the sweat of my brow. Did you do the same?
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you see ghemison you keep IGNORING other people's comments, it's you who in your post no. 13 calls others ignorant... I'm repeating for the third time that Nolan is a good introspective director (see Memento and The Prestige) and falters in action scenes. For me, you can afford to judge even Jesus Christ, I can afford to not give a damn about your criticism just as you do mine. AMEN (let's hope that repetita juvant)
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ghemison is someone who calls others ignorant while demonstrating an ignorant reading of their comments. Here, we were talking about 1) the director's inability in the action scenes and not about Batman's training level 2) the lack of impact of the exotic scenes in the film (and not Miller's fidelity) compared to the metropolitan ones. You don't understand those who complain about the action scenes, and I don't understand how this film by an honest craftsman like Nolan can outdo a subversive genius like Tim Burton...
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Hey Reverse, don’t mess around because you’re talking to a semi-professional MTB marathon rider. The Manitou forks were indeed produced by Answer under Doug Bradbury, but then they changed hands. I also replaced them on my racing MTBs, switching to the enemy Rock Shox, which with the Reba World Cup models and 32mm stanchions go like... God, without flexing in the rocky downhill turns.
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...and you're right not to believe it, maryg, because in my opinion they are clearly inferior to those names. Brian Eno's production always makes whatever he touches stand the test of time, but after all, these were also the years of Are Friends Electric? by Gary Numan.
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...is it amazing...is it not? Are we kidding? This collection is stunning, any piece of Sylvian's work is worth more to me than a record that came out today like "Shadows of the Sun" by Ulver, praised by people who don’t even know who Sylvian is. Put on "Orpheus" from the masterpiece Secrets of the Beehive or "I Surrender" from the controversial Dead Bees on a Cake, and you will thank God, Allah, Manitou, Buddha, or whoever for giving you a soul and ears. They will preserve you from the grind of modern life better than Cynar (and Ulver).
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For me, the evaluation of grantnicholas is accurate. The director is talented; he comes from the cult classic "Memento" and last year he confirmed his talent with "The Prestige." However, he is not an action scene director, and it shows in the hand-to-hand combat and the exotic settings that honestly hold back the film. Instead, it delights in the gothic of the metropolis, capturing atmospheres dear to Burton and tossed into kitsch by Schumacher, benefiting from the work of computer graphics, photography, and good actors.
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Given the results, there are two possibilities: 1) either the doctor has prescribed you a treatment of reviews to cure your pellagra, and therefore you are required to have them published; 2) you are masochists and derive pleasure from others' insults.