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"get down to earth and kiss these hands!!!" za zza za'!
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You're wrong bjorky to give this superficial judgment; here we are talking about professionals who know what they want and what they must do, seasoned by 365 days a year of Neapolitan melodrama performances or "real" theater like the exceptional Aldo Giuffrè. The result may not please us intellectuals who have studied and taken our hands away from agriculture, but as Alessio says: "o zappatore nun se scorda a' mamma"... zanza'!
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I hope the score given by antmo corresponds to his evaluation and isn't just a "clicking" oversight, because this is the weakest album by Dead Meadows that I've had the chance to listen to. The first and the third ones are explosive; it's as if Blue Cheer were darkening themselves in Sabbath-like riffs.
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Behind every success, there's a sad story. In this case, it's that of Emile Reynaud, who patented his Praxinoscope in 1877 and over the years refined it to create a sort of cinematograph, the Theatre Optique. Essentially, there were rotating transparent strips with drawings on a drum that were projected by passing light through them and reflecting it through a prism of mirrors onto the screen. The success of the true, non-drawn images by the Lumière brothers led to his downfall and reduced him to poverty; he destroyed the mechanisms of the "optical theater" and sold them as scrap.
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STAY MIMMO DANY!
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@aniel ...and why not Mimmo Dany? STAY ACCCCHIAPPP' TEEEE!
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Okay, the mystery is revealed, thanks!
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...and clearly these have nothing to do with post-punk...
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Already vortex, one can only wonder how the reviewer makes it the opening track of the second side... perhaps if they could explain the mystery (but could there be another vinyl?) I would be very grateful.
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frank zappa: "Why Don't You Like Me?" from Broadway The Hard Way...