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For me, Kidman's role in Lars Von Trier's "Dogville" makes every other performance of hers pale in comparison.
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"Damn, I never would have thought that a mini review written haphazardly like this one would be the one with my highest rating" ha ha ha right starblazer! I’ve seen that quite a few want you to be a case study for all those reviews on Iron Maiden, but those who gave this review a 4 or 5 should really reflect on whether they should apply for themselves…
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It's the same old story, when they see Yes and Genesis everyone starts to argue that progressive is the noblest genre of rock, only to then know just the little tricks that Wakeman does on the keyboards...
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I don't think there's a need to justify the vote.
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Valium is for you who write in capital letters and with exclamation points, don't show your face again, stressed hysteric from the supermarket and television. Unfortunately, the price to pay on this site is that alongside competent people there are also lowlifes of this (sub)genre.
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right, crazy man, among the communists you would have been a subject to mock...
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a review as useful as a refrigerator to an Eskimo, as Gae already said, if someone has to spend money on a Ramones live show, it’s 1000 times better to get the exceptional “It’s Alive” which features songs from the first three albums, the best ones by the Ramones. In this, there isn’t even the great Dee Dee who, in “It’s Alive,” would count one two three four at the beginning of each track. Who knows if Starblazer has ever listened to “It’s Alive,” but I hardly believe it; otherwise, he would have understood what a “Made in Japan” of punk sounds like.
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OK vellutogrigio, but beyond a producer like Eno, we are talking about the Talking Heads, who in my opinion (Byrne) have a genius and versatility that the Pretenders can only dream of. No producer in the world would have pulled out a "I Zimbra" from Chrissie and the gang; for me, it's right that it went this way.
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There were even rumors that Hynde was teaching Johnny Lydon how to play guitar!!!
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@surferkangaroon don't stop at the review and just listen to the first self-titled track; Hynde's voice transcends any categorization. The album is neither pop nor new wave; it is rock guaranteed by a producer like Nick Lowe. Subsequently, they will shift towards an FM radio pop rock.