ilfreddo

not just trash obviously, but I haven't digested this minestrone and then everyone watches it and idolizes it for the name. Tarantino has been living off his past for a decade.

Pulp Fiction and Reservoir Dogs are from another planet. The mega pumped opening of your review didn't appeal to me. But it’s cute, the usual homage to past cinema, to trash... damn it, that’s enough. disappointment

The story of the ratings for each individual song, complete with arithmetic mean and moral, is a sadly trite affair.

The story of the ratings for each individual song, complete with arithmetic mean and moral, is a sadly trite affair.

He doesn't want to talk about the 50 million people who CANNOT afford health insurance. That's a fact that everyone is aware of. Moore wants to show with this film that it's a falsehood to claim that those who are insured in the USA are fine... he states this multiple times at the beginning of the film. Bye bye. I've already shared my thoughts in my review.

Sorry for the spelling mistakes...I wrote in a hurry and then I get lost in this little rectangle after three lines. I think the meaning is clear anyway.
hi again everyone

Hi STIPE, I’ve listened to the album not once but dozens of times in its entirety, and if you don’t believe me, no offense, but I really don’t care. The fact that I’ve chosen not to focus on the songs is a decision. I detest and try to avoid track by track analysis, especially when there isn’t a, and I repeat, a single track that makes me jump out of my seat. I’ve known Sonata for 7 years; I’ve adored them, but in my opinion, they’ve really hit rock bottom with this one. They were simple and immediate, fast but not like everyone else. What made them unique was Jani’s six-string, the ability to compose slow songs (Tallulah, Sing in Silence, Shamandalie, to name a few) that all the other power metal bands could only dream of, and being phenomenal at crafting simple and memorable melodies.
In this UNIA, there’s a desire to shock at all costs, to seek out the changing mid-tempo, the break, the different singing… a constant attempt to escape and deny the past (Caleb, The Vice, My Dream?s But a Drop Of Fuel For a Nightmare). Damn, then just change your name... The slow Under Your Tree is embarrassing compared to the other tracks the band has released, and coincidentally, the most successful songs on this (UNIA) are those linear pieces like Paid In Full, In Black And White, It Won’t Fade, and For The Sake Of Revenge, which, however, lack Jani’s usual guitar work and are less inspired compared to the past. Courageous in their proposal??? Yes, indeed, I said it’s a spectacular sonic suicide. It takes a lot of courage!!! Listening to the tracklist makes me say that Kakko is in a creative crisis, and if you have nothing new to say, it’s better to stick to what you do well and leave innovation to other bands. Now that Jani is out of the band, I really want to see how they’ll pull themselves together… This is my opinion, but dear STIPE, don’t come tell me that I haven’t listened to the CD because that’s not true. I own all their original CDs and I’ve seen them live three times.
Regards.

I was thinking of getting it for myself. I'll read the review slowly.

Truly stunning CD, immune to dust.

The essence of my comment… just as one takes the enthusiastic comments of those who believe their music is valid, given that they appeal to a large (in terms of numbers) audience, it is only fair to also take some hits from those who, for one reason or another, deem them unnecessary.