Lord

As he often claims, Scaruffi is a listener of classical music, and he also argues for the superiority of classical music over POP. However, this leads to a completely different metric from ours when judging rock. He loves oddity, obsessiveness, minimalism, and the alternative nature of POP, which is why no one agrees with him when it comes to rock. Riccardo, on the other hand, is a beardless 20-year-old, with glasses and a long beard, who wants to be seen as alternative and learned, without knowing where Scaruffi's theory on modern music comes from. He therefore critiques everything based on Piero Scaruffi's model, with the only difference being that while Scaruffi at least has solid musical foundations, he knows only those 4 albums that he probably found after looking at Scaruffi's charts. He gives 2 to the White Album, 3 to Abbey Road, and so on, without knowing the works he votes for and without providing any justification for his ratings. He is probably someone who started listening to music late, and thus still needs to find his footing (he reminds me of myself as a child when I only listened to Queen and everything else was crap). Soon he will learn to think for himself, finally embracing the vast array of masterpieces that POP music has given us. Best wishes for your growth, Riccardo.

Great Pippo, holy words. By now, the Scaruffi-style is on par with Coca Cola or Marlboro; it’s a multinational.

Even though it doesn't count, I'll give it a 3 for the sake of moral judgment.

Well 3.5, I liked the atmospheres of the movie.

Once again, Riccardo tried to spark a debate, but it never materialized.

"...I have been to 7 states in the USA and I talked about music with music critics, musicians, bakers, and hot dog vendors (because music, as you know, is an art I really enjoy). I didn't find all the admiration for the Fab Four that you imply with your "they are recognized worldwide." ...I will print this out and frame it; you have truly reached the peak."

I liked it. Poletti, it’s not from 1. "G"irl 6-Sesso in linea", it’s from 1 damn, not this. At times touching.

It seems a bit like crap.

Helter Skelter is indeed a very heavy track for its time; it does not foreshadow hard rock or metal, but it is certainly a very tough piece for the era (probably due to its heavy and almost dragged tempo, and then the chaos that reigns here and there). The album is a masterpiece, right from the cover. It is not the absolute masterpiece because, being a double album, like all doubles, it has that little extra ballast that limits it a bit. A 5 with closed eyes.

Saint Peter had set off with very good intentions, but within a few centuries, the situation had turned into a Business.