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DeRank ™: 1,47 • DeAge™ : 6976 days
Reasons for seizure: following numerous reports from civilians who, upon listening ... suffered facial abrasions, permanent ear drum lesions, fell into a trance state, experienced intense uncontrollable orgasmic states ... It’s like drinking alcohol and menstruation.
Reasons for seizure: following numerous reports from civilians who, upon listening ... suffered facial abrasions, permanent ear drum lesions, fell into a trance state, experienced intense uncontrollable orgasmic states ...
It’s like drinking alcohol and menstruation.
This ironic review presents Elettrofandango's 2009 album, In Quanto Già Peccato, as a subversive and powerful work disrupting Italian indie rock norms. The satirical 'seizure' report humorously highlights the album's intense musical qualities and innovative style. Despite mock accusations, the review acknowledges the album's harmonic and artistic value. Fans of experimental indie and post-punk genres will find this album both challenging and rewarding. Discover the rebellious sound of Elettrofandango’s In Quanto Già Peccato – listen now and experience indie rock without limits!
Write me a record, for me, for my voice, for my sexual desire. Her voice is blood mist, and his Nino Rota-like strings are male fire.
Write me a record, for me, for my voice, for my sexual desire.
Her voice is blood mist, and his Nino Rota-like strings are male fire.
The review vividly narrates the creation of Goldfrapp's 'Felt Mountain' as a deeply passionate and erotic electronic album. It highlights Alison Goldfrapp's captivating vocals paired with Will Gregory's intricate analog synth arrangements. Described as a darker, more intense trip-hop and noir sound, the album captures a moment of raw creative desire seldom matched in later works. The reviewer emphasizes the sensual and emotional depth that defines the record. Discover Goldfrapp’s 'Felt Mountain' and immerse yourself in its dark, seductive electronic soundscape today.
Roger Waters: "I've got an idea. We need to go for a concept album." David Gilmour: "Okay, then Rick. He's always so filling for an album, with his keyboard interludes. Then I'll throw in some solos here and there."
Roger Waters: "I've got an idea. We need to go for a concept album."
David Gilmour: "Okay, then Rick. He's always so filling for an album, with his keyboard interludes. Then I'll throw in some solos here and there."
This review presents an imaginative and humorous dialogue between Pink Floyd members as they discuss the trials and creative decisions behind 'The Dark Side of the Moon.' It reveals their struggles with ideas, balancing solos, concept development, and studio experimentation. The narrative highlights how the band blended sound effects, thematic repetition, and individual contributions to produce the iconic album. Overall, it offers a behind-the-scenes glimpse rather than a traditional critique. Dive into the fascinating backstory of Pink Floyd's masterpiece and experience the creative genius behind The Dark Side of the Moon!
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