cptgaio

much ado (in the literal sense) about nothing, however, the review is well written.

Looking at the history of the Festival over the years, it has hosted many important names in music, both Italian and not, but it is also true that over time, the competition itself has lost its meaning, often proposing endless clichés, not realizing that the landscape (even in Italy) was changing. That said, Oxa has never managed to distance herself too much from a certain "sanremite" (feel free to accept the neologism), even though she did try (but more by attempting to shock with her often bizarre behavior and outfits rather than through her music), thus ending up in that clutter that is the entire festival material, often without deserving it. I do not know the song you are talking about, but from how you describe it, it can be framed like this, and it does not seem to do anything to prove otherwise. The review is good, but I do not agree that Oxa is that likable ;-)

Boh... many associate the idea that commercial success must inevitably entail a technical and creative regression; in the case of Litfiba, however, it has been an evolution towards, as I’ve already mentioned, more rock-oriented paths. Honestly, I appreciate this genre more than new wave—I'm more fond of Pelù & co.'s early '90s work than their previous output. From Pirata to Spirito, I repeat, in my opinion there's some excellent Italian rock that, unfortunately, has now vanished both from the remaining Litfiba's career and Pelù's solo work.

A big thank you to the Editors for removing those ugly anonymous comments!

no personal issue, I just wanted to clarify my thoughts ;-)

Okay, since I can't access the Tool review for some reason, I'm responding here in the only album that, along with "Images and Words," is really valid by DT, confident that you will see my post. The discussion about satisfaction was based on the fact that you embody the typical fan of a certain type of progressive, that is, absolutely racist towards any other form of music that goes outside the established norms for you, and so far, if you limited yourself to supporting your idols, there would be no problem. However, you wanted to throw the stone (the review on Tool) but then you hid your hand, in fact you offended by calling people who supported their musical tastes fools, also not accepting the reactions that you yourself triggered. Hence my decision that it wasn't really worth voting for a writing that, for its form, is also valid but whose content is just annoyingly provocative, and who writes to you, among other things, does not appreciate that album very much and might even agree on certain judgments, but not when they are made just to create sterile debates... oh, if you haven't understood, the first sentence of this post is deliberately provocative, just to make you understand... So Long!

Beautiful review, a bit wasted on a group like this.

The funny thing is that for a group of mere epigones like this, you’ve been a bit less concise than usual; nonetheless, you write well, so the passing grade is more than deserved.

My favorite album by Nicola Caverna, the review is certainly shareable but a bit too concise.

Shareable review, flat record.