cptgaio

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A beautiful film with an unsettling underlying message, here Argento moves away from the usual clichés for a more mystical storyline (evil for the sake of evil). Who wants to review Inferno, which is my favorite Argento movie?

the vote...

crime story, of course..

A beautiful film with an unsettling underlying message, here Argento moves away from the usual clichés for a more mystical storyline (evil for the sake of evil). Who wants to review Inferno, which is my favorite Argento movie?

It's not my kind of thing but they are interesting, I like some of their rather unusual melodic developments (hence the reference to Amos) Ciso!

First, don't take it personally, I also want to discuss (let's not turn the tables) reread your posts and you'll see that they are a bit off-putting in tone, that's it.. Peace? ;-)

I'll tell you, I also consider "From the Choirgirl Hotel" a masterpiece, very beautiful "To Venus and back" (both the studio version and especially the live one), and the rest are good albums (three and a half stars to be clear) but it's clear that it recovers from an evident creative impasse thanks to her nonetheless great technical and compositional ability and from there the inability to curate. However, I repeat, if the last two had been written by any Norah Jones, people would be talking about masterpieces instead. From Tori, there's an expectation for a bit more. I'm sending you to my review of the box set "A Piano" where I and the good Ilpanes discussed this topic, so you'll also see his opinion, which is interesting. As for the new album, I'm waiting for it without too many prejudices; after all, we're talking about a goddess. Bye dear! ;-)

Hi Lovelorn! Yes, I know, I'm a (sadly old) fan, quite the devoted one! Hi!
P.S.: I've listened to it and it's true that there are some "acrobatics" reminiscent of Amos from the mid-'90s.

Dear Peggio, because it's not my style and anyway the previous one was nicer, I would give that a 4. ;-)