cptgaio

Okay. That Should Be Enough:
A) How dare you call me a liar? Do we know each other? Have you ever come to dinner at my house? B) I actually made two mistakes: the first was responding to Chandler's initial post, the second was claiming to know the entirety of Miike's work because having seen so many, I thought I had seen almost all of it. However, almost all sources credit him with 72 to 75 films, and I have unfortunately only seen 53 (sorry if it's not the whole work). Then, whether you choose to believe it or not is your business; know that I am lucky enough to have a job that allows me a lot of free time and I am passionate about Eastern culture (by the way, I make excellent sushi!), and I spend time with people who, for profession and/or interest, come across many films of this genre and others, and they often invite me to join them for viewings. One in particular is crazy about Miike and introduced me to his work.
C) If you had read my post carefully, you would have understood that my judgment is specifically about the film (which I honestly find ugly) and not about the director's overall work, and that I am critiquing a general trend in horror cinema in recent years (which, for me, is in a creative crisis) and not Miike in particular. D) To the author of the last post who invites me to be silent, I remind you that fortunately there is freedom of expression (unless there are offenses, incitements to hate or indecent phrases, and I have not offended any of you or done anything mentioned), and I think he makes himself much more ridiculous by not remembering this than I do by critiquing a film. As usual, when someone disagrees with you, you have nothing better to do than attack them personally, claiming they are lying or talking nonsense; think about it. That said, I will leave you the last word if you want because I will not respond anymore. Aloha.

Certo! Inviami il testo che desideri tradurre e provvederò a farlo.

Dave listens to Uncle Pippo ;-) (uncle in an affectionate sense, of course)

If nothing else, you're funny, but now don't start exaggerating; the joke is nice as long as it lasts a little. I like the album, all in all.

It's not that I'm very surprised by Moody's "evolution"…

I like it, the review is a bit too brief.

Certo! Inviami il testo che desideri tradurre e provvederò a farlo.

It's Hooper, obviously not Hopper (sorry for the distraction).

Dear Chandler, the 1 was not meant as provocation but it's what I sincerely think about this film, and the issue of the lack of ideas referred to horror in general in recent years and not specifically to Miike, whose entire artistic history I know from personal information and culture, and of whom I have seen, if not all, a lot (about fifty out of around eighty credited projects I have seen, and to be honest, some I didn’t dislike, including the mentioned "Izo" in which I don’t see all that depth, but my judgment was on this film and not on the complete works, and unfortunately, here too, you have been a bit hasty in your judgments about me). And yes, he may be prolific, but from my point of view, I don’t see all this creativity; Hopper may have done just "The Texas" beautifully (which is quite debatable to think that this director's work ends there), but that’s enough to overshadow the entire horror landscape of the last 10 years (personal opinion, of course, not all of us are like you, enlightened on the road to Damascus and thus able to give "objective" and "indisputable" judgments). I have concluded and I think I have also answered the good Zero; as for the issue that Kim raises, the answer is no answer: honestly, you can think whatever you want about me; I frankly don’t care about your judgment (it’s not "presumption" but in-depth knowledge of the subject in question).

the sentence was "not to replicate anymore on the content" obviously... dysgraphia...