Hardrock92

Dickison that evening was clearly out of shape, and in my opinion, it’s even more evident in "The Number of the Beast" and "Hallowed Be Thy Name." Overall, it’s a good live performance. Damn, they are still Maiden after all.

I have an eighteen-year-old friend who plays in a punk-hard rock band; he’s the guitarist and singer, and I’m convinced he could outdo these idiots even with his eyes closed. Yet people like that, or rather, people who in my opinion have no talent—because their lyrics are absolutely not punk and comparing their playing to the Blues would show little difference—manage to break through. It’s true that nowadays you just need to put out someone a bit cute to attract some teenagers and make money. What a shitty world.

The review wouldn't be too bad, but you've written a ton of nonsense. How can you say that Scott's voice is similar to Robert Plant's? I've heard a lot about the singer's death, but the idea that he died on stage from electric shock is complete bullshit. Bon died in his own vomit after a night of excess in alcohol, as Bonny 91 explained, and who would ever confuse AC/DC with punk? A punk guitarist doesn't do things like Angus Young. Moreover, the lyrics mostly talk about women and excesses; we can only call a few of them "deep."

Yeah, yeah, unfortunately it's true that the review is a bit biased now that I think about it, it’s just that when I wrote it, I didn’t think about it too much and since it was about the album that made me enjoy this group, I probably exaggerated a little bit.

Sorry, I hadn't thought to specify that by "first example of hard rock" I meant Aerosmith and not in general. However, it's not true that hard rock was already dead in 1973; Deep Purple were still around, even though they weren't in their best formation (Glover and Gillan had left), just as Led Zeppelin, AC/DC, Scorpions, and many others were still active.

I may be crazy, but I find this AC/DC live performance barely enjoyable. The Young brothers' guitars are solid, as is the rhythm section, but Brian's voice is dreadful; it sounds like an old woman screaming. He struggles tremendously and mumbles half the words. In songs that aren’t “his,” he simply can't reach the heights Bon used to hit. It might be okay on record, but he really needs to improve live.

Bonny 91, it's true that the voice is more authentic than in the studio, but it's very raspy; in the studio, it was clean, and you can't say that Axl sings well on "Sweet Child o' Mine," he has a pitiful voice. The song is played well, and I've made it clear that Slash was the best.

Here’s a collection of "Aerosmith" that deserves attention, featuring many of the best tracks from the '70s, '80s, and '90s, all the way into the new millennium. It’s a shame there’s nothing from less successful albums like "Night in the Ruts," "Rock in a Hard Place," and "Done with the Mirrors," since songs like "No Surprize" or "Let the Music do the Talking" are, in my opinion, among the best and perhaps even more decent than stuff from "Just Push Play."

This album had me spellbound from the moment I heard it for the first time, when I had only seen the name Nirvana on MTV, while they were playing one of their songs, "Smells Like Teen Spirit," I believe. It was back when I was 11 years old and listening to all the commercial crap. A few years later, after I had changed genres, I found out that Nirvana had been, and still are, leading figures in rock music and beyond. The persona of Kurt Cobain fascinated me enough to buy the CD "Nevermind," which I immediately liked—the gut-wrenching screams of "Territorial Pissings," the melody of "Polly," the sound dynamics of "Smells Like Teen Spirit," the anger in "Lithium," and "Come As You Are," with its catchy riff. Of course, another highlight is the lyrics, which are very reflective and also autobiographical. Surely, if Kurt Cobain were still alive, he would still occupy a space in the music world.

I don't agree with you because the band of this song is not Aerosmith, for heaven's sake, the song is beautiful, but it's pop, not even a bit of rock guitar, Joe Perry doesn't even sound like himself, he doesn't have a solo, Tyler is perfect, but he's not as aggressive as in other songs, including the ballads.