Bisius

The review is scant and lacking; the album is truly beautiful. Tarja has an amazing voice, damn. Too bad she decided to leave... the new singer partially convinces me; she’s less complete and less theatrical. Best track "Getshemane (Gothic Sanctuary)."

What do you say we finish it?

In my opinion, Miciatigre is trying in every way to get noticed in order to get together with MetallaroBionico.

Here the logical thread is getting lost. The dismemberments and various violences do not support the film, nor are they the main part. The film, in reality, is a single, great, heavy, fierce social critique. The anthropologist asks himself at the end: "I am wondering who the real cannibals really are." This is the key point of the film, not the dismembering of the turtle or the girl on the stake. The real cannibals are us Westerners, so advanced in science yet primitive and primordial in intelligence. The reporters are the real cannibals, and what happens at the end of the film is merely the law of retribution, the reaction of the indigenous people, enraged by the continuous violence they have endured. It is the coverage that needs to be seen; it’s too easy to lump everything together and judge the film solely for the blood and animal cruelties (which, as Happypippo highlighted, are nothing other than the true rituals of the Yanamomo). This is a film with a capital F, unafraid to denounce today’s society. And the soundtrack by Ortolani is its perfect complement... one of the best I have ever heard. Do you remember when they dismember the turtle? Well, the sweet and gentle music plays. Mercy for the turtle and burning hatred for the reporters. And when the crew is killed? Tormenting, tribal music alternating with the main theme. The result in this case is to coldly witness, without remorse, the (just) punishment of the four reporters. And I conclude my lengthy discussion by saying that the acting and screenplay are both excellent. Kerman, being a porn actor, pulled a masterful performance out of the hat. The same goes for all the others (including Paolo Paoloni, the super mega galactic director of Fantozzi). A raw yet detailed, clean, and clear screenplay. A must-see.

Do you want to talk about how much more beautiful Comencini's Pinocchio was? That was truly Pinocchio...

I remind everyone that tomorrow marks one year since Italy won the World Cup in Germany.

For me, all the production of Spencer & Hill is a full five. Whether Poletti says so or not.

Are you kidding?!? Giovannuzzo messed up?!?

Guys, enough. This is a fluffy movie, devoid of plot, that doesn’t get a single laugh, not even half a laugh, that lasts a mere hour and ten minutes, where even the "actors" aren’t fully convinced of what they’re doing. In short, it sucks, and I don't think three reviews are needed to say that.

I’ll respond briefly to the commentators (whom I thank): for Targetski; now you’ve had both of them :-))) for Trellheim; yes, yes, I don’t make racial distinctions :-) for Alessio: thank you, and I’m sorry you don’t like the Petrol... for Poetarainer: thank you for the nice words, I’m very happy you liked it. See ya!