Perhaps the last album where Vasco tried to create an atmosphere, melancholic just enough. However, the recording and the mix are not at their best. more
After three songs (or suites) they bore me {especially their 80s' phase}! more
My reference band. Cinquos! more
Excessive rawness in two or three of his publications, but I won't discuss "all the rest," pure eccentric & sublime phenomenography. more
He almost hates Queen, only to say the year after that they're breaking records, gnarr, and while I'm writing this definition, he's once again trashing them {and maybe even dissing the singer 2018}...🤔 more
A charming opportunist who will leave no mark on the history of music. more
..Whoever enters my life disrupts it and will hurriedly exit.. noir, action, borderline, autobiographical as it may be, it is cinema deliberately directed by deities with very anonymous detractors. more
The #13 edition {¢he I pretended to watch because of my Bonnie} even managed to bring me crap for days and days, a snout of snouts! more
The atavistic third wheel. {I have 2 friends "defil.", respectively straight and gay, but still humanly superior} more
Erupts life with strength from any pore the book that I saw some time ago in the house page? Inverse proportion for inverse proportion.. forced reader, whatever life it brings! more
THE ITALIAN PLACEBOS? They should kindly shut up when talking to someone about Rock, those useless ones.-1- more
Stefano Achetto's farewell is a blow, and it's felt; I miss his guitar quite a lot. From a compositional standpoint, the three remaining piglets are uncertain about which direction to take, whether to continue with a lighter progressive style (or an extremely refined pop, like the autumnal Banksian ballads already sampled on the more valid previous album or a stunning title track, "A Trick of the Tail") or to delve into a more brash chart-friendly pop. Even though it's a hybrid and clearly a transitional work, the album is still enjoyable overall. For the first time, there are 3-4 truly insubstantial songs that leave nothing and are somewhat unsuccessful, but there are also 4 or 5 great tracks (some absolutely pop, especially "Many too Many", which I've always liked), for example, "Down and Out" and "Burning Rope," the best on the album. Of course, there's also "Follow You," a pretty obvious hint that, in the end, they did have a decision in mind. Oops. more
Anamaste'. After Mediterraneo, Gabriele should have refrained from making other films for about twenty years; each of us, seeing and judging the works of f. bruni, Ciampanelli, or Virzì in their entirety, could have come out saying "the 3 Tuscans together don't even make 1/10 of Salvatores"! more
Finally, a journalist who speaks his mind and defends made in Italy from the attacks of the EU. more
It's not recorded very well, but the charge and the guitar arpeggios can be felt. more
The most powerful and important Greek god of Olympus, Zeus and Kronos are nothing compared to him. more
Alongside "A Trick of the Tail" (yes, the one without Peter Gabriel, who cares), this is the most compact, cohesive, and flawless album by Genesis, and it’s probably their best one overall, where the "classic" lineup reaches its finest synergy. I wanted to say that between "Watcher of the Skies" and "The Musical Box," on which it's somewhat pointless to add anything more, there’s "Can-Utility and the Coastliners," which is one of their best tracks, yet hardly anyone ever talks about it, after all... more
Stunning, one of the most beautiful albums of the entire decade. more
The pinnacle of New Trolls and one of the cornerstone albums of Italian prog. more