One of the albums of my life. Thank you Lucio, Meri Luis one of those songs that work miracles! more
Transcendent album, full of atmospheres and poetry. It's truly a work of art with its wind and string instruments. more
Great album of progressive rock music. Released in January 2020. more
Progressive artist-musician. Rock, of course. more
a genius according to Kate more
the best live by Guccini more
So, we need to start from an assumption: the decline in inspiration unfortunately pertains to everyone. Up until Pisces (inclusive), he truly deserves to be on the podium among the top 3 Italian singer-songwriters. Then the following year, he released Buona domenica, a decent album but nothing compared to his previous work, and fortunately, he bounced back with two excellent albums (Sotto la pioggia and Cuore). Between 1986 and 1988, two great albums were released, but unfortunately, in the '90s, he lost his way and became terrible (saving only a couple of tracks from Benvenuti in paradiso). This decline has lasted until today, continually worsening, but it's worth mentioning that he has truly left us so much; his songs from the '70s and for a good part of the '80s will remain forever in the history of Italian music. In conclusion: it’s true that he may not fully deserve 5 full stars, but I’ll give him that to raise the average a bit (2.29 for Antonello is simply unacceptable...). more
You can sense a different Vasco, the nineties come to an end and his depression begins, yet the album has good acoustic sounds that we don’t find in any of his other albums, maybe something in his early years. The lyrics are weak, but he’s doing like the Americans who focus more on the music. more
Here more exotic and Arabic-sounding, some pieces of classical guitars but the register shifts towards other tones and experiments. more
Considered his best album, the masterful debut... Too bad it's the only album he made. more
Rhythm and a good sound at least in the first part of the album, then a decline that makes it just an average album that adds nothing to the musical landscape. more
Those works where you sing pieces without great pretensions, aiming to showcase vocal skills but not reaching anywhere significant, leaving us with a nice album but nothing more. more
His masterpiece more
One of the many compilations, I like all of Battisti's musical work and not Mogol's lyrics; for me, there wasn't a duo, there was only Battisti. more
They performed live on a warm summer evening in 2007, and they blew the roof off. And we were outdoors. more
Discovered in 2003, it was love at first sight. My favorite writer of the French nineteenth century, but I would say in general. He produced few works, but all of superior quality and all different in genre and writing style. "Memoirs of a Madman," his first work, represents the preamble to Sentimental Education, a project already outlined in 1845 but that would be definitively polished only 24 years later. Every one of his works is a masterpiece: Madame Bovary, Sentimental Education, Salammbô, The Temptation of St. Anthony, Bouvard and Pécuchet, not to mention the Three Tales, which are somewhat the compressed version of the three novels (A Simple Heart → Madame Bovary; The Legend of St. Julian the Hospitaller → The Temptation of St. Anthony; Hérodias → Salammbô). For him, 5 stars for life. more
Positive Vibrations.. more
A great electronic album from early 2000s Italian music, when it was still in its infancy... but not so much as to be inferior to its Anglo-Saxon counterpart. more
The Tuscan singer-songwriter (Gian Maria Matteucci) makes his debut with eight tracks that span various styles, yet compositionally sometimes rely on a particular mix of reggae and electronic influences. The approach often brings to mind Daniele Silvestri, from whom it also absorbs the bitter sarcasm. A very original and personal album. more