The last great album by Vecchioni. Following this, there will be good ratings again in 1993, with the resurgence of "Blumùn". more
Already with this we can glimpse the first signs of a change. Overall, a more than good album (despite the subsequent one and all the previous ones being superior), perhaps a bit too cryptic. more
Graaandeee looooveeeeee more
An Italian case of a singer-songwriter true to the line, with the typical gaze of a climber. more
Undoubtedly his most successful album: excellent collaborations, great arrangements, and decidedly valid tracks; the rating is 4.5. However, there are some flaws in the lyrics (typically Baglionesque), which prevents it from achieving a 5. But apart from this, it remains a more than successful work that should not be underestimated. more
A fantastic debut for Battisti/Pannella. The peak of the quintet 86-94 (it competes with "C.S.A.R."), and additionally, it features what is, in my opinion, the most beautiful song of all the bianconi: the title track. more
How to make you feel like the coolest for being able to afford this position. more
"Uuuuuuhhhhhh" "ahhhhhhhhhhh" "ahhh--ahah---aehhhhhhh" more
One of Battiato's peaks more
Quite erratic, but overall in their category, there are worse things. Almost 3 more
Italian metaphysician. more
A bit more of "Distant Worlds," a bit less of "Noah's Ark." There are excellent ideas present ("The Season of Love," "The Music is Tired"), but at the same time, there are a couple of less impactful tracks that are still decent ("Depressed Zones," "People in Progress"). more
For the first 50 seconds it's fine, the instrumental keyboard intro could perhaps be done on another occasion. more
Sure, the text has a nice theme and is well written, but the Latin base, not really. more
I love the drumbeat; it could easily be from a rap track. more
Breaking down a text like this, I believe I've experienced it only a few times. The base is great too, with a bit more vigor. more
The text is acidic enough, but the base (apart from possibly being the father of Nel giro giusto by Bugo) is too "cazzara." more
"Too many times zero, baby, doesn't mean one." Above all more
Maybe it’s the base, maybe it’s DeGregori’s singing, but it seems to me that they don't respect the piece at all. It almost sounds like he is singing without giving much weight to the meaning of the lyrics. more
Visionary masterpiece. One of the few arrangements that reflect (and respect) the intentions of the piece. more