I don't know, I find it a bit silly. more
A rather useless little game. A stylistic exercise. more
Dedicating a piece to Pasolini is not easy, but Franceschino succeeds. And with praise. more
I've always loved this. It mocks all those pseudo-singers who churn out songs we listen to on the beach or who dance while doing Zumba. At least, according to my view. more
Really beautiful. Perhaps the arrangement could have been a bit more substantial, but it's fine as it is. more
The text is well-written, but it feels a bit childish to me. more
Well arranged and the text is really well written, but it could have been stronger. more
Giving him less than 5 seems crazy to me. And there are reasons for that. more
Probably his most beautiful and inspired work ever. Every piece is better than the last, not a single misstep. Masterpiece. more
From the white period, perhaps only the one that feels a bit subdued remains, but there are still some excellent insights present. 3.5 more
A fundamental craftsman of sound, his music is a journey beyond the portals of paradise. more
I mean... was it really necessary? more
For people like him, there should be a sixth star... more
Surely an excellent album, still relevant after all these years, with gems like the title track or "Capo d'Africa," but honestly, I find it significantly inferior to all the previous ones and the 2 that followed. However, as a rating, a solid 4.5 fits perfectly. more
Perhaps the most complete Italian singer-songwriter album ever. It's impossible not to be moved by the notes of "Incontro." more
The first album from Graziani's golden period, "Lugano addio," probably remains his greatest masterpiece. The rating would actually be 4 and a half balls, but I round it up to 5 out of affection. more
I believe they are the only Italian group that has not experienced even a decline since 2008. It's been twelve years that they continue to nail songs and albums. more
The latest giant album by Franceschello. Just the tracks Pilota di guerra, Pane e castagne, and I matti would be enough to understand the kind of artist he is. Let’s also add Mimì sarà, Il canto delle sirene, and Capatàz, and here we have a masterpiece. Theoretically, it would be four and a half little gems, but I round up to excess with immense glaudio. more
The most challenging of the white albums, yet at the same time one of the most successful. However, it’s not quite a five-star yet, but it’s close. more
Undoubtedly the most heartfelt and soul-searching album of his entire discography, although (in my personal taste) I consider it slightly inferior to the previous four, while at the same time definitely superior to the following "Viva l'Italia." more