Among the 10 best Italian albums of all time. There are no words to describe it, it’s 46 minutes of absolute perfection, but not a uniform perfection; a perfection that ranges from the most exhilarating tracks (Princesa, Dolcenera) to the more playful ones (A cumbà, le acciughe fanno il pallone), and especially with impeccable songs that give you goosebumps (Anime Salve, Khorakane, Smisurata preghiera, Disamistade). more
The draft at its worst. more
Unpredictable and brilliant inventor. Talented and beautiful. more
Let the challenge begin. more
but yes, a meager pass is all right, especially for the second side which, excluding “in fondo alla boccia” and “l’esercito delle forchette,” is full of great tracks, shooting me down on all of them. it’s just a shame about the first side, which is markedly inferior (only “goccia a goccia” manages to save it) and has some truly, truly awful tracks (like “regina di cuori” and the first pathetic version of “ritmo...”) more
"Could it be that our Vinicione has been a bit overrated?" No, absolutely not. Okay, it takes inspiration from Waits, if not to say that sometimes it's a copycat, but that's no reason to belittle it. Canzoni a manovella and Ovunque proteggi are two of the most beautiful albums ever produced in Italy and among the 5 most beautiful albums of the millennium (at least up to now). Even in episodes like the debut from '90 or Il ballo di San Vito, it manages to deliver a quartet of wonderful songs. more
I admit that he is one of the few artists whose entire discography, including live albums and compilations, I own. And this is the state of affairs, with a meticulous little rating because, after all, I’m up for it.
The city I would like: 7+
Ballad for 4 seasons: 7/8
The wolves: 9 and 1/2
Lazy: 10 with honors
Sweet Agnese: 10 with honors
Travel and tempests: 9-
Breasts and cousins: 7/8
Speak live: 10 periodic
Ivan Graziani: 8 and 1/2
Nine: 5/6
Piknic: 5+
Ivangarage: 8/9
Signs of love: 7
Cycles and tricycles: 6 veeeeeery tight
Malelingue: 8-
Fragile flowers: 7-
Forever Ivan: 5 and 1/2 more
Just a few nice bits and some pretty pieces. The rest are simple fillers. Not essential, but not completely useless either (#maybe). more
Spirit in the Dark = Broken Arrows [in the Dark X)]; or rather as sound, but not for content, the same! more
and turuturututtu... more
There's only one Bester...of Golem¹°°. more
Gné
Well, if you like the Bee Gees, you might like it. more
The coolest singer-songwriter on the internet. more
I listened to both their early works and the albums from the ’80s deemed their peak like "High Infidelity": well... stomach-churning, the worst of AOR, or rather its most clichéd incarnation. Stale melodies, flaccid, anonymous music, sold out more than commercial. At times, they unintentionally brush against Bubblemusic. Even Journey are better than these dull craftsmen. And bands like Toto (or even Survivor at this point) are light-years ahead. A unique banality. I only save "Nine Lives" and a little else scattered here and there. Our Pooh, in comparison, are Stockhausen. more
South Africa 1970, two LPs (Totum/Silver Trees) left as glorious and enduring memory. more
Probably the most intriguing piece in an album that is remarkable as a whole, the year is '68. As if musically speaking there were something that doesn't stand out in the summer of the Summer of Love. more
A classic of horror literature, even though the tale "Il ragno" owes much to "L'occhio invisibile" by Erckmann and Chatrian. more
The best (fake) live performance in garage history! more
The authorized sequel to The Time Machine is exceptional. A novel capable of unfolding into unprecedented situations and adventures, amplifying to the utmost the foundational structure of what Wells had created 100 years earlier. more
My new point of reference. To be discovered by @[IlConte] more