Jeff Buckley -Grace
Every year or thereabouts, I have my rendezvous with Grace.
This record was perhaps my first great musical love, back in middle school, when one experiments with first crushes, first flings, the first girls who make your head spin;
well, Grace is my perfect girl: I know her by heart but she always manages to surprise me, I love her in all her facets, from the sweetest to the most captivating and roaring.
And then that voice, come on.
Every year or thereabouts, I wonder if I might have always slightly overestimated this record and I listen to it again, every year I fall in love with this little gem all over again. more
Ligabue -Ligabue
Here again, Luciano knew how to handle it... more
Pink Floyd -The Final Cut
The only album by Pink Floyd that I "experienced" live. It was released when I was in high school. My personal opinion on this album, as a musician of early music, can only be extremely positive. "A requiem for the post war dream," as Roger Waters initially defined it, is beautifully orchestrated and arranged, a rock and contemporary transposition of a Baroque Requiem. Lyrics of rare depth and beauty. A reflection on life, the meaning of existence, as well as a harsh and piercing critique of war. Meticulously crafted in sonic details. The last album by Pink Floyd, born from a painful gestation, that closes the most important chapter of this band that has become legendary. A masterpiece that I listen to at least once a week for many years now. An inexhaustible source of inspiration and reflection. more
Francesco Guccini -Signora Bovary
Always an album at excellent levels, even if personally it spoke to me less than the previous Guccini. Great tracks like Culodritto, Signora Bovary, Van Loon are truly exceptional, but they have a less personal impact on me compared to Gli amici from the previous one or Via Paolo Fabbri from the homonymous album. In every Guccini album, there is always a masterpiece, and Signora Bovary is no exception: after Le osterie di fuori porta, Il pensionato, Amerigo, Antenor, and Autogrill, here comes Keaton, more than 10 minutes of storytelling. Then counting Le pioggie d'aprile, one of the best melodically songs of the singer-songwriter and one of his most beautiful arrangements. Only Scirocco and Canzone di notte nr.3 would remain: the former is definitely a nice tango that is quite engaging, but it seems to follow the Autogrill formula a bit too closely, the latter is a pleasant track that might even stir something in certain night owls like me. In conclusion, I would say it’s a nice album, definitely the most polished of the 80s and quite inspired, even though after Metropolis it has slightly decreased for me while remaining excellent. more
Grand Guignol Diabolique
It's just blood coursing through frantic veins. more
Kid Creole and the Coconuts
Kid Creole & The Coconuts, Coati Mundi, 1983 it's ...fun <3 more
That Petrol Emotion
A great band that rose from the ashes of the Northern Irish Undertones (Teenage Kicks). Due to a series of coincidences, they didn’t become famous, despite having everything in their favor. A tight-knit and experienced band, a "charismatic" frontman and two great songwriters, John O'Neill in the first phase, Ciaran McLaughlin in the second. All five albums offer excellent tracks with a sound that ranges from psychedelia to alternative rock, with a sprinkle of catchy melodies in the "power pop" style, but the best goes to the first "Manic Pop Thrill"! more
No Strange -Trasparenze e suoni
The hidden masterpiece of Italian psychedelia more
Roberto Vecchioni -Sogna, ragazzo, sogna
Same speech (and rating) as "El bandolero stanco." more
Bugo -Nessuna scala da salire
I've been running away for a lifetime. One step ahead of New remedies for myopia but it's missing a bit of that swagger that will be found in the next and final Cristian Bugatti. more
No Strange -No Strange
The hidden masterpiece of Italian psychedelia more
Adriano Pappalardo
Thank Battisti rather than mocking him... because without him you were a total nothing. more
In Flames
Until Colony, only great albums. Up to and including Come Clarity, they are a pleasure to listen to. After that, it’s just steaming shit. more
Roberto Vecchioni -El Bandolero Stanco
A step back from the extraordinary album of two years prior, but still beautiful and well crafted. Almost 4.5 more
steve hackett -highly strung
After the artistically unfruitful Brazilian holiday at Hackett in 1982, it was time to start stressing and arguing with Charisma again. The result is this album, released the following year, which went through a troubled gestation and would be the last published under Stratton-Smith's historic label (which at the time I believe was hardly managing much anymore...). "Highly Strung" I like; it's a nice album overall, better not only than "Cured" (thanks ar ca) but for me also better than "Defector," and I don't hesitate to say so. It still partially follows a very pop-oriented path, but much less and more rarely than its predecessor. The sounds, when they're not too cheesy or plastic, are brilliant, lively, and sharp, just like Hackett's guitar, which here shines more than ever. In short, just "Casino Royale" (which will become a classic in Stefano's live sets) overshadows "Cured," and if we want to talk about '80s pop, "Cell 151" with its very poppy and cheeky first part still triumphs over the pop-curedian style. All the more pop-oriented tracks are at the center of the album, and while "Weightless" and "Walkin Through the Walls" are a bit weak (the only ones on the album I don't like), I open the wardrobe and pull out the skeleton: I like "Give it Away," the most bubblegum-pop thing this man has ever done. Everything else is made up of high-quality tracks ("India Rubber Man" is a delight, "Group Therapy" is excellent, and so on). A great album, for me. more
edoardo bennato -le vie del rock sono infinite
Edoardo Bennato & the fair of shit, part 3. The previous two parts were taken from the unspeakable piles of garbage from 1998 and 2003. And let’s remember that this is still the same guy who sang “Io che non sono l'imperatore”… more
Steve Hackett -Cured
Hackett in Brazil (part one). Having exited the "Defector" tour stressed and overdosed on aspirin, Stefanuzzo decides to take refuge with Kim in her homeland, Brazil, and relax nicely for a few months, maybe writing some songs between drinks, a swim, and some lovemaking. And yes, this first Brazilian album of his (no musical influences, it was conceived and written there) isn't great. You can tell it’s the typical ultra-relaxed album of an artist making music during a serene time without putting in too much effort, just casually. Kim was also on vacation, no painting for the cover, just a photo she took of her husband, where Steve's expression reveals the vastness of how little he cared about putting effort into composing at that moment. But this kind of light-light pop doesn't suit him well, and the album is filled with very dull little songs (the nicest is "Hope I Don’t Wake Up," even if it sounds, to put it mildly, reminiscent of Yes, from around the same time, of course). Steve sings it solo (horrible choice), and indeed, the instrumentals save it: "Air-Conditioned Nightmare" is nice and the already typical classical guitar piece ("Cradle of Swans") raises the level of an album among his absolute worst. A couple of tracks could have been better, perhaps, but they weren't; the rest is mediocre pop with horrible backing vocals and sung parts. more
Lucio Battisti
It's unfair! You hate him regardless for those campfire songs like "La canzone del sole," but as soon as you dig deeper, you discover gems like "Anima latina," "Don Giovanni," "Umanamente uomo," "CSAR," "La sposa occidentale," "Una donna per amico," "Il mio canto libero," and you end up loving him like crazy... really Lucio, you're such a bastard... AND PIGNOLO! more
Deep Purple -Whoosh!
Is it possible that it's a great record? I say yesssssss!! more
Ivano Fossati
He who kept Italian singer-songwriter music alive during the challenging nineties. more