Ornella Vanoni
you don't understand a damn thing but do you know how many awards she's won and who she's collaborated with, this woman amv ai va!! more
Michael Jackson -Invincible
2001. The alien mutant being and collaborator of the Men in Black once known as Michael Jackson releases his last studio album. Thank goodness it was the last because it’s one of the most abominable albums I’ve ever listened to. I found it ugly even when I was 14 and I was a huge fan of his. MaddòlaMonnezza. The. Monnezza. more
Michael Jackson -Off The Wall
Now, I know that Michele on debaser is kind of the antichrist, but say what you want, he has made some good music too, and "Off the Wall" remains a beautiful album of pop-dance-r&b-funky-disco, black music for everyone, yes, but of excellent quality. For me, this is his most beautiful album, it’s the prodigy boy who finally grows up, it’s the consecration and definitive artistic maturity of this young son of Motown who here reaches his highest point; "Off the Wall" is the culmination of the first part of his career, from the Jackson 5 onwards, the end of his musically most spontaneous and visceral period. And it’s a lively, brilliant, inspired album, perfect for moving your hips, played, sung, and produced really well, you can feel the weight of people like Quincy Jones and authors like Rod Temperton ("Rock With You", title track, and "Burn This Disco Out", great tracks) the friend, source of inspiration, and another former child prodigy, Stefanino Meraviglia, and Jackson himself, in great shape as a songwriter, both on his own ("Don't Stop 'Til You Get Enough") and together with bassist Louis Johnson ("Get on the Floor", another gem). Macca also participates, not at his best. Then "She's Out of My Life" is overly sultry and unnecessarily heavy in the interpretation, but apart from that, this album flows like a fairy tale. After this, there will be "Thriller", there will be the phase of the "King of Pop", there will be less "carnal" sounds, more plastic and synthetic, more "fake," in short, it will be something else. more
Thick as a Brick, Part 1
From minute 17:19 to minute 17:30, an olfactory flashback: the scent of heather carried by the salty wind (Burren-IRL 1997). more
Howard Werth
Powerful voice. more
DEPECHE MODE -speak & spell
For my taste, the debut of De-Pesci a Modo is rather inconsequential. One could call it a classic "immature" debut; it's more of a lightweight synth-pop/electro-pop album, at times frivolous and at times of higher quality. Overall, it's pleasant, easy to listen to, but it also becomes tiresome quite quickly. This is the only album with Vincenzo Clarco in the lineup, and he is the author of almost all the tracks, so I’d say his departure after this album isn’t exactly a tragedy, considering the much better work that both Mode (especially) and Clarke himself will do in their subsequent bands. Within the genre, it’s a nice album; sure, there are worse, but also a lot better (and they themselves will do much better just a couple of albums later). Some tracks are nice ("Photographic" and "Ice Machine" being the ones I find best), while others push too hard on the more irritating aspect of synth-pop ("Just Can't Get Enough", honestly... No, definitely not), but on average, it remains a pleasant electronic pop album, nothing more. Plus, it’s not even the kind of pop I appreciate the most, in terms of sound, generally speaking; others might enjoy it more. Ah, great artwork, though. more
Juventus
Fuck. more
Tenores di Orosei
I'm sorry, but it seems that there is no text for me to translate. Could you please provide the text you would like me to translate into English? more
pino daniele -il mio nome è pino daniele e vivo qui
The "Vai mo'" band is back together. Is this the result? Meh, at this point it's better without it. Almost 1.5 more
pino daniele -la grande madre
Meh meh. We are quite far from the most vulgar and unbearable Pino of a few years ago, but also from the still sufficiently inspired (and therefore still salvageable) one of "Un uomo in blues" and its surroundings. 2.5 more
Pino Daniele -Schizzechea with love
The first album is a bit too uneven from Pino, and consequently, the first signs of a definitive artistic decline. Among the best tracks, I would point out "Tra la pazzia e il blues," "Gesù Gesù," but especially the beautiful "Jesce juorno" (which certainly deserves a place among his best pieces). The rest is all in all dignified but "lesser" compared to his previous works. The next three albums will be slightly more inspired, then even Pino will sadly fall into the depths of the abyss of Italian song. 3 round stars. more
Ananta -Songs From the Future
Anglo-Venezuelans.... more
Gentle Giant
Unique and Unattainable, to the point of not having had epigones who could ruin their Perfection. more
David Lanz & Paul Speer
Elegant duo 🎹+🎸 more
Pino Daniele -Che Dio Ti Benedica
unjudgable. only "sicily" is saved more
Antonello Venditti -Prendilo tu questo frutto amaro
a scream-worthy title track!......yes, for the fright it gives you the first time you listen to it. I won’t dare to give a rating, for certain works it’s better to just let it go. more
Thomas M. Disch
Writer of value.
The short stories and novels are excellent, such as "Terra all'infinito," particularly the masterpiece "Campo Archimede." more
Jefferson Airplane -Surrealistic Pillow
One of the manifestos of California pop-rock music from the late '60s. A sound very much tied to its time, some might say aged not so well, but if you like these sonorities, those of pop, folk, and California acid rock, the Surrealistic Pillow remains one of the most enjoyable and iconic albums from that entire "scene." Smooth and easy to listen to, as it is essentially an album of folk-pop-rock songs with an acid twist, it marks a qualitative leap for the Airplane. Partly because Grace Slick arrives and brings with her the two songs that make the album timeless (one borrowed from her brother-in-law, Darby Slick, a legacy of the Great Society, the other composed directly by her, and it’s a masterpiece, the perfect pop song, lisergic in lyrics and exquisitely crafted from music that draws inspiration from Ravel and Davies’ "Sketches of Spain") and with her voice she finds the balance in a style characterized by almost always communal singing, featuring beautiful interweaving of male and female voices (the Fairport Convention will recall some of this, particularly in certain pieces). Partly because Balin dresses up as an inspired folk singer-songwriter, a folk sound that is veiled and almost unreal, that of his other masterpiece, "Comin' Back to Me." Just as with the other superb lisergic ballad "Today." Friendly participation from Gerardo Garcia, if you please. Kaukonen treats us to two minutes of acoustic virtuosity. In short, a jewel of an album. more
Tony Hill
Great guitarist with partially unexpressed potential 🎸x4.6 more
Tomorrow
There is the great Steve Howe. more