The Lemon Pipers -Green Tambourine
the cousins of the Beatles more
Ivano Fossati -Macramè
It's another masterpiece. The first part (from La vita segreta to L'angelo e la pazienza included) is truly one of the highlights of the author, at the peak, featuring five wonderful masterpieces like La vita segreta or the stunning L'amante, but the other three (especially Il canto dei mestieri) are marvels of songs as well. The second part loses a bit of inspiration but still remains at excellent levels, showcasing gems like Labile, Bella speranza, and L'orologio americano. It all concludes with the instrumental Speakering, a spectacular and fitting closure. In conclusion, this Macramè has convinced me more than Lindbergh but not as much as Discanto and La pianta del tè. Still a masterpiece. more
Vinicio Capossela -Ovunque Proteggi
What an album! The first part merges powerful tracks like the opener Non trattare and the spectacular Brucia troia, before diving into the childish and playful Dalla parte di Spessotto and the crazy Moska valza. Even Al Colosseo, L'uomo vivo, and Medusa cha cha cha are very enjoyable nonetheless. The second part might lose some immediacy by featuring six ballads, but the great tracks are not lacking, starting from the sensational Nutless to reach the essential diptych of the album, namely S.S dei naufragati and Ovunque proteggi. One of the most important works of the twenty years and one of the best by Vinicio, along with Canzoni a manovella. more
Ivano Fossati -Lindbergh (Lettere da sopra la pioggia)
He told me less about Discanto. Always a high level, masterpieces like Sigonella, La Madonna Nera, Mio fratello che guardi il mondo, Notturno delle tre, Poca voglia di fare il soldato, and Lindbergh are not easily forgotten. However, compared to the previous two, it didn't completely captivate me. Not less beautiful, just less heartfelt. It's a matter of taste; some prefer pandoro over panettone, but they enjoy both. more
Killing Floor
Explosive Blues Rock...💣. more
Ivano Fossati -Discanto
Another masterpiece. It hits you in the gut in an incredible way, featuring wonderful songs like Lusitania, Discanto, Lunario di settembre, Italiani d'Argentina, Passalento, and Confessione di Alonso Chisciano. Inspired, brilliantly arranged, and never understated. And Albertina represents me too much. more
Shane Johnson
Do you want to unveil all the secrets of the Enterprise...No problem, this is the right guide...Let's go! more
D. Knight -È proprio la fine del mondo
Humanity will end... No problem, everything gets put into a cube and taken away. End of story. more
Alastair Reynolds
Excellent writer, he is also an astrophysicist. Great, Revelation 1&2 and Redemption Ark. 📚x4.5. more
Blue Öyster Cult -The Symbol Remains
These gentlemen are clearly capable of tearing apart all the new releases currently advertised on this mediocre site, far from just giving three dots. more
Antonello Venditti -Antonello nel paese delle meraviglie
No one messes with this record. And those who don't have their good reasons. more
Ivano Fossati -La pianta del tè
Every word would be superfluous. I only say that the intro to Caffè lontano is one of the most beautiful things birthed by the human mind. more
Lusitania
The spark has been struck. I wait for it to become a fire. more
Magic Dick
With a name and hair like that, he can only be a magical harmonica player. more
Queen
Okay, a great voice and a handful of excellent songs; however, I have always found them to be vastly overrated. In the '80s, they released dreadful records. more
Steve Hackett -Blues With A Feeling
Before being struck by one of the legendary live performances of King Crimson (especially by Bob Fripp), during the summer months of 1969 (Hyde Park), one of the musical passions of young Hackett—a passion that has never faded—was for Blues and R&B, both rooted and from Chicago as well, but with particular dedication to British white Blues, a hotbed of extraordinary guitarists. So, in a decade where he did a bit of everything, why not make an album to indulge in playing and composing some Blues? And the result is quite pleasant in my opinion. There are some covers, the pieces that are more radically Blues (and what can be said about the energetic one-two opener "Born in Chicago"-"The Stumble," a perfect start) as well as the title track, for example, but most are written by Hackett, who in the more successful songs focuses on a more modern take on Blues and infuses touches of "hackettism" here and there, making it all very personal (and what beautiful pieces "Tombstone Roller" and "Big Dallas Sky" are, as well as a more standard and fun song like "Footloose," which has great energy). Hackett also personally enjoys the harmonica, and he plays it quite well, it seems to me. Of course, it's not a masterpiece of the genre—some tracks, while pleasant, leave little behind; it's not one of the most visceral examples of white Blues—but the passion (and there was no doubt about that with Hackett) is definitely there, and the album comes across as beautiful, alive, and convincing, not a bored exercise in style. more
Il Grande Omi
In the multicolored landscape of independence, one often perceives chromatic and sonic traits that communicate sobriety and recklessness, joy and melancholy, cold and warmth; opposites that unite in a single flow. This group, "Il Grande Omi," I believe no longer exists, produced by the Consorzio Suonatori Indipendenti, which I really like. I invite you to discover it... I think the album dates back to 1997. At that time, the Italian music scene enjoyed a certain vibrancy; now it’s lost in the ocean of the Internet that takes us toward distance, a distance that has lately become fashionable. I highlight this album, not produced by us (Someone will comment: "and you can tell") with great pleasure, and I invite you to listen. Hello gentlemen, de buona de giornata a de tutti...de core il grande omi | il grande omi more
Mario Monicelli -Il Marchese del Grillo
Monicelli pays homage to Luigi Magni and gifts us the last great Albertone. Exceptional performances by Riccardo Billi in the role of Aronne Piperno and above all Paolo Stoppa, who immortalizes the figure of Pope Pius VII. The film nostalgically closes the season of Commedia all’italiana. more
David Bromberg
Polistrumentalism charm more
Mark Pellington -Single Video Theory
Documentary made during the studio rehearsals and recordings of the "Yield" album by Pearl Jam. A documentary not for everyone, about an album not for everyone, by a band not for everyone. But, guys... Jack Irons on drums, and I've said it all. more