Oliver Nelson -The Blues And The Abstract Truth
Wonderful album and it couldn't be any other way with a lineup like that. more
Tom Waits
"Small Change" aside, I find the period until '83 rather uninteresting; it's after that when the best comes. And for at least a decade, we have masterpieces. Recently, it's been so-so. An immense voice but a very fluctuating career. Also a decent actor, by the way. more
Chuck Norris
Chuck Norris never makes mistakes... And even when he does, he doesn't... It's the truth that is wrong! more
Nick Cave
This man is not to be listened to, he is to be loved!!! more
Gianna Nannini
but is he still gay? more
Gianna Nannini
2 for california more
Nick Cave
From the times when he was the most sickly embodiment of the Blues itself to the duets with Kylie Minogue, up to his appearances in a tuxedo on the red carpet in Cannes, this man's decline has been terrifying. To me, he remains what he was until '96. After that, only a few things truly worthy of the Ink King. "The Firstborn Is Dead" reigns forever. more
Nirvana
A good band but overestimated (50% of the credit goes to a bullet) the only song I listen to often is "Smells Like Teen Spirit," after a while the others just get on my nerves, like AC/DC, good but harmless. more
The Police -Synchronicity
Sequencers and synths dominate, much of the rough initial energy is lost (but the two Synchronicity tracks still have an insane drive) and Sting takes center stage, leaving the others to fight over the scraps (the icy Miss Gradenko from Copeland and the crimsonian Mother from Summers), but the album is a grand farewell with the legendary Jungian diptych, the animistic King of Pain, the retro Every Breath..., the subtle perversion of Wrapped Around..., and the refined exoticism of Tea in the Sahara. more
The Clash -Combat Rock
Reduced from a double to a more marketable single (double platinum in the beloved/hated USA), it’s like a condensed version of Sandinista: the same melting pot of garage/hip hop/reggae and much more; more Meta than Combat Rock. As usual, Strummer is the most engaged (Know Your Rights, Ghetto Defendant – featuring a cavernous Ginsberg), but the hits belong to Jones (Should I Stay or Should I Go) and Headon (Rock The Casbah). Straight to Hell, Car Jamming, and the farewell step Death is a Star deserve recognition. more
Chuck Norris
No, I won't give it to him, I don't think he'll ever find out... hey, help! Who are you? What are you doing? I was just jokingkdmsdasd,aspd more
Darren Aronofsky
A great director with quality over the years, sometimes perhaps a bit too self-congratulatory but still a genius. more
Dextro
Thanks to him, I discovered the pergocream! more
Rossana Casale
I gladly recognize four beautiful works in his career, from "La Via Dei Misteri" to "Alba Argentina" included. more
Dextro
The Dragon Ball-style fusion between myself and the striker from Siena. more
Kylie Minogue
Pop with no depth is not my genre, but Kylie certainly deserves a bit more respect amidst this wave of emptiness. Many useless songs, but also a few gems, especially the duet with Nick Cave and the cheerful "Some Kind Of Bliss." more
Terry
He organizes rave parties (dancing on the attached cube) at his place. more
Terry
Oo° °oO. more
The Beatles
Apart from the fact that they rewrote the rules of pop music, that in '68 they played punk with "Helter Skelter," that they produced tracks like "She's Leaving Home," "Here There & Everywhere," "Let It Be," "The Long & Winding Road," and the second side of "Abbey Road," that bands like the Cure and XTC wouldn't have existed without them, that they set the fashion in the '60s and produced an industrial quantity of epigones, apart from this, they wouldn't even be a fundamental band. more
The Beatles
I learned that you should never say "I don't really like the Beatles" right in the heart of Liverpool.
Vote for historical significance. more