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Five songs that, like inexplicable punches, pierce the ears behind a veneer that travels between easy-listening and experimentation. This album is an abyss. It seems, at times, simplistic, but it definitely leaves an impression.
Five songs that, like inexplicable punches, pierce the ears behind a veneer that travels between easy-listening and experimentation.
This album is an abyss. It seems, at times, simplistic, but it definitely leaves an impression.
The Three Crosses EP offers a captivating blend of electronic beats and atmospheric darkness, creating a unique listening experience full of emotional depth. With five tracks that move between easy-listening and experimental textures, the EP surprises with its intensity and evocative mood. It combines rock elements and trip-hop beats, resulting in a sonic journey through shadows and light. The record leaves a lasting impression, especially when enjoyed during reflective moments. Dive into the atmospheric depths of Three Crosses EP – listen now and explore its dark electronic landscapes.
The frontman invites the audience to thank each member with a loud “F**k you!”, all to show that T.A.R.M. is just like us, sent to that place every day by power. Occasionally stepping out of your niche is not bad at all. And let this be for everyone!
The frontman invites the audience to thank each member with a loud “F**k you!”, all to show that T.A.R.M. is just like us, sent to that place every day by power.
Occasionally stepping out of your niche is not bad at all. And let this be for everyone!
This review recounts a memorable evening at Filagosto Festival 2011, highlighting the engaging performances of Tre Allegri Ragazzi Morti and the supporting band Fast Animals & Slow Kids. Despite initial unfamiliarity with the band’s style, the reviewer appreciated their relatable lyrics and punk energy. The concert was praised for excellent organization, sound, and atmosphere. The review conveys warmth and satisfaction with the live music experience. Discover the raw energy and heartfelt stories of Tre Allegri Ragazzi Morti live – listen now and feel the pulse of Italian punk!
A musical painting. A masterpiece. What makes this suite perfect is precisely the perfect union between words and music, thus creating in the listener the right images that transport us to a distant and visionary world.
A musical painting. A masterpiece.
What makes this suite perfect is precisely the perfect union between words and music, thus creating in the listener the right images that transport us to a distant and visionary world.
This review praises Banco Del Mutuo Soccorso’s 1972 progressive rock suite "R.I.P (Requiescant in pace)" from the EP Il Ragno/R.I.P., highlighting the band’s role in crafting high-quality Italian prog rock. The track’s baroque sound, powerful vocals, and poetic lyrics create a vivid musical painting about ancient war. The review emphasizes the union of Italian and international prog influences and recognizes the band’s artistic mastery and emotional impact. Listen to Banco Del Mutuo Soccorso’s iconic Il Ragno/R.I.P. and experience the majesty of Italian progressive rock mastery!
"Sepultura without the Cavaleras no longer scare anyone." "Derrick Green is not Max Cavalera, nor does he want to resemble him that much."
"Sepultura without the Cavaleras no longer scare anyone."
"Derrick Green is not Max Cavalera, nor does he want to resemble him that much."
Sepultura's Dante XXI marks a steady but not groundbreaking effort after Max Cavalera's departure. The album delivers solid thrash metal with well-structured tracks and nods to Dante's Divine Comedy. Derrick Green offers a different vocal style, and while the band isn't at its peak, it continues to persist with coherence and effort. Fans may not find a masterpiece here, but the record is a respectable addition to their catalog. Discover Sepultura's Dante XXI and explore how the band blends thrash legacy with fresh energy inspired by Dante's Divine Comedy.
Patrick Wolf recycles himself, continuously, and despite the undeniable talent, "Lupercalia" is an album destined for oblivion. Songs like the poor "House," a childish tune about one’s home, you would expect to hear on a children’s TV show.
Patrick Wolf recycles himself, continuously, and despite the undeniable talent, "Lupercalia" is an album destined for oblivion.
Songs like the poor "House," a childish tune about one’s home, you would expect to hear on a children’s TV show.
The review criticizes Patrick Wolf's album Lupercalia as a disappointing follow-up to his earlier work The Bachelor. Despite recognizing Wolf's past talent and unique style, the reviewer finds this album lacking in innovation and emotional impact. Some tracks are described as childish, outdated, or forgettable. Ultimately, the album is seen as a sign of artistic recycling and decline. Explore this in-depth review of Patrick Wolf's Lupercalia and discover if this album lives up to his earlier promise.
"The EP is composed of three covers, two of which are from the early Black Flag, here interpreted in a very faithful version to the original." "'But Tonight We Dance' stands out, showcasing the warmth and passion of Tim McIlrath's voice."
"The EP is composed of three covers, two of which are from the early Black Flag, here interpreted in a very faithful version to the original."
"'But Tonight We Dance' stands out, showcasing the warmth and passion of Tim McIlrath's voice."
The 'This Is Noise' EP by Rise Against collects rare unreleased songs and faithful covers from early hardcore punk bands. It serves as a valuable bridge between their albums 'The Suffer And The Witness' and 'The Appeal to Reason.' The EP highlights two standout unreleased tracks showcasing the band's passion and energy, especially Tim McIlrath's vocal delivery. Recommended mainly for devoted fans eager to explore lesser-known material. Explore 'This Is Noise' and uncover the hidden punk gems Rise Against fans love!
Gigi is great, imagine that he composed his first song at 5 years old and at 9 he passed the SIAE exam while all those boring guys like De Gregori, De André or whoever you like at 9 years old didn’t even know how to hold a guitar. Pleasant music, rhythmic, never boring or convoluted... a great album featuring classics of Italian music.
Gigi is great, imagine that he composed his first song at 5 years old and at 9 he passed the SIAE exam while all those boring guys like De Gregori, De André or whoever you like at 9 years old didn’t even know how to hold a guitar.
Pleasant music, rhythmic, never boring or convoluted... a great album featuring classics of Italian music.
This review praises Gigi Finizio’s album Crescendo... nell'amore as a joyful and authentic expression of Italian popular music. The reviewer highlights Finizio’s early musical talent and the album’s rhythmic, engaging style that appeals to everyday listeners rather than intellectuals. Key tracks like 'Mare d'inverno' and 'Ti cercherò' are celebrated for their poetic depth. The album combines classic Neapolitan ballads with fresh, emotionally charged songs, asserting Finizio as one of Italy’s greatest artists. Listen to Gigi Finizio’s Crescendo... nell'amore and experience the heart of true Italian pop music today!
The most beautiful track on this album is undoubtedly 'Chi Cazzo Me Lo Fa Fare' where he complains about various people in Italy including the ultras (complete idiots) and the kids who go to Rave Parties. 'Fuck The Violenza' where our Michele tells us to be non-violent following the example of the pacifist par excellence, namely Gandhi.
The most beautiful track on this album is undoubtedly 'Chi Cazzo Me Lo Fa Fare' where he complains about various people in Italy including the ultras (complete idiots) and the kids who go to Rave Parties.
'Fuck The Violenza' where our Michele tells us to be non-violent following the example of the pacifist par excellence, namely Gandhi.
This review analyzes Caparezza's first album, highlighting its powerful blend of rap and rock. The album delivers sharp social criticism of Italy. Key tracks praised include 'Chi Cazzo Me Lo Fa Fare,' 'Fuck The Violenza,' and 'La Fitta Sassaiola Dell'Ingiuria.' The reviewer views this album as perhaps the best work from the Apulian artist and highly recommends it. Explore Caparezza's debut album ?! to experience sharp social critique wrapped in innovative rap-rock sounds.
Although we point out sporadic and otherworldly ambient twists... it's not very interesting to do the exact same style for twelve years now. When the result is still an album like this, with these wonderful progressive melodies and such atmospheres... well, we easily forgive him.
Although we point out sporadic and otherworldly ambient twists... it's not very interesting to do the exact same style for twelve years now.
When the result is still an album like this, with these wonderful progressive melodies and such atmospheres... well, we easily forgive him.
Kettel's 'My Dogan' is a melodic IDM album blending krautrock and folk influences with progressive, dreamy melodies. While the style risks stagnation, the engaging atmospheres and ambient touches make it a rewarding listen. Highlights include tracks like 'Follow Me' and 'Mauerbrecher.' Recommended for IDM and electronic music fans who appreciate melody in their beats. Dive into Kettel's 'My Dogan' and experience dreamy, melodic IDM fused with krautrock and ambient textures. Listen now and explore the soundscape!
'The World' is excellent for getting closer to the band; it gives a clear idea of what the band’s sound was like in their best times and transports the listener to a fairy-tale world. In 'Queen Of Hearts,' the balance of various elements finds its zenith with romantic passages, dynamic atmospheres, and significant guitar work.
'The World' is excellent for getting closer to the band; it gives a clear idea of what the band’s sound was like in their best times and transports the listener to a fairy-tale world.
In 'Queen Of Hearts,' the balance of various elements finds its zenith with romantic passages, dynamic atmospheres, and significant guitar work.
Pendragon's 'The World' is a landmark album in the 1990s neo-progressive rock revival, showcasing their artistic maturity and unique romantic style. Featuring Clive Nolan's symphonic keyboards and Nick Barrett's emotive vocals, the album blends modern melodies with classic prog influences. Key tracks like 'Back In The Spotlight' and the epic 'Queen Of Hearts' highlight the band's musical strengths. This album marks the start of Pendragon's most inspired fairy-tale period in their career. Explore Pendragon's 'The World' and immerse yourself in a timeless neo-progressive rock journey!
With an irresistible voice, a double bass that’s twice her size, and remarkable songwriting talent, Amy rummages through blues algae, country roots, slightly funky sands, and some pop rose petals. The beauty of Amy’s music does not fade with the tearing of the last vestments of the night: it simply drifts away.
With an irresistible voice, a double bass that’s twice her size, and remarkable songwriting talent, Amy rummages through blues algae, country roots, slightly funky sands, and some pop rose petals.
The beauty of Amy’s music does not fade with the tearing of the last vestments of the night: it simply drifts away.
Amy LaVere's Anchors & Anvils is hailed as a tender and evocative album blending blues, country, and subtle pop influences. The review highlights her captivating voice, strong songwriting, and the minimal yet impactful instrumentation. Themes of love, revenge, despair, and innocence shape the ten tracks, creating a vivid, intimate listening experience. The album is portrayed as both delicate and powerful, leaving a lingering emotional impression. Listen to Amy LaVere’s Anchors & Anvils and immerse yourself in a heartfelt blend of blues, country, and indie folk.
"Colpi di Fulmine is closer to the sophisticated production and notable taste of Dal Blu 1983." "The opening with 'Vorrei Svegliarti' shows a reflective and introspective Finardi, with the theme still being difficult love and Franco Battiato's touch in the cold chorus."
"Colpi di Fulmine is closer to the sophisticated production and notable taste of Dal Blu 1983."
"The opening with 'Vorrei Svegliarti' shows a reflective and introspective Finardi, with the theme still being difficult love and Franco Battiato's touch in the cold chorus."
Colpi di Fulmine is a lesser-known 1985 album by Eugenio Finardi that showcases sophisticated production and introspective songwriting. While some tracks stand out for their warmth and lyrical content, the album suffers from unevenness and certain weaker choices. It serves as a transitional work leading to Finardi's later successful albums. Collaborations with notable musicians enrich the record, but overall it remains in the background of his discography. Explore Eugenio Finardi's hidden 1985 album Colpi di Fulmine and discover its introspective charm and unique 80s sound.
"It is a work not listened to but 'lived,' a representation of phenomenology capable of transcending the mere sound event to place itself in the exalted realm of 'unrepeatability.'" "Music From Two Basses is a programmatic declaration right from the title: music produced by a dialogue (or rather a 'quarrel') between double basses."
"It is a work not listened to but 'lived,' a representation of phenomenology capable of transcending the mere sound event to place itself in the exalted realm of 'unrepeatability.'"
"Music From Two Basses is a programmatic declaration right from the title: music produced by a dialogue (or rather a 'quarrel') between double basses."
This review praises 'Music From Two Basses' by Dave Holland and Barre Phillips as a revolutionary work in jazz improvisation. The album challenges traditional musical structures, focusing on spontaneous, mood-driven dialogues between two double basses. It is considered a milestone of 20th-century avant-garde music, marking a pivotal moment in jazz history and instrumental exploration. The reviewer sees it as essential listening for its historical and artistic significance. Discover this avant-garde masterpiece and experience the groundbreaking bass improvisations by Dave Holland and Barre Phillips.
The album is quite homogeneous apart from the first piece, which is a record without glory or shame. Musically very beautiful but the lyrics don’t fully convince me.
The album is quite homogeneous apart from the first piece, which is a record without glory or shame.
Musically very beautiful but the lyrics don’t fully convince me.
This review examines Vasco Rossi's 2011 album Vivere O Niente, detailing each track's strengths and weaknesses. While some songs stand out as catchy or beautiful, many are considered average, resulting in an overall homogeneous but uninspired album. The reviewer notes Rossi's earlier career highs and lows, positioning this release as neither a major success nor failure. Discover the nuances of Vasco Rossi's Vivere O Niente—listen now and decide which tracks resonate with you!
"The musicians never rehearsed the tracks, giving the live a very amateurish dimension that adds subtle charm." "More than a quarter of the album is occupied by an unclassifiable Yoko Ono with her screams and various squawks."
"The musicians never rehearsed the tracks, giving the live a very amateurish dimension that adds subtle charm."
"More than a quarter of the album is occupied by an unclassifiable Yoko Ono with her screams and various squawks."
Live Peace In Toronto 1969 showcases John Lennon's straightforward and sincere performance during his first solo phase. The amateurish yet charming set features top musicians like Eric Clapton and offers a mix of rock classics, unreleased material, and experimental sounds from Yoko Ono. Though not flawless, this live album remains an important historic document marking Lennon's post-Beatles transition. Discover the raw charm of John Lennon's first solo live album—listen to Live Peace In Toronto 1969 and explore a pivotal moment in rock history.
"'936' is nothing but a series of hooks, dreamy, hypnotic and oneiric, a reshuffling of the cards that starts from behind while looking (very) forward." Not Not Fun is at its zenith with this focused and innovative debut from Peaking Lights.
"'936' is nothing but a series of hooks, dreamy, hypnotic and oneiric, a reshuffling of the cards that starts from behind while looking (very) forward."
Not Not Fun is at its zenith with this focused and innovative debut from Peaking Lights.
Peaking Lights' debut album '936' stands out as a focused, innovative work embodying hypnotic and dreamy hooks. The duo blends dub with tropical synths and nostalgic psychedelia, creating a sound that recalls forgotten New Age and Kraut influences. Released on the Not Not Fun label, it marks a peak in 2011's experimental music scene. Discover the hypnotic blend of dub and psychedelia in Peaking Lights' debut '936'—listen now and experience a standout 2011 release!
'Care Of Cell 44' is a beautiful track... it is simply eternal in its beauty. One cannot help but bow before such imagination and art.
'Care Of Cell 44' is a beautiful track... it is simply eternal in its beauty.
One cannot help but bow before such imagination and art.
The review highlights 'Care Of Cell 44' by The Zombies as a beautiful and timeless track representative of 1960s psychedelic pop. While not a masterpiece on the level of Beatles or Beach Boys classics, the song showcases extraordinary melodic harmony and vocal arrangements. It reflects the rich musical ferment of the era and stands as a testament to The Zombies' creativity and influence. The track's blend of British patriotism and dreamlike choruses captures the essence of the decade's pop-rock sound. Listen to 'Care Of Cell 44' and explore the timeless magic of The Zombies' 60s psychedelic pop!
This extraordinary historical artifact provides the best demonstration of the band in their last days of glory on American soil. What makes this bootleg version more surprising is precisely the tug of war between Page and Bonham; the two leave and rejoin each other, accompanied by Jones’s grand piano, making the piece even more epic.
This extraordinary historical artifact provides the best demonstration of the band in their last days of glory on American soil.
What makes this bootleg version more surprising is precisely the tug of war between Page and Bonham; the two leave and rejoin each other, accompanied by Jones’s grand piano, making the piece even more epic.
This review covers the legendary 1977 Led Zeppelin Seattle concert bootleg, highlighting the band's resilience amidst challenges during their troubled US tour. Despite some imperfections, powerful performances from Robert Plant, Jimmy Page, and John Bonham shine through. The rare video and audio footage captures an important moment in Zeppelin's history, offering fans a vivid glimpse of the band's last days of glory in America. The bootleg is highly recommended for devoted fans. Dive into this rare Led Zeppelin Seattle 1977 bootleg and experience the band's powerful final US tour performances firsthand!
Each song on 'Cercando l'Oro' is a little painting in its own right, there is no logical connection or precise stylistic common denominator between the various episodes of the album, but this is not a flaw, on the contrary, it further characterizes it. 'Cercando l'Oro' is also far superior and decidedly better aged compared to an album apparently more innovative and experimental like 'Pane e Rose'. Not exactly a masterpiece, but nevertheless an almost flawless album.
Each song on 'Cercando l'Oro' is a little painting in its own right, there is no logical connection or precise stylistic common denominator between the various episodes of the album, but this is not a flaw, on the contrary, it further characterizes it.
'Cercando l'Oro' is also far superior and decidedly better aged compared to an album apparently more innovative and experimental like 'Pane e Rose'. Not exactly a masterpiece, but nevertheless an almost flawless album.
Angelo Branduardi's 1983 album 'Cercando l'Oro' offers a rich and stylistically diverse mix of folk-pop with classical elements. It marks a transitional phase from his peak years into a more eclectic but consistently inspired period. The album features notable contributions from Celtic harpist Alan Stivell and balances modern sounds with Branduardi's signature evocative songwriting. Although not a masterpiece, it is an almost flawless work that has aged well. Discover Angelo Branduardi's 'Cercando l'Oro'—explore its rich blend of folk, classical, and pop sounds today!
They manage to produce one of the best hardcore punk records ever immediately placing themselves alongside giants like Minor Threat and Black Flag. It’s like being at the mercy of a storm impossible to tame, calmness is a pure utopia.
They manage to produce one of the best hardcore punk records ever immediately placing themselves alongside giants like Minor Threat and Black Flag.
It’s like being at the mercy of a storm impossible to tame, calmness is a pure utopia.
Sick Of It All’s 1989 debut album Blood, Sweat And No Tears stands as a seminal hardcore punk record. Despite its rawness, it competes with legendary acts like Minor Threat and Black Flag. The album’s 19 high-energy tracks deliver relentless pace and cohesion, capturing youthful rage and societal decay. It remains a powerful and influential work in the punk scene. Dive into the raw power of Sick Of It All’s Blood, Sweat And No Tears and experience hardcore punk at its fiercest!
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