An album I personally define as the middle ground between a past devoid of significant signals and a future with good insights but hybrid in its structure.

 They know what they’re doing, and all in all, they manage to be engaging to listen to.

Krysantemia's 'Finis Dierum' presents a mix of death metal, thrash, and core elements with varied success. While the band's instrumental skill is strong, the album's hybrid style lacks a clear direction. It showcases maturity from their debut and hints at future potential, though the band must refine their sound. Discover the evolving sound of Krysantemia in Finis Dierum – listen now and witness their metal journey!

 The original soundtrack represents a decisive step forward in terms of composition, arrangements, and lyrics.

 'I'm Not in Love' is a song with a romantic feel whose lyrics mock all the commonplaces of love lyrics.

10cc's 1975 album The Original Soundtrack stands out for its witty, ironic pop with sophisticated arrangements and clever lyrics. While not fully progressive rock, it embraces 70s influences with a Beatles-like songwriting approach. Highlight tracks include the innovative 'I'm Not in Love' and the theatrical 'The Film of My Love.' The album marks a creative peak before the lineup changes in subsequent releases. Discover the clever irony and rich soundscapes of 10cc's The Original Soundtrack—listen now and dive into 70s classic rock!

 "Without conviction, there is no true art."

 "The wound of love was, evidently, already healed..."

Peter Hammill's album Over stands out in his vast discography for its passionate and raw reflections on lost love. The album features emotionally charged lyrics and compelling music, with highlights like 'Crying Wolf' and 'Betrayed.' While some tracks like 'Autumn' feel conventional, the overall work is powerful and intimate. Hammill's blend of introspection and progressive rock shines, especially in sparse arrangements that intensify the album's themes. Listen to Peter Hammill's Over to experience a profound journey through heartbreak and musical introspection.

 "The Lamb is probably the most convincing work of Genesis (some have called it Gabriel’s first solo...)"

 "When the album was released, I was struck primarily by one aspect: it was non-cerebral music, accessible, highly enjoyable; yet, this music and Rael’s story had a depth of content that seems even today not yet fully explored."

The Lamb Lies Down on Broadway is considered Genesis' most convincing work, marking a forward-thinking shift in their style. The album blends accessible, non-cerebral music with deep, layered content. Peter Gabriel’s intense storytelling and vocals bring to life the complex narrative of Rael, while the band's experiments with form and sound show their 1970s evolution. Standout moments include collaborative efforts by Tony Banks and Steve Hackett and enduring tracks like Carpet Crawlers. Despite initial mixed reception, its importance in progressive rock is now widely recognized. Dive into Genesis’ groundbreaking album and experience the epic prog rock journey of The Lamb Lies Down on Broadway today!

 "Jill Jones is a sublime singer... a charisma of a true queen."

 "'Mia Bocca' is a shining example of perfection, a great Pop masterpiece."

The review nostalgically recalls discovering Jill Jones's debut album featuring Prince's songwriting and production. Praised for its blend of funk and synth-pop, the album showcases Jill Jones's remarkable vocal versatility and charisma. Every track is highlighted as a gem without filler, with 'Mia Bocca' standing out as a timeless masterpiece. Despite its quality, the album did not launch Jill Jones into mainstream stardom, though the reviewer believes she deserved greater recognition. Discover Jill Jones's timeless debut—listen to the perfect blend of funk and synth-pop crafted with Prince's touch now!

 It must be experienced on one’s own skin, it must be tried rather than told.

 Dark psychedelia with cold metallic cosmic flavors, rock-solid bass, maniacal distortions, kraut rock, and scorching space rock.

The Cosmic Dead's Easterfaust is an immersive album featuring two long tracks blending dark psychedelia, space rock, and kraut rock. The review highlights the album's atmospheric depth, gradual build-up, and energetic rhythms. Instead of just describing the music, the reviewer urges listeners to experience it firsthand. Overall, the album is highly recommended with a 4 out of 5 rating. Dive into Easterfaust by The Cosmic Dead and experience the intense dark psychedelic journey yourself!

 The groove left by Suis La Lune must have taught these kids quite a lesson, no doubt about it.

 The winning card is knowing how to give a soul to each of the compositions present here.

Shirokuma's 2014 album 'Sun Won't Set' offers a compelling blend of melodic screamo rooted in the Swedish punk scene. The album balances aggressive energy with hopeful melodies, avoiding overly drawn-out post-rock tendencies. With nine carefully crafted tracks, the band demonstrates strong musical identity and emotional depth. Their work channels influences from scene stalwarts like Suis La Lune, promising a bright future for these emerging artists. Dive into Shirokuma's 'Sun Won't Set' and experience the fresh energy and melodic depth of Swedish screamo today!

 An album that has aged poorly and is terribly cumbersome despite its relative brevity.

 The Marc Almond of this album is quite a bland crooner, almost unable to fully exploit the potential of his voice.

This review critically examines Marc Almond & The Willing Sinners' album Stories Of Johnny, describing it as overly complex and lacking the energy seen in Almond's other works. The author finds the songwriting uninspired, arrangements cumbersome, and Almond's vocal delivery stilted. While some tracks show potential, the album overall feels disappointing compared to its siblings. The reviewer suggests the strongest songs alone could have formed a better release. Explore this in-depth review of Stories Of Johnny and discover why this Marc Almond album divides opinions.

 "I loved it, but I couldn’t listen to it, it made my soul cry to hear it."

 "The concert lifted my spirits, but no Fright Night. You know what I say? You deserved it, Ale."

The reviewer shares a deeply personal connection to Ariel Pink's music, recalling how 'Fright Night' first moved them. Attending the 2015 Bologna concert, despite some nerves, the experience uplifted their spirits. Though the anticipated song wasn't played, the evening left a lasting impression and deepened their admiration for the artist. Discover the emotional journey of Ariel Pink’s live show—listen to Pom Pom and feel the magic yourself!

 An àpeiron made into music.

 Imagine a compound with Bitches Brew, Endtroducing..... and Freak Out! left to ferment for hundreds of years.

The Heliocentrics' album '13 Degrees of Reality' builds on their debut with an even more refined experimental fusion of jazz, funk, psychedelia, and ethnic influences. The album’s complex, unpredictable structure and diverse instrumentation challenge traditional boundaries, creating an avant-garde musical experience. It showcases a sophisticated collage of sound that promises to be a future jazz landmark. The reviewer envisions this as the direction jazz should evolve towards. Dive into The Heliocentrics' boundary-pushing soundscape and experience the future of jazz today!

 Acoustic pearls of rare delicacy penned by Stevens, on which Mike Mogis builds arrangements, also strictly acoustic, embellished with banjo, mandolin, glockenspiel, kalimba, and various keyboards.

 An underrated and mostly unknown band, whose influence on the current alt-folk scene is undeniable.

Lullaby For The Working Class formed in the mid-90s in Nebraska and released three albums before disbanding. Their second album, 'I Never Even Asked For Light,' features delicate acoustic arrangements and tender, melancholic ballads. The duo of Ted Stevens and Mike Mogis creates a unique alt-folk sound, distinct from similar bands like Wilco. Their influence remains significant in today's alt-folk scene. Explore the delicate beauty of 'I Never Even Asked For Light' and discover a hidden gem of 90s alt-folk music.

 Without Hodgson's support, Davies manages to hold his own fairly well on this album.

 This record is worthy of serving as a demonstrator for stereo systems… the spectacular rolling of 'Cannonball' manages to convey complete physical pleasure.

Brother Where You Bound marks a significant shift for Supertramp after Roger Hodgson's departure, with Rick Davies leading a more progressive album. Despite long tracks and some repetitiveness, David Gilmour's guest guitar adds distinct value. The album's production quality is exceptional, capturing intricate musical details. Although not groundbreaking, it retains interest especially for fans of classic progressive rock. The Cold War-themed title track offers an ambitious lyrical scope. Discover the evolution of Supertramp's sound in Brother Where You Bound—listen now and experience the classic progressive rock journey!

 If God doesn’t like ugly, then God doesn’t like anybody.

 He tears open his chest and sings, with the most beautiful voice he can muster, his most naive, childlike anxieties.

Knife Man by Andrew Jackson Jihad is a powerful punk folk album brimming with raw emotion, social critique, and memorable melodies. Sean Bonnette’s vulnerable voice delivers deeply personal and political lyrics, backed by creative acoustic and punk arrangements. The album balances dark themes of loneliness, fear, and apathy with moments of humor and humanity. This work stands out for its sincerity and unique artistic voice. Dive into Knife Man and experience Andrew Jackson Jihad’s raw, heartfelt punk folk journey today.

 Morgan Page demonstrates a well-defined personality, great feeling with pop melody, and truly impeccable sound care.

 The songs of 'In The Air' retain a vague but essential rustic aftertaste of a dancefloor, energy, and authentic passion.

Morgan Page's 2012 album 'In The Air' stands out as a well-crafted pop dance record marked by balanced, refined rhythms and strong production. The album features a blend of upbeat and atmospheric tracks, with solid vocal performances that add to its appeal without overshadowing the music. The reviewer appreciates the absence of mainstream pop clichés and praises the tasteful use of synths and electronic elements. Highlighted is the impressive cover of 'Message In A Bottle,' reinterpreted with mastery. Overall, the album offers a coherent, energetic, and elegant dance experience. Listen to Morgan Page's 'In The Air' and experience a fresh, refined take on pop dance music!

 This album is the end of your suffering, it’s Christ-like, having descended to earth to spread its seed over all of us.

 In Hyperview you fly, you fly high, the guitars are languid, the voice is WOOOW.

This passionate review of Title Fight's 2015 album Hyperview highlights its innovative fusion of shoegaze, dream pop, and emocore. The reviewer defends the album's departure from earlier work and praises its atmospheric guitars and emotive vocals. Despite some resistance from listeners, the album is hailed as a perfect synthesis of post-hardcore and slowcore elements with a unique emotional intensity. Listen to Title Fight’s Hyperview to experience a stunning blend of shoegaze and emocore that redefines 2015 rock.

 "An album with great songs, redundant and exaggerated arrangements and zero (I say zero!) sense; a way, in my opinion, to fill a time gap while waiting for a new work."

 "Daniel Gildenlow is a genius and he knows it very well and it breaks my heart to hear him show off singing 4 different styles in 3 seconds of a song."

This review critically assesses Pain of Salvation's acoustic album Falling Home, noting disappointing direction despite strong songwriting and musicianship. The album revisits past works with varied and sometimes disjointed styles. The reviewer laments the loss of original band members and the unclear artistic purpose behind this release. While acknowledging Daniel Gildenlöw's talent, the review finds the album overly redundant with questionable stylistic choices. Ultimately, it is seen as a filler before the band's next significant work. Discover the controversies behind Falling Home—read the full review and decide if Pain of Salvation's acoustic take works for you!

 "Nazism and Communism must be considered two hypostases of the same substance."

 "Good, understood as mute and blind love, is the essence of man."

Life and Fate by Vasily Grossman is a profound literary masterpiece that vividly depicts the horrors of Stalinism and Nazism during WWII. Through the struggles of Soviet prisoners, intellectuals, and soldiers, the book explores the oppression of totalitarian regimes and the resilience of human goodness amid brutality. The intricate narrative combines historical events like the Battle of Stalingrad with deep philosophical reflections, offering a poignant and immersive reading experience. Explore Vasily Grossman's Life and Fate for a gripping insight into history, courage, and humanity under totalitarian regimes.

 The song itself has a very James Brown-like rhythm and is probably the masterpiece, and I’m not exaggerating, of The Heavy’s discography.

 The album is certainly the most varied and successful by the band so far and shows how these four English guys know how to blend different styles and genres.

The review praises The Heavy's 2009 album 'The House That Dirt Built' as their most successful and varied work. It highlights the band's shift towards funk, rock, and R&B, praising standout tracks like 'How You Like Me Now?' and 'Short Change Hero.' The reviewer reflects on the album's meaningful title and musical depth, appreciating the band’s ability to blend genres and evoke vintage sounds. Despite minor weaknesses, the album is considered a masterpiece in the band's discography. Discover the soulful blend of funk and rock in The Heavy's acclaimed album—listen now and experience the modern vintage sound!

 "An album with great songs, excessive and redundant arrangements and zero (I say zero!) sense."

 "Daniel Gildenlow is a genius and he knows it very well, and it breaks my heart to hear how he struts by singing in 4 different styles in 2 seconds of a song."

The review expresses disappointment with Pain of Salvation's 'Falling Home,' describing it as a lost, stylistic mishmash with excessive arrangements. While the compositions remain strong, the album lacks coherent direction. The reviewer laments the band's departure from its progressive roots and criticizes some track renditions. The lone original track offers a glimmer of hope for the band's future. Explore the full review and discover if 'Falling Home' matches your expectations from Pain of Salvation.

 The quintet thus formed enters the studio charged and fiercely determined: even the last arrival understands that the group will never make a dime, but their music and communism are their entire life.

 Paolo Tofani violently unleashes the ring modulator of the synthesizer and produces four continuous minutes of deafening 'white noise'... leaving an undeniable sense of unease.

The review praises Area's second album, 'Caution Radiation Area,' as a fierce and uncompromising fusion of free jazz and rock, heavily influenced by politics and avant-garde experimentation. It highlights the virtuosic musicianship, innovative vocal techniques of Demetrio Stratos, and the album's challenging, provocative nature. Despite lineup difficulties and mixed initial reception, the album is seen as a seminal work in Italian progressive music with a lasting cultural impact. The live performances further emphasize the band's fearless commitment to pushing musical and social boundaries. Dive into the radical sounds of Area's 'Caution Radiation Area' and experience a landmark in avant-garde jazz rock—listen now and explore their fearless legacy.