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"Had to quick escape… had to!" "7 o’clock in the morning, I got a message from afar… an oasis where there are still dreams being born."
"Had to quick escape… had to!"
"7 o’clock in the morning, I got a message from afar… an oasis where there are still dreams being born."
Pearl Jam's eleventh album, Gigaton, explores themes of global destruction and hope for a new promised land beyond Earth. The album features a powerful, jam-session feel with long, dynamic tracks. Lyrics by Eddie Vedder are deep and thoughtful, touching on despair, madness, and tribute. Musically, it blends rock, grunge, psychedelia, and blues. This album is a mature, compelling work reflecting current global anxieties. Dive into Pearl Jam's Gigaton – experience the raw rock energy and profound lyrics today!
Making one’s hands a vehicle of harmony. The repeated listening to the sound of an engraved groove, the engraving of an engraved groove—which is what we call memory—within ourselves.
Making one’s hands a vehicle of harmony.
The repeated listening to the sound of an engraved groove, the engraving of an engraved groove—which is what we call memory—within ourselves.
This review meditates on the concept of sublimation in the creation and experience of Marin Marais' 'Pieces de viole' performed by Jordi Savall. It highlights the transformation of raw materials into music, the craftsman's skill, and the listener's complex engagement with the sound. The tone is reflective and serious, appreciating the art without overt praise or criticism. Overall, it presents the album as a profound, mysterious piece of art open to deep contemplation. Immerse yourself in the sublime sound world of Marin Marais and Jordi Savall—listen now!
The result is hallucinogenic (in the truest sense of the word) and difficult to explain in words. To understand the FL, one needs to understand that everything they do is born from the union between death and madness/lightheartedness (but also childish curiosity).
The result is hallucinogenic (in the truest sense of the word) and difficult to explain in words.
To understand the FL, one needs to understand that everything they do is born from the union between death and madness/lightheartedness (but also childish curiosity).
This review revisits The Flaming Lips' 2004 album Zaireeka sixteen years later with admiration. The album's innovative concept of four CDs played simultaneously creates an unpredictable, immersive soundscape. The reviewer highlights the band's blend of chaos, creativity, death, and madness as core themes. Zaireeka is praised as a visionary and challenging piece that demands active listener participation. The review reflects both personal nostalgia and deep appreciation for the band's artistic risks. Dive into the surreal world of Zaireeka and experience music in a groundbreaking way—play all four discs and join the sonic adventure!
"Hardcore isn’t dead, it simply doesn’t intend to smell old, and in this, Kaos finds the right balance even in the flow itself." "‘Uno’ and ‘La zona morta’ are two slaps in the face, where the master shows that the knife is still sharp."
"Hardcore isn’t dead, it simply doesn’t intend to smell old, and in this, Kaos finds the right balance even in the flow itself."
"‘Uno’ and ‘La zona morta’ are two slaps in the face, where the master shows that the knife is still sharp."
Kaos One’s kARMA is a defining Italian hip hop album released in 2006 after a seven-year pause. The record blends raw street sounds with mature, introspective lyrics, showcasing refined flow and strong production by Don Joe. It tackles cultural critique and deep personal themes, enhanced by standout collaborations. This album balances aggression with sophistication, proving Kaos One’s enduring influence. Dive into Kaos One's kARMA, a gritty and profound hip hop journey — listen now and experience one of Italian rap’s finest works.
"(They Long to Be) Close to You is not just a song: it’s a world, a lost world." Karen Carpenter’s voice is limited yet exquisite in tone; the still slight singing experience is forgiven by frankness and simplicity.
"(They Long to Be) Close to You is not just a song: it’s a world, a lost world."
Karen Carpenter’s voice is limited yet exquisite in tone; the still slight singing experience is forgiven by frankness and simplicity.
The review praises the Carpenters' 1970 album Close to You, highlighting the title track as a timeless pop classic elevated by Karen Carpenter's sincere vocal style. It explores the song's background, musical sophistication, and the album's overall softer, orchestrated sound. The review reflects on Karen Carpenter's tragic life and legacy, capturing a lost era of music with emotional depth. Despite some less memorable tracks, the album remains an essential listen for fans of 70s pop and soft rock. Discover the soulful charm of Carpenters' Close to You—listen now and feel the timeless magic of 70s pop.
This album is not Francesca. I don’t have much news given the period. On the contrary, I have such a desire to play with others I’d break down walls. I want to communicate, and if I have to sum it up in two words, this album communicated very little to me.
This album is not Francesca.
I don’t have much news given the period. On the contrary, I have such a desire to play with others I’d break down walls. I want to communicate, and if I have to sum it up in two words, this album communicated very little to me.
The review critically analyzes Francesca Michielin's album 'Feat (stato di natura)', expressing disappointment over its lack of cohesion and authentic voice. Though it features strong production and notable collaborations, the reviewer feels the album doesn't reflect Francesca's true artistic nature. Praise is given to some tracks, but overall, the album is seen as confusing rather than enriching. The reviewer encourages Francesca to reconnect with her unique style in future works. Discover why Francesca Michielin's latest album divides opinion – read the full review and decide for yourself!
Rarely have I found a cover that so well represents the essence of an album or an album that so well represents the atmosphere of a photograph. Laura Gibson gave me the music I needed for a journey, at the right time.
Rarely have I found a cover that so well represents the essence of an album or an album that so well represents the atmosphere of a photograph.
Laura Gibson gave me the music I needed for a journey, at the right time.
This review explores Laura Gibson's album 'Goners' as a deeply emotional work that perfectly accompanies a travel journey. The writer describes a memorable concert experience and a meaningful connection formed through the album's evocative cover photo by Lithuanian photographer Katrina Krepule. The music's blend of piano, strings, and acoustic guitar captures a dark yet warm atmosphere, becoming a soundtrack for both physical and mental exploration. Listen to Laura Gibson's 'Goners' and experience its haunting melodies and captivating atmosphere for your next journey.
They sing about "dry and dirty summers", motels and car trips, "souls crumbling like a clod of earth". "Pavement draw a line, willingly or not, you either jump in or you don't. Then, when you're on their side, all you need to do is walk. No flying, no falling."
They sing about "dry and dirty summers", motels and car trips, "souls crumbling like a clod of earth".
"Pavement draw a line, willingly or not, you either jump in or you don't. Then, when you're on their side, all you need to do is walk. No flying, no falling."
The review praises Pavement's EP 'Watery, Domestic' for its carefully crafted lo-fi indie rock sound and bittersweet lyrics. It highlights the band's unique blend of restrained musical awkwardness and poetic existential themes. While not revolutionary, the EP embodies a subtle beauty and slacker ethos that remains compelling and enchanting. The critic reflects on Pavement's place in indie rock history as underrated innovators with a distant, understated charm. Ultimately, the EP is seen as a meaningful expression of reluctant yet effective art. Discover the subtle beauty and slacker spirit of Pavement's 'Watery, Domestic'—listen now and dive into indie rock history!
Art must always limp a little. Misha is a sort of Dr. Monk and Mr. Dada, Han is the constant interference.
Art must always limp a little.
Misha is a sort of Dr. Monk and Mr. Dada, Han is the constant interference.
This review celebrates the dynamic interplay and absurd humor in Misha Mengelberg and Han Bennink's album Midwoud 77. The duo's improvisational style blends beautiful melodies with intentional imperfections, inspired by Thelonious Monk. Their lively performances balance chaos and order, embracing life’s seriousness with a wink. The result is an engaging avant-garde jazz experience full of charm and wit. Dive into the playful jazz world of Misha Mengelberg and Han Bennink—listen to Midwoud 77 to experience their unique improvisational magic!
"No offense to those afflicted by nomadism but 'Quando ci saremo' is perhaps the album that contains the most ugliness in all their discography." "If you decide to go on in a band, and you want to replace a singer because they passed away, putting in two is not at all brave. That means having none at all."
"No offense to those afflicted by nomadism but 'Quando ci saremo' is perhaps the album that contains the most ugliness in all their discography."
"If you decide to go on in a band, and you want to replace a singer because they passed away, putting in two is not at all brave. That means having none at all."
This review revisits Nomadi’s 1996 album 'Quando ci sarai' with a critical perspective. While the lyrics retain some depth reminiscent of the Augusto era, the music is largely described as musically banal and disappointing. The double-singer approach after Augusto Daolio's passing is criticized for weakening the band’s identity. Guest contributions, especially from Francesco Gualerzi and Cuban musicians, add some interest. Overall, the album is seen as one of the weaker entries in Nomadi's discography. Discover the complexities behind Nomadi's 'Quando ci sarai'—explore the album and its story today.
A bridge between the September-like atmospheres of the last Beach Boys and the early Pink Floyd post-Barrett. Let’s open all the windows and let the sun in while we have it in front of us and not behind.
A bridge between the September-like atmospheres of the last Beach Boys and the early Pink Floyd post-Barrett.
Let’s open all the windows and let the sun in while we have it in front of us and not behind.
This review explores The Flaming Lips' song 'Flowers of Neptune 6,' highlighting its melancholic essence and musical links to Beach Boys and early Pink Floyd. The evocative video by George Salisbury subtly references the Covid-19 era. The reviewer shares a personal connection, reflecting on loss and the passage of time, ultimately inviting listeners to embrace life’s fleeting moments. Listen to Flowers of Neptune 6 and experience The Flaming Lips’ soulful reflection on life and times.
IQ has taken the habit of exaggerating, of doing things on a grand scale. 'Resistance' can only satisfy neo-prog lovers.
IQ has taken the habit of exaggerating, of doing things on a grand scale.
'Resistance' can only satisfy neo-prog lovers.
IQ’s eleventh album 'Resistance' is a successful double album blending dark, space-themed experimental sounds with classic neo-prog elements. The first disc offers alien, atmospheric soundscapes, while the second focuses on melodic, dynamic compositions. The album maintains a cohesive mood influenced by science fiction and highlights the band’s continued growth and maturity after nearly 40 years. 'Resistance' is highly recommended for fans of atmospheric and complex progressive rock. Dive into IQ’s ‘Resistance’ and experience an epic journey through spacey neo-prog and melodic progressive rock!
The new Dream Syndicate album, in my opinion, is not a Dream Syndicate album. I never thought I would associate the word boredom with something written by my friend Steve.
The new Dream Syndicate album, in my opinion, is not a Dream Syndicate album.
I never thought I would associate the word boredom with something written by my friend Steve.
The reviewer, a long-time devoted fan of Steve Wynn and The Dream Syndicate, finds The Universe Inside difficult and tedious to listen to. Despite repeated attempts, the album fails to evoke the signature energy and excitement of their earlier work. The record’s lengthy, improvisational tracks lack the distinctive guitar distortion and force that once defined the band’s sound. Ultimately, the reviewer cannot embrace this experimental direction, preferring to cherish the band's classic era. Explore The Dream Syndicate’s evolving sound and decide if The Universe Inside resonates with your musical taste.
"The queen of pop is back." "An album that returns to its roots, a highly danceable record, an explosion of music and colors."
"The queen of pop is back."
"An album that returns to its roots, a highly danceable record, an explosion of music and colors."
Chromatica marks Lady Gaga's triumphant return to her dance-pop roots with energetic and colorful tracks. Featuring collaborations with Ariana Grande and Elton John, the album revives the spirit of her early career. Despite delays due to the pandemic, singles have become instant classics. The reviewer expresses personal connection and hopes for a tour in Italy. Dive into Lady Gaga's Chromatica and rediscover the dancefloor magic—listen now and feel the beat!
I need decades — give me decades! — or even better, centuries. He must have really enjoyed himself, that maestro shaper of acousmatic crackles, in mocking the world, giving vertigo to the auricles.
I need decades — give me decades! — or even better, centuries.
He must have really enjoyed himself, that maestro shaper of acousmatic crackles, in mocking the world, giving vertigo to the auricles.
The review poetically reflects on the challenging and profound listening experience of Bernard Parmegiani's De Natura Sonorum. It emphasizes the complexity and the mysterious nature of the album, suggesting that true understanding requires extensive time and sensitive listening. The reviewer admires Parmegiani as a master craftsman who shaped unique soundscapes that remain enigmatic and powerful. Despite the album's contributions, the experience remains elusive and partially inscrutable. Dive into the enigmatic sound world of De Natura Sonorum and uncover Bernard Parmegiani's acousmatic mastery.
The World Has Turned And Left Me Here becomes almost slowcore, acidic just right, shouted and ungraceful, a Pixies song torn apart and stretched out. The Kitchen Tape is a home recording from 1992 featuring tracks like Say It Ain't So, Undone, and My Name Is Jonas, Alternative / Lofi snapshots that we will never hear again.
The World Has Turned And Left Me Here becomes almost slowcore, acidic just right, shouted and ungraceful, a Pixies song torn apart and stretched out.
The Kitchen Tape is a home recording from 1992 featuring tracks like Say It Ain't So, Undone, and My Name Is Jonas, Alternative / Lofi snapshots that we will never hear again.
This review highlights the raw and unpolished 1992 Weezer Kitchen Tape demos, showcasing early versions of popular songs with a unique slowcore and alternative rock vibe. The World Has Turned And Left Me Here stands out for its gritty, stretched-out sound influenced by bands like Pixies and Dinosaur Jr. The cassette captures a moment before major label polish. Explore Weezer's rare Kitchen Tape demos and hear the raw essence of their early alternative rock sound!
'Wrong is that song you listen to endlessly during a medium-distance journey.' 'That restart blows on my heart and cries for revenge for all those times I want to recreate something powerful, raw, painful.'
'Wrong is that song you listen to endlessly during a medium-distance journey.'
'That restart blows on my heart and cries for revenge for all those times I want to recreate something powerful, raw, painful.'
This review celebrates Archers of Loaf's 1992 single 'South Carolina / Wrong' as a powerful blend of indie rock influences with raw emotional intensity. The author highlights the song 'Wrong' as an endlessly captivating track marked by unique harmonics and heartfelt energy. Despite its quality, the song was overlooked during the alternative rock revolution of the '90s. The vintage feel combined with fierce passion make this 7" a must-listen for fans of the genre. Listen to Archers of Loaf's raw 'South Carolina / Wrong' 7" and rediscover a lost classic of '90s indie rock.
"The 'I’m gonna love you more than anyone' repeated as a Tibetan mantra... drains away every residue of absence." "With a decisive gesture, I knock my rough knuckles on the window glass and finally let time inundate the room."
"The 'I’m gonna love you more than anyone' repeated as a Tibetan mantra... drains away every residue of absence."
"With a decisive gesture, I knock my rough knuckles on the window glass and finally let time inundate the room."
The review portrays Burial's Rival Dealer EP as an immersive and emotional listening experience, blending ambient and dubstep elements. It captures themes of persistence, healing, and the passage of time through evocative soundscapes that deeply affect the listener’s perception and mood. The review emphasizes the transformative power the music holds over personal hardship and memory. Dive into Burial's Rival Dealer EP and experience its haunting soundscape that transforms time and Emotion. Listen now!
Our dear Irishman is fascinated by that industrial sphere that swirls in the spasmodic search for entropy. Out-of-tune sounds and discordant tones, noises without source and baffling cleanliness.
Our dear Irishman is fascinated by that industrial sphere that swirls in the spasmodic search for entropy.
Out-of-tune sounds and discordant tones, noises without source and baffling cleanliness.
Perturbed_'s 'Common Eros' is an immersive album blending industrial noise with trance to evoke urban entropy. The review highlights its shapeshifting sounds, atmospheric depth, and experimental nature. Featuring contributions from Daniel Giovanese, the music balances discordant tones with compelling soundscapes. The album reflects the artist's fascination with industrial aesthetics and evolving sonic textures. Dive into Perturbed_'s Common Eros for a unique industrial trance experience—listen now and explore the depths of sound!
John Taylor indeed manages to showcase his entire stylistic mark, made of harmonic refinements and great rhythmic sensitivity, in a manner that is always new and vital. The peak of this type of exploration is, in my opinion, found in the track “Descent,” a true gem that originates from a harmonic framework that immediately transforms into a poignant monodic line.
John Taylor indeed manages to showcase his entire stylistic mark, made of harmonic refinements and great rhythmic sensitivity, in a manner that is always new and vital.
The peak of this type of exploration is, in my opinion, found in the track “Descent,” a true gem that originates from a harmonic framework that immediately transforms into a poignant monodic line.
John Taylor's 2005 album 'Songs and Variations' showcases his skillful solo piano improvisation. The album highlights his harmonic depth and rhythmic originality without slipping into banality. It offers a rich listening experience appreciated by both experts and casual listeners. Notable tracks like 'Descent' reveal Taylor's unique blend of melody and harmony. Dive into John Taylor's 'Songs and Variations' and experience the brilliance of solo piano jazz innovation.
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