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Thirty-Something adds a nice new track from the duo, appreciable revisitations, even if a bit limited compared to the live counterparts, and a plethora of remixes not all necessary but featuring a quartet of standouts not to be underestimated. Smiley is a nostalgic homage to the rave period, with retro breakbeats that immediately bring to mind jungle and the '90s.
Thirty-Something adds a nice new track from the duo, appreciable revisitations, even if a bit limited compared to the live counterparts, and a plethora of remixes not all necessary but featuring a quartet of standouts not to be underestimated.
Smiley is a nostalgic homage to the rave period, with retro breakbeats that immediately bring to mind jungle and the '90s.
Orbital’s Thirty-Something celebrates over thirty years of electronic music innovation with a double album featuring three new tracks, updated classics, and 14 remixes. While some remixes fall short, four stand out brilliantly. The album blends nostalgia with fresh reinterpretations, honoring both Orbital’s legacy and the next generation of producers. It’s a worthwhile alternative to a typical greatest hits collection. Dive into Orbital’s Thirty-Something to experience classic rave soundscapes refreshed with fresh beats and stellar remixes!
The music of the Mermen essentially lives with this dual nature between sweet caresses on the shore and brisk electric currents pushing offshore. 'The Goodbye,' with a very fitting riff and its touch of melancholy, manages to move, making the mind travel back to its places of the heart.
The music of the Mermen essentially lives with this dual nature between sweet caresses on the shore and brisk electric currents pushing offshore.
'The Goodbye,' with a very fitting riff and its touch of melancholy, manages to move, making the mind travel back to its places of the heart.
This review explores The Mermen's debut album 'Krill Slippin’', highlighting its deep roots in classic surf rock influenced by Dick Dale. The band’s blend of psychedelic elements and evocative oceanic themes creates a musical journey that captures both the gentle and stormy spirit of the sea. Key tracks like 'The Goodbye' and 'Ocean Beach' stand out for their emotional depth and vibrant energy. The album is praised for its vitality and for evoking peaceful, adventurous coastal imagery. Dive into The Mermen's 'Krill Slippin’' and experience a psychedelic surf rock adventure inspired by the ocean's spirit.
"Suspicion is a terrifying thing, it is the devil’s flour and it is impossible to rid oneself of it." "TheSuspect is a beautiful book, in which Dürrenmatt’s fluid and elegant prose outlines a barren, desolate world where human beings seem to be in constant conflict with each other."
"Suspicion is a terrifying thing, it is the devil’s flour and it is impossible to rid oneself of it."
"TheSuspect is a beautiful book, in which Dürrenmatt’s fluid and elegant prose outlines a barren, desolate world where human beings seem to be in constant conflict with each other."
The review praises Friedrich Dürrenmatt's novel 'The Suspect' as an elegant and thought-provoking anti-thriller featuring an ailing commissioner battling concealed evil. It highlights the novel's rich dialogues on existence, justice, and faith, and its subversion of classic mystery tropes. The reviewer appreciates the profound philosophical layers that elevate the narrative beyond a standard thriller. Additionally, the author recommends the Italian TV adaptation for its faithful portrayal of the novel's unsettling atmosphere. Dive into Dürrenmatt's 'The Suspect' and experience a thrilling philosophical battle against evil.
The melodies become more airy, certainly less oppressive, and there is something of an Arabesque and exotic feeling hovering over everything. The keyboards dominate, and honestly, I do not sense any noticeable collapses in the entire sonic structure that composes the album.
The melodies become more airy, certainly less oppressive, and there is something of an Arabesque and exotic feeling hovering over everything.
The keyboards dominate, and honestly, I do not sense any noticeable collapses in the entire sonic structure that composes the album.
This review explores Dark Day's third album 'Darkest Before Dawn', highlighting its shift to a lighter, more airy minimal synth pop style. The album features hypnotic, keyboard-driven melodies with an exotic, dreamlike atmosphere. While not as groundbreaking as previous works, it remains a compelling listen for fans familiar with Robin Lee Crutchfield's unique style. Dive into Dark Day's 'Darkest Before Dawn' and experience the hypnotic allure of minimal synth pop today!
Micah P. Hinson at Villa Manin was one of the most beautiful, intimate, and intense concerts I’ve ever seen. His voice breaks every now and then? On the contrary, it’s even more beautiful.
Micah P. Hinson at Villa Manin was one of the most beautiful, intimate, and intense concerts I’ve ever seen.
His voice breaks every now and then? On the contrary, it’s even more beautiful.
The review recounts the author's evolving experiences with live concerts, culminating in a deeply moving and intimate 2022 performance by Micah P. Hinson at Villa Manin. Despite minimal production, Hinson's raw voice and heartfelt songs created a memorable atmosphere. The artist's openness and storytelling resonated strongly with the audience, making this one of the best live shows the reviewer has witnessed. Discover the heartfelt magic of Micah P. Hinson’s live performance—listen now and feel every note.
The protagonists are scatterbrained and drifting, wasted and dissociated, artists and fools, deliriously out of their minds. In the end, it’s all an illusion, this filthy slime of existence: we are all, without exception, subjects who feel a sense of infinity in the spirit and, aware of our corporeal finiteness, nonetheless do not go crazy but carry on with their lives.
The protagonists are scatterbrained and drifting, wasted and dissociated, artists and fools, deliriously out of their minds.
In the end, it’s all an illusion, this filthy slime of existence: we are all, without exception, subjects who feel a sense of infinity in the spirit and, aware of our corporeal finiteness, nonetheless do not go crazy but carry on with their lives.
Richard Lowenstein's film 'He died with a Felafel in his hand' presents a raw, surreal depiction of Australian youth cohabitation culture. Combining elements of beat-pop, pulp, and bohemian lifestyles, it explores themes of friendship, love, art, and social issues through absurd, offbeat dialogue and a rock soundtrack. While it lacks a logical ending, the film reflects on existence and human resilience amidst chaos and pain. The movie remains an iconic story capturing a unique generational experience. Discover this cult Aussie film’s quirky and raw take on youth – watch 'He died with a Felafel in his hand' now!
A novel is a love story, the stories, however, are a night of passion. They are esteemed people, bourgeois in a bourgeois world who have intimately suffered extraordinarily, and in these novellas, they confess.
A novel is a love story, the stories, however, are a night of passion.
They are esteemed people, bourgeois in a bourgeois world who have intimately suffered extraordinarily, and in these novellas, they confess.
This review situates Stefan Zweig’s Sovvertimento dei sensi within the rich cultural and historical context of early 20th century Central Europe. It praises Zweig’s psychological mastery in exploring hidden passions and human nature through three novellas. While acknowledging the historical background and Zweig's life journey, the review offers a measured appreciation for the work’s themes of emotional epiphany and human complexity. The collection is seen as an evocative exploration rather than a deeply groundbreaking breakthrough. Dive into Stefan Zweig’s evocative novellas and experience the profound psychological journey of passion and self-discovery.
No one today resonates the same devils that have inspired (and tormented) Robert Johnson or still nestle among the notes of Son House's 'Death Letter Blues' quite like him. An album that cannot be ignored by lovers of blues and blues-rock, and that for anyone who loves good music in general, well-written and well-produced, is a breath of air.
No one today resonates the same devils that have inspired (and tormented) Robert Johnson or still nestle among the notes of Son House's 'Death Letter Blues' quite like him.
An album that cannot be ignored by lovers of blues and blues-rock, and that for anyone who loves good music in general, well-written and well-produced, is a breath of air.
Fantastic Negrito’s 'White Jesus Black Problems' is a powerful and well-produced blues album that honors the genre’s roots while innovating with funk, soul, and folk influences. The reviewer highlights the dynamic instrumentation, evocative songwriting, and compelling live performance in Genoa. This album is highly recommended for blues and blues-rock fans and anyone who appreciates authentic, passionate music. Listen to Fantastic Negrito’s 'White Jesus Black Problems' and experience a fresh, authentic blues journey.
That’s what Vittorio de Scalzi was, besides being a great musician... a Man who, contrary to what often happens, was able to improve after misfortunes, rather than worsen. When, after recovering from Covid, the pulmonologist tells him... and asks if he needed a psychologist. The laconic response: 'I need a guitar, doctor...'
That’s what Vittorio de Scalzi was, besides being a great musician... a Man who, contrary to what often happens, was able to improve after misfortunes, rather than worsen.
When, after recovering from Covid, the pulmonologist tells him... and asks if he needed a psychologist. The laconic response: 'I need a guitar, doctor...'
This evocative review traces Vittorio De Scalzi's journey from his childhood roots in Genoa to his influential role in the New Trolls. It highlights his complex personality and the adversity he faced, including family tragedy and health challenges. Despite hardships, De Scalzi’s music and spirit remained inspiring, marked by moments of friendship, forgiveness, and artistic vitality until his final days. The review is a tender homage to a talented and resilient musician. Discover the inspiring story and timeless music of Vittorio De Scalzi and the New Trolls—listen, read, and celebrate a true legend.
If they asked me, I would answer that there’s less than nothing new and yet, as long as ballads like “Tomorrow People”, “Movies”, and “Someone Else’s Problem” are written and the American tradition is handled with personality and skill as Ivey does, it seems marvelous to me. The shift from the debut is quite distinct, due to a decidedly rockish approach that harks back as much to Bob Dylan grappling with electricity in “Bringin It All Back Home” as to Tom Petty’s first three albums.
If they asked me, I would answer that there’s less than nothing new and yet, as long as ballads like “Tomorrow People”, “Movies”, and “Someone Else’s Problem” are written and the American tradition is handled with personality and skill as Ivey does, it seems marvelous to me.
The shift from the debut is quite distinct, due to a decidedly rockish approach that harks back as much to Bob Dylan grappling with electricity in “Bringin It All Back Home” as to Tom Petty’s first three albums.
Jeremy Ivey, once known as Margo Price's guitarist and husband, steps out with his own work in 'Waiting Out The Storm.' Guided by traditional Americana and classic rock influences, the album channels legends like Dylan, Petty, and Cash. While not breaking new ground, Ivey delivers skilled and personal songs that honor American musical roots. His emergence as a solo artist is notable and promising. Listen to Jeremy Ivey’s 'Waiting Out The Storm' and experience authentic Americana rock crafted with heart and skill.
"'I'm not there' is the greatest song ever written, it is because it isn’t written." A black hypnosis clotted around the unspeakable. A magic lantern in reverse.
"'I'm not there' is the greatest song ever written, it is because it isn’t written."
A black hypnosis clotted around the unspeakable. A magic lantern in reverse.
This review reflects deeply on Bob Dylan's 'I'm Not There (1956),' highlighting its raw, improvisational essence and legendary status. The song is portrayed as a haunting, ghostly piece, rich in emotional complexity and poetic ambiguity. The reviewer connects it to Dylan's broader work and legacy, emphasizing its lasting mystique and importance in his catalog. Dive into the haunting world of Bob Dylan's 'I'm Not There (1956)' and experience the raw poetry and mystique for yourself!
"Closer to you is no longer closer to me." "It takes little for us to dream or it’s not worth staying awake too long."
"Closer to you is no longer closer to me."
"It takes little for us to dream or it’s not worth staying awake too long."
In 'Warm Chris,' Aldous Harding crafts a surreal and enchanting indie folk album. With producer John Parish, she blends dreamlike lyrical content and minimal instrumentation to create an unpredictable yet captivating listening experience. The album presents a balance of light and shadow, evoking feelings of both calm and dizziness. Harding's distinctive, phlegmatic vocal delivery contributes to the album's unique charm. This fourth album marks a confident evolution in her career under 4AD. Dive into Aldous Harding's 'Warm Chris' and experience a mesmerizing indie folk journey full of surprises and delicate beauty.
Elvis is the stage, and the stage is Elvis. Unbelievable, if you don’t see it, you won’t believe it. The orgy scene of Love Me Tender, because that’s essentially what it is even if they are all respectably dressed, is the most impressive testimony to the absolute messianic power that Elvis Presley exerted over his disciples.
Elvis is the stage, and the stage is Elvis. Unbelievable, if you don’t see it, you won’t believe it.
The orgy scene of Love Me Tender, because that’s essentially what it is even if they are all respectably dressed, is the most impressive testimony to the absolute messianic power that Elvis Presley exerted over his disciples.
Denis Sanders’ documentary captures Elvis Presley’s 1970 Las Vegas concerts with mesmerizing energy and iconic stage presence. The film showcases his mastery of performance and deep connection with the audience, highlighted by intimate and powerful moments like the 'Love Me Tender' scene. With excellent direction and editing, it remains a historic and artistic testament to Elvis’ legendary status. Highly recommended for fans and music lovers. Watch Elvis: That’s the Way It Is to experience the electrifying magic of Elvis’ legendary live performances!
Everything travels in the incredible disarming purity and sincerity of someone who...has the talent to communicate their torment through music. The aim to exorcise it with it.
Everything travels in the incredible disarming purity and sincerity of someone who...has the talent to communicate their torment through music.
The aim to exorcise it with it.
The review highlights the powerful emotional sincerity of Pete Townshend's album Empty Glass. It praises Townshend's talent in communicating personal torment through music. The album is seen as an honest and purifying expression of feelings. Overall, the review is deeply appreciative of the album's raw and authentic nature. Listen to Empty Glass now and experience Pete Townshend's raw musical honesty!
Biosphere achieves an authentic miracle with Substrata, creating a timeless masterpiece that transposes solitude, silence, and melancholy into music. Substrata is one of those works for which the definition 'classic' can truly be used liberally, an immersive experience able to suspend time and space.
Biosphere achieves an authentic miracle with Substrata, creating a timeless masterpiece that transposes solitude, silence, and melancholy into music.
Substrata is one of those works for which the definition 'classic' can truly be used liberally, an immersive experience able to suspend time and space.
Biosphere's Substrata is a timeless ambient album that masterfully combines minimalist electronics with natural soundscapes evoking cold Nordic landscapes. The review highlights its immersive and melancholic atmosphere, created through inventive use of field recordings and subtle synth textures. Celebrated as a classic, Substrata surpasses expectations and remains influential decades after its release. Each track offers new details, blending solitude, silence, and nature into a unique musical experience. Dive into the immersive world of Biosphere’s Substrata and experience a timeless ambient journey through cold Nordic soundscapes.
The first track 'Interference' is enough to understand that the sonic coordinates have not changed at all. Overall, we are looking at a good album, certainly dark and magmatic, which revives the cult of Loop and recalls the splendor of the old days.
The first track 'Interference' is enough to understand that the sonic coordinates have not changed at all.
Overall, we are looking at a good album, certainly dark and magmatic, which revives the cult of Loop and recalls the splendor of the old days.
Loop, pioneers of shoegaze, return with Sonancy, their first album in decades. The record balances their classic hypnotic guitar-driven sound with calmer, atmospheric tracks. Sonancy successfully revives the band's cult status while exploring darker, magmatic soundscapes. This album will especially appeal to fans of psychedelic rock and krautrock influences. Listen to Loop's mesmerizing new album Sonancy on Bandcamp and experience their iconic psychedelic shoegaze sound reborn.
Luigi Musolino is the best Italian horror writer: few other authors manage to evoke, from a realistic context, the ancestral and irrational fears that inhabit our psyche. Uironda represents “a boundary, a boundary between light and darkness, between the known and the unknown.”
Luigi Musolino is the best Italian horror writer: few other authors manage to evoke, from a realistic context, the ancestral and irrational fears that inhabit our psyche.
Uironda represents “a boundary, a boundary between light and darkness, between the known and the unknown.”
Luigi Musolino is praised as the best Italian horror writer, skillfully evoking deep-rooted fears through his realistic and unsettling stories. The anthology Uironda features 10 exceptional tales blending folklore, dread, and supernatural elements. Highlights include tales of otherworldly islands, terrifying landscapes, and Lovecraftian horrors. Musolino's refined style and thematic depth make Uironda essential for horror fans. The collection is celebrated for its dark atmospheres and evocative storytelling. Explore Luigi Musolino's Uironda and immerse yourself in the darkest corners of Italian horror literature.
"Katia, a wonderful song about the first platonic love at school... Superb track, 5 stars!" "In 2020, after 6 years from the last unreleased tracks published, he releases digitally Milanochiama, which frankly is weak and worth no more than 2 stars."
"Katia, a wonderful song about the first platonic love at school... Superb track, 5 stars!"
"In 2020, after 6 years from the last unreleased tracks published, he releases digitally Milanochiama, which frankly is weak and worth no more than 2 stars."
This review collects Eugenio Finardi's non-album singles, evaluating each track with ratings mostly between 3 and 3.5 stars. Highlights include 'Katia' with five stars, and strong social and emotional themes throughout. Some weaker tracks appear, such as the 2020 release 'Milanochiama'. Overall, the review completes his discography with honest critiques of overlooked songs. Explore Eugenio Finardi’s rare singles and discover hidden gems from an iconic Italian rock artist.
"The Song of the Earth personifies the earth, humanizes it, rendering the track among the best in the tracklist." "The title track is a singer’s struggle with ‘the snake’s head’ of the microphone, but in the end, Vladimir wins, having managed to sing and record despite the regime."
"The Song of the Earth personifies the earth, humanizes it, rendering the track among the best in the tracklist."
"The title track is a singer’s struggle with ‘the snake’s head’ of the microphone, but in the end, Vladimir wins, having managed to sing and record despite the regime."
Eugenio Finardi collaborates with ensemble Sentieri selvaggi and conductor Carlo Boccadoro to reinterpret 11 classic songs by Russian poet Vladimir Vysotsky. The album blends theatrical and poetic elements, featuring orchestral arrangements that highlight the emotional depth of the lyrics. Finardi revisits some tracks from a previous tribute and adds new ones, delivering performances that range from ironic to heartfelt. The album receives praise for its evocative atmosphere and artistic ambition. Discover Eugenio Finardi’s heartfelt tribute to Vysotsky—listen now to experience poetic depth and orchestral beauty.
Low fidelity emo, total awkwardness that vibrates the flesh, that vibrates the nerves. To step away is permissible, to hesitate is diabolical, to remain is illogical.
Low fidelity emo, total awkwardness that vibrates the flesh, that vibrates the nerves.
To step away is permissible, to hesitate is diabolical, to remain is illogical.
This review explores Box Cutter’s album as a raw and awkward expression of lo-fi emo, filled with nostalgia for a lost decade in underground music. The reviewer reflects on aging, mental perception, and feeling disconnected from mainstream sounds. Despite critical reflections, the album evokes strong emotional resonance and marks a subtle defense of outsider music. Explore Box Cutter’s raw, nostalgic lo-fi emo sound and rediscover the intensity of outsider music.
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