Yuppi du meant everything and nothing. Great, because everything and nothing was also me, only I didn’t know it.

 That four-handed pose was beautiful, a monkey-man ahead of his time.

The review reflects on Adriano Celentano's Yuppi Du as both music and film, highlighting its quirky and unconventional charm. It captures a nostalgic domestic atmosphere where the album was a unique but treasured oddity. The reviewer connects personally with the album's emotional ambiguity and artistic playfulness, seeing it as a refuge despite its flaws. Yuppi Du is portrayed as a landmark of unexpected creativity and cultural significance. Discover the unique blend of music and cinema in Adriano Celentano's Yuppi Du—experience its quirky charm and cultural impact today!

 The magic lies all in the interpretation; we don’t recognize the words but the force they express, standing halfway between a prayer, a diatribe, and a festive song.

 Sometimes you just want to travel without moving your legs, sprawled on the couch after work, with an ice-cold IPA in hand, and forget everything.

This review delves into Stephan Micus' 'Implosions', praising its intricate use of exotic instruments and evocative invented vocals. The standout is the epic twenty-minute suite, which creates a compelling voyage through imagined ancient cultures. While some shorter tracks are less impactful, the album overall rewards attentive, relaxed listening. The review highlights the album's ability to transport listeners without leaving the comfort of home. Discover and immerse yourself in Stephan Micus' mesmerizing album 'Implosions'—a unique fusion journey worth your listening time.

 "It’s a half mess because it’s a series devoid of even the slightest touch of genius. Simply boring."

 "...making it a negligible product, full of craft but lacking elegance."

This review offers a critical perspective on Tim Burton's 'Wednesday' TV series, describing it as dull, predictable, and lacking the creativity and depth seen in Burton's earlier films. Despite high production quality, the series fails to engage, with bland characters and a storyline that falls flat. Only the character Thing is seen as credible, while the overall feel is compared unfavorably to subpar Harry Potter films. The reviewer laments a lack of sharp satire and poetic imagery, which Burton once mastered. Explore our full review and decide if Tim Burton’s Wednesday is worth your attention.

 Each song is a unique piece, and its structure represents in miniature the structure of the entire album, which is homogeneous in its heterogeneity.

 It’s like traveling by car through Las Vegas, where all the neon lights catch your attention, and there isn’t a glimpse of darkness.

Jockstrap’s album 'I Love You Jennifer B' defies genre classification by blending pop, electronic, jazz, and folk with glitchy, orchestral textures. Featuring Georgia Ellery from Black Country, New Road, the album showcases impressive musical versatility and rich, sophisticated compositions. It’s a complex but rewarding listen that invites music lovers to appreciate its eclectic nature. The album captures vibrant, dynamic moods and is highly recommended despite its diverse influences. Discover the rich and eclectic sounds of Jockstrap’s 'I Love You Jennifer B'—listen now and experience a truly unique musical journey!

 Some of these short stories are little gems, showing the seeds of what would later become the grand construction of Psychohistory in the Trilogy.

 John Campbell, mentor and friend, shaped Asimov’s development with detailed rejection letters and unwavering support.

This review highlights 'The Early Asimov,' a collection of Isaac Asimov's earliest short stories written between 1939 and 1949. The reviewer shares a personal connection to these works, praising their historical significance and glimpses of Asimov's evolving style. The book includes detailed context and anecdotes, illustrating important relationships and influences like those with editor John Campbell. Recommended for fans of Asimov's classics and those curious about the origins of his ideas. Dive into Isaac Asimov’s earliest tales and explore the roots of science fiction’s greatest mind!

 Don’t take it as a science fiction novel, that would be asking too much of it.

 The first and second parts together are a treatise on customs, on how these Americans appeared to a notable of old Europe.

The review acknowledges numerous plot holes and scientific inaccuracies in Jules Verne's 'From the Earth to the Moon' but embraces it as a charming and affectionate classic. It emphasizes the novel as a cultural and political commentary on mid-19th century America, rich in irony and character portrayals. The reviewer encourages readers to appreciate it as a testimony rather than strict science fiction. The finale is praised for its believability and redeeming qualities. Explore Jules Verne’s timeless classic and discover its mix of adventure, satire, and 19th-century American culture.

 They play ragged, disheveled, yet impeccable.

 Snapshots, from their point of view, of the heart of yesterday’s London, today’s, and tomorrow’s.

The review explores The Good, The Bad & The Queen’s B-sides collection as an atmospheric and melancholic exploration of English life and history. The band’s skilled musicianship is praised alongside their evocative imagery and fusion of folk and dub roots. While the B-sides offer some strong tracks, the compilation suffers from poor flow and unevenness. The album evokes a nostalgic and poetic vision of England from WWII to post-Brexit times. Overall, the collection is decent but not essential. Discover the evocative world of The Good, The Bad & The Queen – listen to their rare B-sides and experience the soul of England.

 "The unforgettable voice of Jim Morrison, who was much more than just a singer within the group, doesn’t make an appearance."

 "On an impeccable sonic tapestry of rock blues blend with jazz aromas, the album plays a crucial role in the evolution of a band that transitioned from a quartet to a trio of survivors."

The review reflects on The Doors' 1971 album 'Other Voices,' created after Jim Morrison's death. While acknowledging the absence of Morrison's iconic voice, the review praises the remaining members' musicianship. The album is seen as an important but imperfect milestone in the band's evolution, recommended especially to new listeners exploring The Doors' history. Listen to 'Other Voices' and explore The Doors' journey beyond Jim Morrison's legacy.

 This is all you can expect from this album... rich in seemingly dark atmospheres... almost as if you were trying to look at someone in the shadows, from a distance, squinting your eyes...

 You’re there on the couch, tired after a long day, you pour yourself a whisky and listen to this record, and you think: now the day is truly over!

Arab Strap's As Days Get Dark offers a deeply intimate and atmospheric listening experience. The album shifts between dark moods and lighter moments, especially in tracks like 'Compersion Pt.1' and 'Kebabylon.' Ideal for winding down after a tiring day, it evokes melancholy and comfort in equal measure. This record captures the feeling of looking into shadows from a distance, making it perfect for evening reflection. Discover the emotional depth of Arab Strap’s latest album—listen to As Days Get Dark and unwind your day the right way.

 Bill Stone’s 'Stone' is a handful of folk gems produced in limited copies, with noble influences among Velvet Underground, Cohen, and Pearls Before Swine.

 11 songs to face another night, a soft fingerpicking to make that surface tension fluid, a constant melancholy for those desires that can be dreamed but not touched.

Bill Stone’s album 'Stone' offers an intimate, melancholic folk experience filled with poetic imagery and rich musical influences like Velvet Underground and Leonard Cohen. The review highlights the album’s dreamy late-night mood and emotional depth. Featuring 11 tracks, it captures the longing and mystery of quiet moments and heartfelt stories. Listen to Bill Stone's 'Stone' for a soulful folk journey through midnight dreams and poetic melodies.

 With a certain cunning, this work could be considered in some ways even better than the acclaimed 'Play,' certainly more sincere, less sleazy, and without any pretense.

 This album sounds just like those slightly faded Sunday afternoons returning from the usual day trip to a remote farmhouse, with the sun never finishing setting.

This review encourages listeners to view Moby's Play: The B Sides beyond previous biases, appreciating it as a sincere and skillful ambient instrumental album. It portrays the work as more honest and less commercial than his mainstream successes. Despite minor flaws, the album offers a pleasant and lively sequence of chamber electronica tracks reminiscent of earlier ambient works. The reviewer likens the album’s spirit to a tough and sincere fight for relevance, much like a Serie B football league. Give Play: The B Sides a listen and discover Moby’s heartfelt ambient sound beyond the hits.

 It’s the bright side of Pink Moon. God knows how much we need it.

 Stop spying on her from the window and just offer a smile when you meet her on the stairs.

Maxine Funke's album Pieces Of Driftwood offers a sweet, intimate folk experience filled with delicate acoustic melodies. The review highlights the emotional depth and the magical simplicity of the music, likening it to a bright counterpart of Nick Drake's Pink Moon. The album evokes quiet, reflective moments and a gentle, caring presence throughout its songs. Listen to Maxine Funke’s Pieces Of Driftwood and experience the soothing beauty of modern folk.

 "‘I Didn’t Mean to Haunt You’ is a bright star in the firmament of modern avant-pop: not for everyone, not immediately assimilable or classifiable, but deserving of the significant exposure it is receiving online."

 "Quadeca has managed to carve out a comfortable niche to experiment with textures without giving up catchy hooks with clear emo-rap influences."

Quadeca successfully transitions from YouTube content creator to serious artist with 'I Didn’t Mean to Haunt You', a concept album blending emo-rap and avant-pop. The album explores themes of suicide and afterlife through sophisticated production and varied influences. Despite minor flaws due to youth and inexperience, the project showcases bold experimentation and strong songwriting. Guest appearances like Danny Brown add depth to this ambitious release. Discover Quadeca’s bold new album and experience the unique blend of emo-rap and avant-pop today!

 An album conceived during the dark lockdown; each member, isolated in their own home, created their part.

 Russian Circles have triumphed again! One of my musical highlights of the year.

Russian Circles' eighth album, Gnosis, showcases their signature instrumental post-metal style with expertly balanced bass, guitar, and drums. Created during lockdown and refined with producers Steve Albini and Kurt Ballou, it delivers a compact yet powerful listening experience under 40 minutes. Highlights include emotional tracks such as Ó Braonáin and the atmospheric Bloom. The album is praised as a high point in the band's career and a standout release of the year. Listen to Russian Circles' Gnosis and experience their post-metal brilliance and emotional depth.

 ‘I’m Not Sorry, I Was Just Being Me’ is an album of disarming beauty, spartan and sometimes even moving.

 The way Hannah sings reminds me so much of Hope Sandoval, the same monotony, more disenchanted and grounded.

The review praises King Hannah's album 'I'm Not Sorry, I Was Just Being Me' for its minimalistic yet evocative storytelling and authentic emotional delivery. It highlights the duo's ability to channel nostalgic indie folk and alt-rock sounds reminiscent of Hope Sandoval, Mazzy Star, and Jesus & Mary Chain. The album features intimate, straightforward lyrics and a striking cover of Bruce Springsteen's "State Trooper." The reviewer finds the album both moving and highly relatable, recommending it to fans of 90s alternative music. Listen to King Hannah's heartfelt album and experience a fresh take on indie folk and nostalgic alt-rock today!

 Four Tet inhibits melancholy and makes us (re)live the long days and vivid colors of Summer, making it a mental season.

 The model is much more yoga-soft with oils and massages than loud-club.

The review reflects on experiencing Four Tet's Sixteen Oceans during lockdown, highlighting its calming, eclectic instrumental sound that cultivates mental peace. It contrasts the album’s serene and natural atmosphere with confinement’s monotony. The music invites listeners to embrace introspection and the subtle beauty of everyday views, offering comfort and a sense of renewal amid global uncertainty. Listen to Four Tet's Sixteen Oceans and find your calm within the music's serene waves.

 The production is heavy, there is an overabundance of strings and pompous sycophantic choruses seeking easy applause.

 Bruce's album deserves an honest 6.5/10 and let no one dare even compare Only the Strong Survive to the Seeger sessions.

This review takes a critical look at Bruce Springsteen's 'Only the Strong Survive,' a soul covers album. While highlighting some strong moments like the duet with Sam Moore, it criticizes the heavy production and lack of genuine soul. The album is seen as vintage pop rather than a true soul record, earning a modest rating. Listen to Bruce Springsteen’s 'Only the Strong Survive' and decide if this vintage soul cover album hits the mark for you.

 This 'Father Loves Us' is nothing more than one of their most annihilating manifestos.

 The title track is a chilling metallic and percussive whirlwind; inhuman beats are accompanied by surgical and paranoid noise.

British Murder Boys' 'Father Loves Us' is a compact and powerful display of brutal industrial techno. Featuring legends Regis and Surgeon, the EP channels the essence of Birmingham's underground sound with precision and dark intensity. The two tracks deliver a harsh, mechanical assault, reflecting a dystopian urban landscape. This release stands out as a devastating yet expertly crafted manifesto in the genre. Dive into the intense, industrial world of British Murder Boys' 'Father Loves Us'—experience techno at its most ruthless.

 Do Make Say Think are not just that kind of post-rock, a label that would be too narrow for them.

 If I had to express the “vibes” of the album in one word it would be “lightness,” because in its compositional complexity, sometimes you almost feel like floating on the melodies intertwining with each other.

This review praises Do Make Say Think's 2017 album Stubborn Persistent Illusions as a fresh take on post-rock. The band transcends typical genre traits with dynamic compositions and engaging grooves. Tracks blend bright, happy riffs with reflective moods, maintaining listener attention. The album conveys a sense of lightness and intricate melodic interplay. Overall, it highlights the band's skillful musicianship and Canadian roots. Listen to Stubborn Persistent Illusions and experience Do Make Say Think’s dynamic, captivating post-rock journey.

 Among the stories that impressed me the most, I mention 'Dust You Were,' a very macabre tale where a small village celebrates funerals by burying people alive.

 Ultimately, we are faced with an author absolutely worth rediscovering for those who love a certain type of non-Anglo-Saxon fantastic literature.

This review highlights 'The Toad Cellar' by Thomas Owen as a seminal work in Belgian fantastic literature. It focuses on the terrifying and mysterious nature of Owen’s stories, emphasizing notable tales like 'Dust You Were,' 'The Disconsolate Presence,' and '15-12-38.' The review praises Owen’s unique use of symbolism, esoteric motifs, and eerie settings, encouraging readers to rediscover his influential work alongside Jean Ray. Overall, it positions Owen as a major figure in non-Anglo-Saxon fantastic fiction. Dive into Thomas Owen’s eerie tales and experience the uncanny side of Belgian fantastic literature today!