Do not rest on your laurels, change, take risks, shed skin, try new solutions: all of this is Thrice.

 "Of Dusts And Nations" is among the best pieces Thrice have ever written where Dustin Kensrue proves to be an added value.

Thrice's Vheissu marks a bold and experimental departure from their earlier hardcore and emo roots, embracing slower tempos and new instruments. The album mixes influences from Radiohead and Deftones, offering a rich, multilayered listening experience. Though initially divisive, its complexity and artistry have earned high praise over time. The band's creativity shines through in deep, introspective songs with a unique instrumental blend. Discover Thrice's Vheissu—listen now and experience their boldest musical evolution yet!

 Songs of the Free contains other good tracks... we are, however, already in the new-wave realm.

 Simply put, as I said before, something has broken. And trying to repair it doesn’t completely eliminate the cracks.

Songs of the Free marks a transitional album for Gang of Four, blending post-punk roots with new wave and dance elements. The departure of bassist Dave Allen changes the dynamic, but newcomer Sara Lee brings fresh energy. Though it doesn't match the impact of earlier albums, it offers strong tracks like 'I Love a Man in Uniform' and shows the band's continued political edge. This album serves as a prelude to their future new wave direction. Discover Gang of Four's evolution—listen to Songs of the Free and experience their bold new wave journey.

 A Fossati of 1981, not yet mature, but certainly seasoned, the creator of a more than dignified work that starts the definition of squaring the circle, wisely combining a particular introspective language with intelligent and fresh sounds.

 It’s exhilarating how our historic singer-songwriters in the ‘70s and ‘80s... often tackled with meticulousness and extravagance themes related to travel or settings in localities of any geographical position.

The review delves into Ivano Fossati's 1981 album Panama e dintorni, highlighting its fusion of pop, reggae, and soulful jazz influences. It praises Fossati's introspective lyrics, innovative arrangements by Steve Robbins, and the album’s polished sound compared to his previous work. The reviewer reflects on the vivid storytelling and thematic richness, situating Fossati among Italy’s great singer-songwriters of the 70s and 80s. Overall, the album is seen as a significant step in Fossati’s artistic development. Dive into Ivano Fossati’s Panama e dintorni and explore a timeless Italian classic blending heartfelt lyrics with unique 80s sounds.

 The energy is there; it is perceptible, only it is... restrained.

 It’s undeniable he’s done better ones; we’re not facing a masterpiece, but rather a half-successful album.

The debut album 'Stretchin' Out In Bootsy's Rubber Band' showcases strong melodic lines and polished arrangements but lacks the raw energy present in other Funkadelic and Parliament records. While not a masterpiece, it offers a well-crafted blend of rhythm and melody characteristic of Bootsy Collins's style. The album provides a more restrained funk experience that's still engaging and danceable. Dive into the smooth grooves and melodies of Bootsy's Rubber Band debut—listen now to experience 70s funk's unique side!

 My Favorite Headache shines with its own light, presenting insights unlikely to fit in Rush’s work.

 After 10 years, I can calmly claim my pride in owning one of the most sincere and recommended solo albums.

Geddy Lee's solo album My Favorite Headache shines as an elegant and inspired work that stands out beyond Rush's legacy. The album features collaborations with Ben Mink and Matt Cameron and explores a mix of prog rock, funk, and orchestral ballads. Highlights include the powerful title track and the emotional 'Working At Perfekt.' A sincere and recommended solo effort appreciated even after a decade. Dive into Geddy Lee's compelling solo debut and experience a fresh, yet familiar prog-rock journey!

 With each album, these crazy Canadians raise the bar of insanity, and with "Scurrilous," they reach improbable levels of musical madness.

 Kudos to the singer Rody Walker, capable of singing over the pentagrammed madness of Protest The Hero's songs and having, in my opinion, one of the most beautiful and powerful voices in the global metal scene.

The review highlights Protest The Hero's Scurrilous as a highly complex and challenging album with schizophrenic rhythms and unpredictable song structures. Despite initial confusion, the reviewer praises the band's expressive musical freedom and Rody Walker's powerful vocals. The album is recommended for listeners who appreciate inscrutable and intricate music. Explore the wild, intricate world of Scurrilous and experience metal like never before!

 Everything in these grooves sounds ugly and for this damnably fascinating.

 'Nipples' is one of the pillars of Brotzmann’s extensive and opulent discography.

The review praises 'Nipples' by Peter Brötzmann Sextet/Quartet as a seminal work in late 1960s free jazz. It highlights the extremity of the improvisation and the fearless dismantling of conventional musical aesthetics. The album is described as chaotic yet fascinating, featuring powerhouse performances by musicians like Evan Parker and Han Bennink. Listeners are encouraged to embrace the intense and challenging soundscape. Overall, the album is deemed an essential and successful entry in Brötzmann's discography. Dive into the wild world of Peter Brötzmann's 'Nipples'—experience the raw power of free jazz today!

 "Dragnet is Mark E. Smith’s first great declaration of war."

 ‘‘Working class anger, minimalist and sparse Punk Rock, guitars capable of drawing both Velvetian mantras and recalling Michael Karoli’s brilliant arabesques...’’

Dragnet, The Fall's second album, captures the raw intensity and evolving sound of Mark E. Smith's vision. It combines minimalist punk rock with lyrical themes of social anger, industry critique, and mysticism. The album serves as a pivotal point before their next work, Grotesque, showcasing a mature pop sensitivity amid sparse arrangements. Dive into The Fall's Dragnet to experience Mark E. Smith's fierce punk poetry and groundbreaking sound evolution.

 It brings joy using sadness...

 McKennitt’s dreamy voice is contrasted with strings and sweet, barely hinted guitar notes, almost ethereal, which with their metaphysical touch transport the final track to another dimension.

Loreena McKennitt’s album The Wind That Shakes The Barley showcases her timeless, melancholic voice and deep cultural storytelling. The reduced instrumentation highlights her vocal magic, transporting listeners to distant, mythical landscapes. Though some tracks feel too familiar, the album shines as a heartfelt tribute to tradition and nostalgia. A must-listen for fans of new age and Celtic folk music. Listen to Loreena McKennitt’s captivating album and immerse yourself in timeless Celtic folk melodies today!

 Mr. Big is back and they’ve done it in great style, with a fresh and engaging album.

 The absolute skill of every single member shines through, making it sound just as if those famous 15 years had never passed.

Mr. Big returns after 15 years with their album What If..., delivering classic gritty and melodic hard rock. The album features energetic tracks, skillful solos, and strong vocals that recall the band’s earlier peak. Notably low on ballads and heavy on catchy choruses, it reconnects with their original sound. Though production flaws slightly affect the mix, especially the overly loud bass, the album stands as their best post-reunion work. A sincere and engaging comeback that meets high expectations. Discover Mr. Big’s powerful comeback and listen to What If... to experience classic hard rock reborn!

 If you wanted to find a flaw, you could say that it lacks a stroke of genius.

 Maler’s freshness is welcome and his stories still make you dream with open eyes.

Maler's second album, Mutamento, marks a mature step forward in his songwriting career, blending Middle-Eastern melodies with rich instrumentation like samples, keyboards, strings, and accordions. The review praises his sophisticated lyrics and unique sound, highlighting the album's storytelling depth. While it might lack a standout hit, the album presents an imaginative and fresh contribution to the Italian music scene. Listen to Maler's Mutamento and experience a fresh blend of Italian indie music with poetic and eclectic sounds.

 A milestone of all hardcore punk and American in particular, here it is, marked Washington DC 1982!!!!

 I’m not going to do a track-by-track because a hardcore album, in my opinion, should be downed in one go like a shot of bourbon, it has more impact.

The Faith/Void Split LP is praised as a hardcore punk milestone from Washington DC in 1982. Featuring 24 lightning-fast tracks, Faith offers classic raw hardcore while Void adds chaotic, rock-blues influenced noise. This release is celebrated as a symbol of the DIY punk ethos and remains impactful decades later. Listen to the Faith/Void Split LP and experience a hardcore punk classic that defined a generation's defiance!

 "It’s very likely the best work he has ever done."

 "With 16 tracks of pure heresy that can make us reflect without this necessarily having to depress us, rather, always with a smile (sometimes bitter)."

After a three-year wait, Caparezza returns with 'Il Sogno Eretico,' his finest work to date. The album blends intellectual and heretic themes with sharp social and political critique, wrapped in varied musical styles and clever irony. Guest artists like Tony Hadley and Alborosie add unique flavors. Early fans and newcomers alike will find this record engaging, thought-provoking, and refreshingly original. Listen to 'Il Sogno Eretico' now and discover Caparezza’s sharp wit and heretic brilliance.

 The display of technique doesn’t come at the expense of the enjoyment it provides.

 And to think there are still those who say that prog is cold music made only of technique for its own sake. Thank you for proving them wrong, beardfish.

Beardfish’s Sleeping in Traffic: Part One is a fresh and eclectic progressive rock album that pays homage to 70s prog classics while incorporating emotional depth. The album balances technical skill with enjoyable melodies, and tracks like 'Roulette' showcase the band’s rare flair. This reflective first installment contrasts with the more energetic Part Two, revealing a layered and heartfelt musical journey. Listen to Beardfish’s Sleeping in Traffic: Part One and experience a fresh take on classic prog rock!

 This album is a big punch in the teeth, a well-calibrated punch, one of those that breaks your lips beyond your top incisors.

 I find 'Liberty & Justice For...' an extraordinary NYHC album, bursting with fury in every note.

This review examines Agnostic Front’s 1987 album 'Liberty & Justice For…', highlighting its furious blend of hardcore punk and thrash metal. Despite initial mixed reception and some lyrical predictability, the album's intensity and raw energy stand out. The reviewer praises the frenzied guitar work and Roger Miret’s evolving vocal style. A notable cover of Iron Cross' 'Crucified' adds to the album's significance. The album is recommended for re-evaluation as a key piece in the NYHC genre. Listen to Agnostic Front’s 'Liberty & Justice For…' and experience a raw NYHC classic that still packs a powerful punch today!

 If you’re happy, optimistic, if things are going well for you at this moment in your life, and you feel the need to get depressed, or rather to touch the void that surrounds you and of which you are an integral part, don’t miss the opportunity to listen to "Landshark" (1982) by the Californians Fang.

 The music of the Fang is destined to eternally wallow in a black hole that admits no escape.

The review revisits Fang's 1982 album Landshark!, highlighting its bleak yet catchy hardcore punk sound rooted in nihilism and urban decay. It connects Fang's style to Flipper's influence and hints at early grunge foundations, emphasizing the album's raw energy and dark atmosphere. Key tracks like "Law and Order" and "Diary of a Mad Werewolf" receive special attention. Despite the despair conveyed, the music is praised as a significant, compelling expression of punk art. Explore Fang’s groundbreaking Landshark! album and immerse yourself in the raw core of 80s hardcore punk!

 This semi-unknown English band presents a little less than forty minutes of a cheerful and danceable mishmash where we find quite a bit of early-era Beatles and a lot, a lot of Elvis Costello.

 Listening to this album is as futile and enjoyable as watching an episode of 'Happy Days', of which it would be a perfectly fitting soundtrack.

Any Trouble's 1979 debut album 'Where Are All The Nice Girls?' offers a cheerful and danceable mix heavily influenced by early Beatles and Elvis Costello. Featuring 13 fast-paced tracks with catchy melodies, the album explores youthful romances and admiration of women with somewhat predictable but pleasant lyrics. Despite its predictability, the album is enjoyable and memorable, fitting for fans of late 70s British rock and new wave. It remains the band's most successful work. Discover the vibrant energy of Any Trouble's debut – listen to 'Where Are All The Nice Girls?' and relive a lively slice of late 70s rock!

 "Come Get It" is a muscular funk, driven by Marcus Miller and Mike Stern who grind out a powerful groove.

 "It Gets Better" features a laid-back muted trumpet that uproots and tears apart a sedated atmosphere.

The review emphasizes Miles Davis' creative resurgence in 'Star People' during the early 1980s, highlighting the fusion of jazz-rock and blues elements. It notes key collaborations with guitarists John Scofield and Mike Stern, Marcus Miller's influential groove, and the subtle yet vital role of Gil Evans. Though the album marks the end of Teo Macero's production, it showcases Davis' continued innovation and his distinctive trumpet style against a dynamic and sometimes challenging instrumental backdrop. Discover the bold jazz-rock sounds of Miles Davis' 'Star People' — listen now and explore this pivotal album in his career.

 Pretentious and very very confused is this "Dust" by Milcho Manchevski.

 If you really have two hours to waste, you might as well immerse yourself in this viewing.

Milcho Manchevski's Dust is a pretentious and confusing film that fails to deliver a coherent story. Set between New York, the Balkans, and the Wild West, it struggles with a tangled plot and uneven acting performances. Despite a few notable battle scenes and some good acting from David Wenham, the film is mostly weighed down by its convoluted narrative and lack of clear direction. Recommended only for those who enjoy complex and unpretentious stories. Read our review and decide if Milcho Manchevski’s Dust is worth your time or just a confusing mess.

 This is not a movie, it is an anarchic and self-indulgent joke.

 But this is the biggest bullshit ever conceived! Jay Lee, you’re a fucking genius!

Zombie Strippers is a deliberately trashy and anarchic movie that embraces its absurdity with campy humor and self-indulgence. The film features zombie strippers, a nonsensical plot, and deliberately cheap special effects. Notable actors like Jenna Jameson and Robert Englund add to its quirky appeal. The review warns that this movie is for viewers who can appreciate its goofy madness and not expect a serious story. Ultimately, it's a cult film made for laughs and shock. Watch Zombie Strippers for a wild, hilarious ride full of camp and gore madness!