Every now and then someone raps in a pop, R&B, or even rock/metal track. This latter trend was anticipated by two crazies from Los Angeles, Anthony Kiedis and Flea, back in 1984.
At that time, they had formed a still inconsistent band, the Red Hot Chili Peppers, and had only one album to their credit. This record could be considered historic if it had pushed a bit further into hybridizing rock and roll, old school hip hop (à la Grandmaster Flash/Kurtis Blow, the main inspirations for Anthony Kiedis, ipse dixit), pop, punk, and their proverbial porno-toxic-funky that would better characterize them in the years to come.
It starts with the zany "True Men Don’t Kill Coyotes" (the first video from the chilies, or actually their birth from the Hollywood Hills) and continues with the rap-like "Baby Appeal" and the bouncing "Buckle Down" and "Get Up And Jump", which wouldn’t have disturbed a Super Mario video game. Then comes a bizarre version of "Why Don’t You Love Me (Like You Used to Do)", by the historic country/honky-tonk singer Hank Williams, followed by the classic rap of "Green Heaven" and the curious "Mommy Where's Daddy". Next is the very first Red Hot song ever, "Out in L.A.", which begins as a dance break and talks about bustling Los Angeles. Only the final tracks are almost yawn-worthy: "Police Helicopter", the interlude sung only by Anthony "You Always Sing the Same" (about twenty seconds), and the instrumental "Grand Pappy Du Plenty".
One has to wait for George Clinton for the chilies, over time, to turn from rotten green to blazing red. After 1995, better to forget it.
After 33 minutes of listening, you realize that the potential is definitely there, although this album is not concrete proof of it.
They are raw, dirty, rude, and at their concerts, they show up wearing a sock to cover their genitals.
The result is a compromise that satisfies neither the band nor Andy Gill, but it does hint at the band’s potential and originality.
A sound very innovative for its time that very few had played before then.