GENRE: Funk Rock, Rap-Rock, Funk Metal, Alternative Rock
The first album by the Red Hot Chili Peppers was released in 1984. Produced by Gang of Four guitarist Andy Gill, it was the band's first attempt to introduce the world to their sound that drew equally from funk, rap, punk, and rock. A sound very innovative for its time that very few (if any, depending on your point of view) had played before then.
Sure.. there was the post-punk influenced by the funk of bands like Gang of Four and The Pop Group from a few years earlier, there was the psychedelic, rocking funk of Funkadelic, there was the 360-degree punk of The Clash, and there was the black-influenced hardcore punk of Bad Brains, but no one had yet tried to mix all these influences together along with rap vocals.
The band for the first album was a "temporary" band as two of the original members were missing (the ones they had been playing live with since 1982 onwards), namely Hillel Slovak (guitar) and Jack Irons (drums), who were involved in a parallel rock-based project, What Is This? They were replaced by Jack Sherman on guitar and Cliff Martinez on drums.
This last-minute lineup change meant that the band was not as well blended as in their live performances and that the fundamental chemistry of the four original members was missing (joined in by Anthony Kiedis on vocals and Michael "Flea" Balzary on bass).
Moreover, the production work with Andy Gill was challenging as the producer wanted a very plastic-sounding approach with keyboards and other electronic ambitions, while the group was more in favor of a raw, aggressive sound, more similar to their live performances. The result is a compromise that satisfies neither the band nor Andy Gill, but it does hint at the band's potential and originality.
Rating: 7
After 33 minutes of listening, you realize that the potential is definitely there, although this album is not concrete proof of it.
They are raw, dirty, rude, and at their concerts, they show up wearing a sock to cover their genitals.
This record could be considered historic if it had pushed a bit further into hybridizing rock and roll, old school hip hop, pop, punk, and their proverbial porno-toxic-funky.
One has to wait for George Clinton for the chilies, over time, to turn from rotten green to blazing red.