Cover of Pink Floyd The Wall
POLO

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THE REVIEW

Ladies and gentlemen, here we have the classic album that anyone who doesn't know a damn thing about music considers the greatest album in the history of music. Now, I don't want to hate for free, I have nothing to envy regarding these Englishmen and their concept album rhetoric. And, more importantly, I don't want to offend or troll anyone. I actually don't feel any disdain for this album, except that because of it the world is populated by obtuse music lovers - who are not music lovers - who believe they are enlightened by the light of Truth when they declare that "The Wall is the greatest album ever." All of this, of course, accompanied by the classic authoritarian tone of those who think they know it all, in the gray flecks of their hair and the shiny black of their faded and sweaty t-shirt, with the usual damn refracting prism printed on it (yes, I know that's the other album, but seriously, who the hell wears a shirt with a white wall on it?).

Pay attention, take a deep breath, and accept what I'm about to say as the fact it is: it is not true that "The Wall" is the greatest album ever. It's a pleasant album, for some even important, occasionally capable of entertaining in a non-fawning way, and not with the usual simplicity of real music, damn it! Not the commercial pop of The Journalists. Which they call Thegiornalisti, whatever. Anyway, I'd really like to tell you the truth about what I think of this album, in a subjective way, leaving aside objectivity, which is the death of man and every emotion. However, it happens that in an era of Renzi's conservatism and Grillo's reactionism, one can't proudly express the opinion that this work is a vast violin whine, an album so old in form and substance that it smells like a rancid and moldy care home. But apparently in this space, on this site, one cannot say this without being labeled an idiot.

So, yes, let's join in: immortal album, cornerstone of rock music (and not ruock, eh, because that's crappy music, not progressive and intellectual like this, like what we listen to), incorruptible luminous diamond in the firmament of Beautiful Music, etc. The elaborate harmonic patterns, the GENIUS concept, the artistic design that unites these 26 (sigh) tracks: my goodness, what damn geniuses! Not the incisive sobriety of the Stones, the pop perfection of the Beach Boys, the genius of the Beatles, the avant-garde of Radiohead. No. They're good, for heaven's sake, but Pink Floyd are the absolute best, unique. And do you know why? Well, let me explain: they make... long, brilliant songs, really... and then... and then, I read... on a blog... I read on a blog that they invented electronic music!!!....Ah! and Radiohead, yes, Radiohead declared they were inspired by them for Ok Computer, so Pink Floyd>Radiohead!! Radiohead are their fans, not yours, you understand? Pink Floyd don't sing "with long, straight hair." Or maybe they do... but whatever. But do I really have to explain why Pink Floyd is the greatest band of all time?

No, there's no need, and I apologize to those waiting just to ridicule this review, as I won't offer more material to be turned against me, but persisting in rhetoric makes one become unlikeable, even more than the sheep who believe this album and its creators are the zenith of music. There's no need because I don't give a damn, and you couldn't convince me anyway, since there's a thing called personal taste and another called blind and conformist adoration, which are two sides of the same coin. A coin that at most would be bronze, but perhaps even wood, or maybe another of those crappy biodegradable materials. Okay, I'm at the end, and I'll say it explicitly: listening to this album depresses me and, what's even worse, splits my balls in two, with remarkable precision though. So, all in all, good for the Pink. I said it, and to hell with it, alright. I'm ready for you: execute me. Provided the rifle is still loaded. You know, over time you can also miss shots...

Learn to think for yourselves.

"Nothing lasts forever / not even music"

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Summary by Bot

This review challenges the widely held view that Pink Floyd's The Wall is the greatest album ever. The author critiques the blind fandom and cult-like admiration surrounding the band. While acknowledging the album's occasional merit, the review expresses personal frustration and disappointment with its impact. It highlights the dominance of subjective taste over objective consensus in music appreciation.

Tracklist Lyrics Videos

01   In the Flesh? (03:19)

02   The Thin Ice (02:29)

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03   Another Brick in the Wall, Part 1 (03:10)

04   The Happiest Days of Our Lives (01:50)

05   Another Brick in the Wall, Part 2 (03:59)

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07   Goodbye Blue Sky (02:46)

08   Empty Spaces (02:09)

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10   One of My Turns (03:36)

11   Don’t Leave Me Now (04:16)

12   Another Brick in the Wall, Part 3 (01:14)

13   Goodbye Cruel World (01:15)

Pink Floyd

Pink Floyd are an English rock band formed in Cambridge in 1965, known for pioneering progressive and psychedelic rock and for landmark albums such as The Dark Side of the Moon, Wish You Were Here and The Wall.
236 Reviews

Other reviews

By charles

 "This is not an album, but a true 'masterpiece'; that no one will ever remove this album from the foundations, the 'Bibles' of music history."

 "'The Wall' is irremediably in each of us, and it always will be. After listening to it once, it will never leave us."


By bogusman

 one of the most unbearable monstrosities in rock history

 the final result is a dull and colorless hodgepodge of worn-out stadium hard rock, techno-instrumental appendages, second-hand disco music, classical-like wallpapers, and fake 30s cabaret


By AngeloLecce87

 The Wall is Roger Waters' outpouring, developed between the loss of his father during World War II and the deterioration of his friend Syd Barrett.

 The songs must be heard in the context of the album and not individually; small details like a baby's cry and warplanes make this album so touching.


By Francesco123

 "Watching the film, it’s not just the eyes that are working, nor the ears: what is most affected is our imagination, our fantasy."

 "What is The Wall really?... on one side, the surrender to what life offers us... on the other, the opportunity to give something to life... two things separated by a huge wall..."


By jimi

 The Wall, for me, is the ultimate work I’ve ever heard capable of conveying emotions.

 When you think that in this album, everything about solos has already been said, here comes Dave, who turns everything upside down, with superlative bends and accelerations that are terrifying.


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