The Wall, 1979.
What is The Wall?
The Wall is Roger Waters' outpouring, developed between the loss of his father during World War II and the deterioration of his friend Syd Barrett during his brief period of fame.
The Wall should not be considered exclusively as an album but is a work that found in music the best channel to express the fears, difficulties, and limitations of an artist who, after spitting on a fan in Montreal, realizes that a kind of wall has now arisen that hinders communication and understanding of feelings with his audience but generally with other people. It should be remembered that The Wall in 1982 came out as a film naturally, the entire soundtrack of the film was the songs from the album, but the film opened with the beautiful "When the tigers broke free" (not present on the album) where Roger shows his disdain for war by recounting the scenario of his father's death that occurred at Anzio and the pain he feels for never having seen him.
Musically speaking, The Wall is not the pinnacle of Pink Floyd, also because the real Pink Floyd are no longer there. In fact, in this album, almost all the songs were written by Waters, except for three written with Gilmour, one of which is the poignant Comfortably Numb, which was a song discarded from Gilmour's solo album and then adapted for The Wall with the contribution of Waters; there is also a song written by Ezrin.
Even regarding the music, there is Waters' dominance. It should be noted that Wright appears as a session man while Mason's name never appears on the album. Therefore, the album can be defined as a Roger Waters album with arrangements by Pink Floyd, who for years now have set aside psychedelic rock and the crazy yet exciting suites to give free rein to Waters' always melancholic lyrics in remembrance of his father, texts that deal with the mood of a rock star caught up in problems and fears and always forced to continue the show.
In my opinion, the album is exceptional because the songs, to be truly appreciated, must be heard in the context of the album and not individually; an example could be "the thin ice": this song begins with a baby's cry that emerges out of nowhere after the noise created by a warplane. It is these small details that make this album so touching, not to mention the scream of "Comfortably numb," which blends perfectly with the song, the helicopter that has become a symbol of Pink Floyd as sound engineers, all of this makes an outpouring a great musical but also social work.
A piece of advice I can give is to listen to The Wall in its entirety with the translations of the lyrics beside you because only in this way will you realize the genius of Roger Waters.
"This is not an album, but a true 'masterpiece'; that no one will ever remove this album from the foundations, the 'Bibles' of music history."
"'The Wall' is irremediably in each of us, and it always will be. After listening to it once, it will never leave us."
one of the most unbearable monstrosities in rock history
the final result is a dull and colorless hodgepodge of worn-out stadium hard rock, techno-instrumental appendages, second-hand disco music, classical-like wallpapers, and fake 30s cabaret
"Watching the film, it’s not just the eyes that are working, nor the ears: what is most affected is our imagination, our fantasy."
"What is The Wall really?... on one side, the surrender to what life offers us... on the other, the opportunity to give something to life... two things separated by a huge wall..."
The Wall, for me, is the ultimate work I’ve ever heard capable of conveying emotions.
When you think that in this album, everything about solos has already been said, here comes Dave, who turns everything upside down, with superlative bends and accelerations that are terrifying.
Roger Waters’ ability to express himself is outrageously clever. He is a genius.
The Wall is not just an album to listen to; it is an album to be explored.