You Lie Too Much (with Chris Barber) (Live)
the trombone is a great idea
 
John Zorn: The Circle Maker, Disc 1: Issachar [FULL ALBUM]

Asterics' One Hundred Favourites [in random order] (81/100)
 
Gianni Togni Luna live

soundtrack of the stroll many, many years ago
 
When @[G] was known as "traliccio" Ingrandisci questa immagine
I Pooh - Brennero 66 (1966)
 
Buster Keaton - One Week

"A Week"
by Buster Keaton and Edward F. Cline (1920)

starring Buster Keaton
and Sybil Seely

#35mm
 
Song-Song

Brad Mehldau (2 of 10)
"Song-Song" from: The Art of the Trio, Volume Three: Songs
1998 (Warner Bros.)

#jazzlegends
 
THE WAKE - Masked
a bit of goth
 
Kris Kristofferson - Mal Sacate (1990)
KK may seem naive, but at least the young people tried, a time of singing heroes and poetry.
 
Sonia Gigliola Conti- Ricomincerei (1974)

#sanremo50annifa

Presented by Corrado and Gabriella Farinon
28 songs participate (14 Category A + 14 "Giovani" singers)

FORMULA: 1 interpretation per song, qualified: 14 Category A singers by right + 4 singers from the Giovani Category.

By, Soffici - Pieretti
I would start again..... sung by Sonia Gigliola Conti

ELIMINATED
 
The Dukes of Hamburg - "Sorry" (Official Video)

If rock and roll stories are often sensational, just imagine those from the garage, which by nature is rebellious, confrontational, underground, and intentionally loser...

For example, behind these nerdy faces hides Russell Quan, one of the founders of the Mummies (!) and other bands... because in the garage, there’s always a sense of perpetual motion. Dressed in shirts and waistcoats, with hairdos reminiscent of Leighton during the Morlocks era, or the Ramones, or Bonniwell and the gang...
They play some of the best covers ever, along with a few originals. It’s as if they just stepped out of the Cavern or the Indra Club…

DEADLYNERD

#garagedintorni (134/1)
 
Gian Pieretti - Pietre
But here is the Italian horror, that is, how to poorly reinterpret a Bob Dylan song. We are at the Sanremo festival, edition 1967 (tragically famous for Tenco's suicide), and by the hand of Ricky Gianco here is "Pietre," inspired by "Rainy Day Women" by Dylan. Now it is true that correctly specifying in Italian the chorus "Everybody must get stoned" could have generated problems with censorship regarding the use of drugs, but talking generically about stones to always take is not enough to classify the song as a "protest song"(?). And then it is worth noting the utterly unconvincing demeanor of Gian Pieretti, who takes the stage with the same conviction as someone clocking in at work and nothing more. How sad!