06 - Nuda e senza seno - Alberto Fortis (1979)
And so I greet Dema and Alberto with this other immense piece...
 
Max Richter - Dream 13 (Minus Even)
One thing to make us understand how small we are in front of beauty.
 
Marlowe tries to feed his cat

Robert Altman (2 of 5)
"The Long Goodbye" - 1973

#35mm
 
The Persuasive Trombone Of Urbie Green - 03 - Dream.mpg

Urbie Green - from "The Persuasive Trombone of Urbie Green" 1960 (Command)

#jazzlegends
 
Oasis - Go Let It Out
19 years later, it’s nice to see.
 
 
Il nuotatore

And the people who until yesterday invited me in now deny me a greeting as if I had done something wrong, and when I finally arrive home I find it abandoned.
The broken windows.
The door smashed.
 
End of the AGAINST THE TIDE WEEK................

Lennie Tristanoć€€ļ¼ć€€CROSS CURRENT

Here we also listen to a Lee Konitz and a Bill Bauer that I can't even describe.
 
Pino Daniele - Il mare

one of Pino's best pieces, musically exquisite and with lyrics that hit like a punch to the gut.
 
Compriamo l'Inter... | Clip #5
Ahahahahahahahahahahahahahah I'm dying...
@[SalvaDM] Abatantuono's face!!!!
 
J.J. Johnson-"Minor Blues"

The famous 3J, namely J.J. Johnson, also credited as Jay Jay Johnson, which is James Louis Johnson.

He is considered one of the greatest trombone players of all time and undoubtedly the most important bebop trombonist.

He succeeded in transferring the bebop musical innovations of Charlie Parker and Dizzy Gillespie to his challenging instrument, playing the slide trombone with great speed and mastery.

J.J.J. was also an important soundtrack composer, especially for films of the so-called "blaxploitation."

He officially died of prostate cancer, although it seems that the illness drove him to suicide… and that’s it.
 
Black Family
I recommend at least listening to "Oracle" by Angel Bat Dawid.

We are in free lands, creations born from a spurious Jazz, maybe World, exoticism, but above all a creative freedom that does not channel genres into boredom. A clarinet, a Black voice, imagination, and creative freedom make this work appealing to those who dislike constraints. I don’t love Black music, I don’t love jazz too much, but the freedom that soars in these grooves erases genres and styles, making it perhaps simplistically a work that’s hard to categorize, with various facets and for its indecipherability, very intriguing and never heavy on the ears.
 
Acquario Maurizio Costanzo intervista Aurelio Peccei 20 novembre 1978 the post presented here is just a nostalgic memory of my youth.... I was the one who built the structure that supports the aquarium... it was my first time; I've done many of these projects since then...