#cazzomene - Tommaso Paradiso: “I won’t stop singing the old songs”

Tommaso Paradiso: "continuerò a cantare…"

via @updayIT
 
Byard Lancaster - John's Children

Byard Lancaster - from "It's Not Up to Us"
1968 (Vortex)

#jazzlegends
 
Ingrandisci questa immagine
Hold everything, untie the rope from the boulder, take down the noose from the beam,
put the knife back in the drawer, and tidy up the gas tube.
If you really must do it, there must be a good reason, and I'm serving it up
on a silver platter. Otherwise, what's the point of having friends!
Welcome back today to the column that has made Sweden lose its suicide rate title,
the same column that has earned it for Denmark,
Finland, Iceland, and Norway. The most nonsensical magazine for sunshades in Siberia,
more useless than a book by Adinolfi at a rave party, in fact, even more useless than an Adinolfi book.
The only column in the world you can sing in the shower, hum when you go to the cellar to exorcise fear,
and belt out in the doctor's waiting room to mask an untimely fart.
Today is a connoisseur's selection, for serious Debaser fans!
We are in Italy [18], in a symbolic place... well, do I have to say everything?
Stand up and break a leg!
 
Kaleo - No Good (Official Video)
Bam! Always a great piece.
 
Mucchio selvaggio

Sam Peckinpah (1 of 5)
"The Wild Bunch" - 1969

#35mm
 
Lloyd Miller & The Heliocentrics

Lloyd Miller - from "Oriental Jazz"
1968 (East-West)

#jazzlegends
 
Carl Gari & Abdullah Miniawy – Haj حاج [WHYT023]
news
pitch-black Middle East, electronics, and a slow-moving dub that creates a dark shroud that suffocates the tracks.
 
Swell Maps "New York"
The New York spirit under chemicals, subway speed.
 
The Style Council - My Ever Changing Moods By the way. Too bad for Trentin yesterday!
 
Led Zeppelin - Nobody's Fault but Mine
Ayooooooo!!!! Even the Noble @[sfascia carrozze] loves, almost as much as I do, this album.
Jimmy's favorite for how it was born: at the peak of success, with the world at their feet but also with the inevitable negative aspects. Plant's accident, drugs for Jimmy, alcohol for Bonzo. Jimmy and Robert lock themselves away for 18 days and perform the miracle. The Devil practically does everything and the whole album is indeed centered around his guitar. One of the three tracks on the list is this unforgettable piece with spasmodic tension that builds in a threatening atmosphere, the usual call and response trademark, and Plant's invocations.

“Got a monkey on my Back” (30)

#i40SfasciaConteLezzeppelin
 
Regarding the case of DJ Fabo/Cappato, who was s'accabadora?

Until a few decades ago, euthanasia was practiced in Sardinia. It was the job of "sa femmina accabadora" to bring death to those in agony. S'accabadora was a woman summoned by the family of the terminally ill person, who provided a way to end their suffering. It was a compassionate act towards the dying but also a necessary one for the survival of the relatives, especially for the less affluent social classes. In small villages far from a doctor, several days away by horse, it helped to avoid prolonged and excruciating suffering for the patient.

Sa femmina accabadora would arrive at the dying person's home always at night and, after sending the family members who had called her out, she would enter the death room. The door would open, and the dying person, from their bed of agony, would see her enter dressed in black, with her face covered, and understood that their suffering was about to end. The patient was either suffocated with a pillow or the woman would deliver the blow using "su mazzolu," causing death.

S'accabadora would leave on tiptoe, as if she had completed a mission, and the patient's family would express deep gratitude for the service rendered to their loved one by offering her produce from the land. Almost always, the blow was directed to the forehead. The term "accabadora" comes from the Spanish "acabar," meaning to finish. "Su mazzolu" was a kind of stick specifically made from a wild olive branch, 40 centimeters long and 20 wide, with a handle that allowed for a safe and precise grip.

In Sardinia, s'accabbadora practiced until just a few decades ago, especially in the central-northern part of the island. Many remember a grandfather or great-grandfather who dealt with the lady in black. Her existence was always considered a natural phenomenon, just as there was a midwife to assist in birth, so there was s'accabadora to assist in death. It is even said that it was often the same person, and her role could be distinguished by the color of her attire (black if bringing death, white or light if bringing life).

This figure, an expression of a socio-cultural and historical phenomenon, is the practice of euthanasia and in the small rural villages of Sardinia, it is linked to the relationship that Sardinians had (and have) with death, considered as the conclusion of the natural cycle of life.
(text taken from the web and then elaborated by me)

Ho visto agire s'Accabadora
 
Jethro Tull - Aqualung Yes, not bad these ones.