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Forgive them, their music is not like the cover.
 
Sergio Caputo | Il Pianeta Venere
A vintage Caputo with Gillespie on trumpet. “I wear Eau de toilette for you, but on Mondays the barbers are closed….” A genius!
 
Jet - She´s A Genius
On the occasion of International Women's Day, I dedicate this delicate thought to Valentyna and, of course, to all the raragazze of Deb!
 
Ingrandisci questa immagine
OH YES! I had lost all hope but I just found this LP by the divine Grace Slick with her band Jefferson Starship...1974! 🚀
P.S. it was in the basement with my elementary school notebooks...BUT WHY.
 
"Gli scariolanti"
we call everyone to the front!
 
Def Leppard - Rock Brigade

It Could Be You

I loved Def Leppard… the early Def Leppard, to be precise, those from the first two albums, especially the first one with the massive truck and the huge guitar on top… Rocbrigheid, itcudbiiu, and the rest. That genuine sound of five young guys from the late seventies blending hard, glam, heavy…

Then there was Pyromania, especially Hysteria… I have to blame an ex-girlfriend for this one though…

After that, I don’t really know much… I lost interest in hair metal or pop metal, whatever you want to call it.

Above all, a lot of respect for them… as people.

On the night of January 7, 1991, Steve Clark, one of the two guitarists, was found dead by his girlfriend after yet another drunken night. He was 30 years old…

Clark was an alcoholic, and his bandmates always tried to help him cut back on drinking, at least the excessive kind. But when you're an alcoholic, you don't just have two beers… or even four…

They never thought about firing him, let alone them…

At 11, he started studying classical guitar, but two years later at a friend's house, “I heard Jimmy Page playing the riff from How Many More Times… I tossed the classical guitar aside and said ‘I’m going to play rock!’”

Success was waiting for him… but so was instability…

Oh, a small detail: in the documentary ‘Hysteria: The Def Leppard story’, you can see Steve throwing up in the bathroom… that level of pre-show anxiety never left him.

“I had the room next to Steve… unfortunately, I could hear the pain he was going through. One night before the start of a tour, he was trying to smash his knuckles on the sink to avoid having to play because he was scared to death before going on stage.”

“Don’t worry, I’m fine, he’d say… he had bruises all over.” He was so sweet, always apologizing for how he was…

Ah, he was a great rocker…

#omaggiparticolari (30)
 
US3 Cantaloop fanchi fanchi
 
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Articolo 31 - Italiano medio (2003)
 
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The Coup - Party Music (2001)
 
Cycle Sluts From Hell - I Wish You Were a Beer

The chaste young ladies of hell were totally kicking ass!

#machenesapetevoili
 
#howyoungareyou,Dislo? (44)

Malpaso Man

Yes, Steve Strange, but also bits of Ultravox and Magazine.
Wave technique to the nth degree...
 
Tightrope

He would have turned seventy in these days...
 
Nine Days Wonder - Fermillon / Puppet Dance / Square / Hope? / Morning Spirit / Fermillon Himself
The most kaleidoscopic cauldron birthed by Germany. Hard Psych and Canterbury Jazz Rock disturbingly fused, at times wonderfully excessive, where the only feeling you can experience is amazement...1971! 🍵
 
Ingrandisci questa immagine ...a group that has had a lot .... luck!
 
Tshegue - MAIS (Official Video) …great @[Carlos] next week a new EP is coming out, the coordinates are the same…great video.
 
Today, a few pennies on: David Lovering.
There’s nothing transcendent in David Lovering’s drumming on Bossanova; one might generally argue the same about the Pixies' discography. His style: minimal, metronomic, powerful, and never out of place with a roll, was precisely designed to emphasize the other instruments and the voices of those two little devils, Black and Deal. It takes an excellent helmsman to keep such prodigies in check. From what I understand, he loves Gretsch and Tama; the former hit harder than the latter - for those in the know, a Tama of the same diameter projects more decibels. It might be the wood, it might be Japanese design, but when you hit a Tama, you feel it in your bones. On Bossanova, David doesn’t do anything particularly exceptional on the surface, and the sound is always the same: dry, a snare that almost disappears when layered over an open hi-hat, crashes on the downbeat, while on Surfer Rosa he would dare to include some crashes on the offbeat. Toms and timpani (with their deep timbre) are left in oblivion, except for rare touches here and there.
Bossanova will always hold a special place in my heart because I believe it’s an excellent album for learning to play the drums; it was my go-to record as a self-taught drummer. It teaches you, first and foremost, to refine your timing, the fundamental foundation for not just keeping up but actually guiding your fellow adventurers on other instruments. Then it teaches the power combined with precision, the former being crucial in rock 'n' roll, while the latter is essential in music overall. This album made me realize that you don’t need to start with virtuosos to strike with incisiveness. The alienating atmospheres created by the 'little goblins' wouldn’t have been the same with a 'verbo-some' drummer. And my favorite to play was the sexy 4/4 of "Is She Weird," which builds intensity in the choruses while maintaining its mystical aura thanks to the crash at the end of each chorus, leaving the sensation of being suspended in emptiness.
Mini-disclaimer: I’m a self-taught drummer and not very good at it, just to be clear; this is meant to be a complimentary opinion.
Is She Weird