zappp
zappp
13 apr 21

DeRank™: 8,16

Clark Terry - No Problem

Clark Terry - from "Color Changes"
1961 (Candid)

#jazzlegends
 
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Dislocation
Dislocation
12 apr 21

DeRank™: 28,86

CASADISLO45GIRI60E70

It's All Over Now (Original Single Mono Version)

A brief and non-exhaustive overview of the records that played in my house when I was a child, some bought, some brought by relatives and friends, others snatched from others by myself.
 
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dsalva
dsalva
12 apr 21

DeRank™: 5,28

Journey: Journey

#unochesiannoiavapoco

A semi-serious journey through the discography and collaborations of Billy Cobham in almost chronological order.
1974 Arif Mardin - Journey
 
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JonatanCoe
JonatanCoe
12 apr 21

DeRank™: 18,08

Ingrandisci questa immagine
Picazzo, the mad painter!
[a.k.a. the man who painted music while listening to paintings] [17 of 40]
 
  •  (09)
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zappp
zappp
12 apr 21

DeRank™: 8,28

Misericords

Paul Dunmall - from "Ghostly Thoughts"
1997 (hatOLOGY)

#jazzlegends
 
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JonatanCoe
JonatanCoe
12 apr 21

DeRank™: 22,44

Ingrandisci questa immagine
Picazzo, the crazy painter!
[a.k.a. the man who painted music while listening to paintings] [17 of 40]

Preview
The Goldfinch - Carel Fabritius (1654)

"The Goldfinch" is a small panel measuring just 33x18 cm, dated 1654, signed by Carel Fabritius and housed in the Mauritshuis in The Hague. Against the backdrop of a bright white plastered wall, a goldfinch is tethered, with a chain, to a perch made of two semicircles of wood and a box of a gray-blue color. That’s it. And yet this image tells a story, indeed more than one. Beyond every virtuosic display and every illusory effect, Fabritius’s attention rests, almost with reverence, on that goldfinch which, life-size, occupies the scene as a protagonist and is no longer relegated to the background of a sacred or profane episode. His painting is essential, affectionate, and engaged, made more truthful by that soft shadow cast on the wall and the luminous reflections of the wood of the perch. While the goldfinch stands out against that slightly chipped white wall that would not seem out of place as a backdrop in a Vermeer painting, of whom, according to critical literature, Fabritius was—if not a master, at least a forerunner. The intimate and moving atmosphere of the composition makes that small, frightened, and captive bird seem to become the very symbol of fragility, as well as the cruelty of life. In the same year as the painting, 1654, on a warm October morning, an explosion at a powder magazine shakes all of Delft. The gigantic fire that follows completely destroys the northeastern quarter of the city, with its modest houses, grand mansions, and churches. Among the smoking ruins, more than five hundred dead are counted: among them is Carel Fabritius. In his workshop, consumed by flames, all the paintings he was working on were lost, along with his dreams and hopes. He was thirty-two years old then. [source senzadedica.blogspot.com]

Associated LP of 2003
 
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Alfredo
Alfredo
12 apr 21

DeRank™: 12,82

Levon here Reginald was at the top of pop-rock
 
  •  (07)
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DavideWilliams
DavideWilliams
12 apr 21

DeRank™: 12,19

Giulia
 
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tia
tia
12 apr 21

DeRank™: 17,08  Tutausend

Edda - Spaziale #2017 magnificent song ..edda's new way
 
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DavideWilliams
DavideWilliams
12 apr 21

DeRank™: 11,44

Liù
 
  •  (06)
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dsalva
dsalva
12 apr 21

DeRank™: 18,18

You're The One I Need

#manytemptations
 
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Marcorock
Marcorock
12 apr 21

DeRank™: 3,85

Queen Of Fortune

Monk of Doom
 
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ALFAMA
ALFAMA
12 apr 21

DeRank™: 4,30

#new #electronica Vegyn - Sometimes I Feel Like I'm Ruining Songs miniLP "Like A Good Old Friend " ° 2021
 
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dado
dado
12 apr 21

DeRank™: 19,26

Nina Simone - Ain't Got No I've Got Life

When I need a charge.
 
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