Ingrandisci questa immagine

Exclusively on Debaser: Minerals from Around the World.
In the 2nd episode, we will go to Trentino A. Adige, at the Passo del Rombo, to present a “quite acceptable” sample of Almandine Garnet.
The crystals are rhombic dodecahedral, the formula is: Fe₃Al₂(SiO)₄.
Given its “granite-like” quality, I would pair it well with “Drim Tiater” as the musical accompaniment.
Until the next exciting (maybe) appointment with minerals.
Thanks for the support to:
@[iside]
@[luludia]
 
"Your only weapon is those you work with, your strength is their strength...go get organized!" We were just quoting them a few days ago @[Fratellone] @[imasoulman] @[lector] and I would say it’s never wasted to mention them given their responses to the simplistic, hypocritical, and gullible geopolitical analyses from fools who don’t want to put themselves on the line. Redskins - Go get organized
 
Bill Hardman 01."Capers"

Bill Hardman - from "Saying Something"
1962 (Savoy)

#jazzlegends
 
Hey @[dsalva], but in your semi-serious journey about that guy who rarely got bored, have you already published Psalm 150 from Sebesky's "Giant Box"? :P
 
At a certain point in my new '90s youth ...(omissis) N. 6, see the comment on the previous listen. Kisses :-*
galliano - prince of peace
(Since I’m being accused of being too light-hearted, at this point I double down ahahahah - dedicated to @[imasoulman])
 
Kiesza - Hideaway a video without shadows
 
Ingrandisci questa immagine
Picazzo, the crazy painter!
[a.k.a. the man who painted music while listening to the paintings] [01 of 40]
 
Astigmatic

Komeda Quintet - from "Astigmatic"
1966 (Polskie Nagrania Muza)

#jazzlegends
 
Svinget 14

Brew Moore - from "Brew Moore in Europe: Svinget 14"
1963 (Debut)

#jazzlegends
 
Ingrandisci questa immagine
Picazzo, the mad painter!
[a.k.a. the man who painted music while listening to paintings] [01 of 40]

Preview
Le poison - René Magritte (1939)

Le poison by René Magritte is an enigmatic painting where the starry sky is projected onto the dark facades of houses.
The scene depicted is evidently nighttime. Magritte transforms the silhouette of the buildings into a starry sky with a crescent moon. Moreover, the unsettling illuminated windows reveal the branches of a tree. To heighten the sense of mystery, the position of the tree leaves it unclear whether it is in front of or behind the facades. A technique frequently used by the Belgian master was the juxtaposition of different light sources, creating an unreal situation. In this case, the sky is illuminated from below, suggesting a sunset. Conversely, the dark facades dominate the night. Magritte painted the mystery that lies within the everyday, the silence of the world. [source analisidellopera.it]