Morrissey - Suedehead

In Manchester, in the early '80s, someone was spending his days shut away in a room lined with books by Oscar Fingal O'Flahertie Wills Wilde and full of records by female bands from the '60s.

He was a young unemployed man, plagued by pathological shyness but with a sharp wit.

One fine day in 1982, guitarist John Martin Maher, aka Johnny Marr, knocked on his door and met not just a lyricist, but someone who was just waiting for an excuse to give voice to the melancholy of the British working class.

With the "Smiths," that someone broke down the macho rock aesthetic of the time.

Showing up on stage with bouquets of flowers sticking out of the back pockets of his jeans, singing about loneliness and unrequited love, with a unique baritone timbre.

His writing, cultured and soaked in a typically English black humor, transformed songs like "There Is a Light That Never Goes Out" into anthems for those who felt out of place.

His nonconformity, combined with his militant vegetarianism—openly declared even in "Meat Is Murder"—created around him a sort of cult of personality that didn’t let up even after the "Smiths" broke up in 1987.

His solo career, launched with the success of "Viva Hate," confirmed his status as an enigmatic pop icon.

Songs like "Everyday Is Like Sunday" became snapshots of a decadent, provincial Britain, painted with a nostalgia full of both disdain and love.

He became the voice of the marginalized everywhere, gaining a huge following who saw in him an artist capable of giving poetic dignity to social isolation and depression.

Over the years, his figure became more and more divisive because of his political stances and provocative public statements, which alienated part of the specialized press and his longtime audience.

Despite the controversies and boycotts, he has continued to maintain his unwavering aesthetic coherence, even refusing to compromise with the record industry. Performing in front of the many fans who continue to venerate him with almost religious devotion, he remains the solitary dandy of rock, an artist who built a career on the elegance of lament, convinced that vulnerability is an authentically real form of power.

This is the story of someone who turned his inability to adapt to the world into a permanent work of art, and that someone is Steven Patrick Morrissey.

#storie
 
Fausto Leali ‎– Amore Dolce, Amore Amaro, Amore Mio - 1975 .album completo
...and you can hear Il Volo in this album! If it had had a more yacht rock voice, it would have been even better... wonderful instrumental arrangements.
 
 
 
"He no longer has the face of his first hashish " #caradroga #canzonidrogate and then we could talk for hours and hours about this song... La Canzone Del Padre
 
Impellitteri - Stand In Line [HD]
Always great Graham Bonnett... Rainbow, Alcatrazz with Malmsteen and Steve Vai, Impellitteri... so many amazing singers there were, from Coverdale to Ronnie James Dio (and I've only mentioned the most famous ones)
 
Hi everyone, I stumbled upon the site kind of by chance and found it really interesting. I’m looking for a place to get in touch with areas of music I’m less familiar with or don’t explore enough (like various facets and subcultures of the music industry from the last century), and I had the brilliant idea to skip the formalities and jump straight into a discussion. So, I apologize in advance for the wall of text I’m about to dump on you. I know I probably should have made my entrance with a lighter touch, but I’m just not the type to be the silent newcomer, so here I am with my question (hopefully not too badly put).
I’m mainly addressing those who are more familiar with the so-called "shoegaze" genre and related styles, but also anyone who has broader experience with the style and its crossovers: do you know of any examples where the combination of alternate tunings, relatively less conventional harmonic intervals, and heavy use of pedals and effects is matched by equally meticulous attention to creative and interesting songwriting solutions? In other words, are there examples where care for sound and song structure are both balanced and harmonious?
With this, I don’t mean to suggest that my impressions actually reflect a general shortcoming of the genre.
After all, these are just impressions I’ve accumulated up to this point, based on paying attention to only a limited number of bands and songs. If you disagree with the premise of the question, feel free to reframe it or share your own thoughts, but based on my listening, I tend to find the music itself lacking compared to the arrangement, density, and richness of the sound.
Almost certainly, further listening and more exposure will reveal aspects of the music that escape me now, but with vocal and guitar parts that are often barely intelligible (I’m thinking of My Bloody Valentine’s Loveless as a benchmark), I can’t figure out if the limitation is just mine or if the songs are actually not very developed (either way, I can provide more context in a separate comment).
So I was wondering if, with a little direction and some concrete examples, I might find something musically more complete, that I would genuinely want to listen to more often, rather than just appreciating a few aspects of the music. contaminazioni:
 
 
Tool – Forty Six & 2 Lyrics | Genius Lyrics

One guy woke up one morning and decided that 46 & 2 is about Fortnite and about Tool lagging online, searching for the first bassist who left them for Call Of Duty.
 
Alberto Camerini - Rock 'N' Roll Robot (1981)
Let's start with the all-time classics
(and what classics)
 
Houston Person Blue Odyssey

HOUSTON PERSON
"Blue Odyssey" from: Blue Odyssey
1968 (Prestige)

#jazzlegends
 
TAIPEI STORY - Edward Yang - Party Scene

"Taipei Story"
by Edward Yang (1985)

with Tsai Chin
Hou Hsiao-Hsien
and Yang Li-In

#35mm
 
Papaveri e papere - Nilla Pizzi
#DrugSongs
Are the tall poppies perhaps the opium of the people?
But doesn't opium come from poppies?
The circle closes.
Thank you @[Ahahahahuhih]
 
Roy Brooks Sextet - Homestretch

ROY BROOKS
"Homestretch" from: Beat
1964 (Workshop Jazz)

#jazzlegends
 
 
La vita va

good night everyone