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PARAPAPARAPAPARAPA PARAPAPARAPAPARAPAAAAAAAA Welcome back debaserians, consenting, satanists, and tigers to the REVIEWS-LISTENS OF BROTHER MARTELLO this time we risk it all this time we will look at the albums of an artist who has never missed a beat a colossal artist still praised today… De André. And here where we tread, it hurts so much. We will see together his albums from the slightly less beautiful to the absolute and undeniable masterpiece. Give breath to the trumpets, because the last position will make many angry: 13. Volume 3 Yes, even though this album is a milestone in every way, it is at the lowest point of this ranking. Practically a series of great classics of singer-songwriter music, from Marinella to La guerra di Piero, from Michè to Testamento, also passing through Amore che vieni amore che vai. So what's the problem with an album considered perfect by many? The unreleased tracks. Of course, aside from Il gorilla, a translation of one of the cornerstones of Brassens, and S'i fossi foco, the rest of the unreleased tracks don't stand out excessively. Nell'acqua della chiara fontana and Il re fa rullare i tamburi reveal that the bond between De André and French Chanson is gradually weakening; in fact, from La buona novella onwards, De André will almost completely abandon this vein. But despite this small flaw, the album flows smoothly like oil and is always pleasant to listen to. Punctilious rating: 8 and a half The gem among the gems: La guerra di Piero
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