•
Rating:
THE REVIEW
I start from the premise that I don't really love the new sound of Michael Jackson, created in the early nineties without the collaboration of the legendary Quincy Jones who, together with MJ, produced masterpieces like "Off The Wall," "Thriller," and "Bad."
It almost seems that after the separation, Mike lost his gritty 80s style to make way for the softer style that inevitably worsened over time, emphasizing with the years and at the same time making him "one of many" in the complicated and magical (although today it has little magic) world of music. An example? Here it is: up until the Bad World Tour, Mike always sang live all the songs, even the most complicated ones (one of all, the choreographed "Thriller," not to mention "Billie Jean"). I downloaded a few stages of the tour, and I assure you that you could see the happiness in Michael's eyes as he sang and danced at the same time.
Starting with the extremely successful Dangerous Tour, in which MJ begins to use playback more and more often (let's say 60% and 40%), up to the HIStory Tour where he sings live only in songs where the difference in voice is evident (80% playback, 20% live). In short, he convinced himself that even if he did something mediocre, the public would flock anyway. In short, he knew he no longer had to earn his keep. But enough with these introductory notes: we want action.
The album starts with the engaging "Jam," which, however, can become annoying towards the end due to the abundance of choruses (two and a half minutes of "JAM! There ain't too much...." seem a bit too much, even though I say and probably will repeat: long and repetitive songs towards the end are an MJ trademark and can be considered a possible flaw) and rap sections that aren't very fitting for the song. It continues with "Why You Wanna Trip On Me," the same theme as "Leave Me Alone," but with the same flaws as "Jam." A noteworthy episode is reached with the sensual and mysterious "In The Closet," where Mike appears less and less the nice guy. The lack of originality is in the air with "She Drives Me Wild," apparently identical to "I Can't Let Her Get Away," including the sound. Notably, the splendid "Heal The World," the relaxing "Remember The Time," and "Black Or White" that at the time stirred up the anger of everyone, racist or not.
In conclusion, "Dangerous" is an excellent album that, despite winning many awards, does not convince. Could it be the beginning of the decline?
Loading comments slowly
Summary by Bot
This review critiques Michael Jackson's Dangerous album for losing the raw energy and originality of his 80s work after parting ways with Quincy Jones. It details increased playback use in live tours and addresses the album's mixed tracks, highlighting strengths like 'Heal The World' but also pointing out repetitiveness. Although the album won many awards, the reviewer questions if it marks the beginning of a decline in MJ's career.Tracklist Lyrics Videos
Michael Jackson
American singer, songwriter and dancer from Gary, Indiana. Child star with the Jackson 5 who became a global solo star and is widely known as the "King of Pop."68 Reviews
Other reviews
By Vic Sorriso1
Dangerous is a colossal pile of crap extending over 12 songs and more, also known as the musical demise of the pedophile.
Thank you, filthy pedophile, for stirring up the discussion with my girlfriend.
By rebel1
Imagine you turn on the stereo to relax after the classic crappy day, and you start to feel the singer’s soul flowing through your body.
"Heal the World" is incredible—the feeling of peace it gives you is unmatched, a true hymn to world peace.
By lucumine74
This is certainly the best pop music album from 1991 until today.
'Heal the World' is one of the most beautiful songs in music history, it’s a moving piece.
By tommithebest
Michael Jackson’s best album. And that should suffice.
'Who Is It' is a MASTERPIECE full of mystery, harmony, and emotional depth.
By magico
"Dangerous can be considered the last, great album of the 'King of Pop.'"
"A record with hints of rock, funk, r n’ b, rap, and pop without being any of it, a record that sold millions of copies and can be considered Jackson’s last total masterpiece."
