Menziona la traccia

Questo gruppo, prima si chiamava "UltimaTraccia", e ci si metteva l'ultimo (ça va sans dire...) brano di un album o di un film che ci ha colpito (ma non affondato...), ah, è gradito un piccolo commento a guarnizione della traccia posta anzichénnò. Adesso il concetto s'è esteso e chi vi appartiene più assegnare preziose menzioni quali "Più corto" ,"Più lungo", "Ultimo", "Primo" . Inaudito!

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Aggiungetemi!
Buone Notizie - Banco del Mutuo Soccorso ....the war will be fought..!!!
 
Edoardo Bennato - Rinnegato .....how to end an album well....
 
Isaac Hayes - By The Time I Get To Phoenix

To liven up the crowd of fetishists for the latest track, here it is, indeed, the latest piece from the genius of Stax, from one of his essential albums... A lengthy introduction, accompanied only by the drummer keeping time on the cymbal, nothing else... when the listener is already worn out from Brother Isaac's long monologue, he finally starts to sing in his own style, and it's been almost nine minutes of just talking... But Isaac Aieie was like this, take it or leave it.
A piece of advice? Take it, take it.
 
SCIMMIA Eugenio Finardi

electrifying,
exciting,
bursting with frenzy in the rhythm,
always referencing the jazz elements of "Diesel",
interpreting with violence
and explicitly
what is difficult to express
the theme of heroin injections
and the "state drug."

Truly perhaps the most powerful and emotional piece of the work,
flawless,
worthy of a bow.

(quoted from Diesel - Eugenio Finardi - Recensione di Bromike )
 
Coldplay (HD) - Life Is For Living (Glastonbury 2011)

Within the tenth "final track" of the album Parachutes, "Everything's Not Lost," there is a "hidden song," that is this "ghost track" here in a live version... and nothing else.
 
(26) THE WALL: Pink Floyd - Outside The Wall
Give a 9-year-old child The Wall and something in him will inevitably change: but is it a record or a film?
After the last, operatic, pathetic scene of the trial, with the judging worms, set against the sound of the rubble from the fallen wall, a faint sense of serenity emerges along with the moral of freedom regained thanks to those who will pound their hearts against the wall of a raging madman. Wright's rustic accordion opens and closes The Wall: a work that sits there, in the niche of the already revered, but could become frighteningly relevant again.
 
Wire - 40 Versions

"If we understand punk as the American artistic tradition, like William Burroughs, or Patti Smith or Television or Pere Ubu, then I would say that’s the right way to comprehend the mess of life and reflect it in your art. The ways in which the English did this were well highlighted by people like Malcolm McLaren. I’ve said it all." Graham Lewis

p.s. 154 is an album by Wire from '79, the title represents the number of concerts the band had performed from its formation up to the release of the record.
 
Black Sabbath - Angry Heart/In Memory
A double final track that will give you chills for a record that’s a mountain-breaker.
Glenn Hughes is terrifying: but what can I say, it’s a deal.
 
David Bowie - Subterraneans

Final track from the milestone that is LOW..... dark, foggy, cold, and closed, a true foreshadowing of the Mmmmmusic to come......
 
David Bowie - Queen Bitch from The Life Aquatic with Steve Zissou end credits

This piece by 𝐃𝐚𝐯𝐢𝐝 𝐛𝐨𝐰𝐢𝐞 closes the soundtrack of the film "𝐋𝐞 𝐚𝐯𝐯𝐞𝐧𝐭𝐮𝐫𝐞 𝐚𝐜𝐪𝐮𝐚𝐭𝐢𝐜𝐡𝐞 𝐝𝐢 𝐒𝐭𝐞𝐯𝐞 𝐙𝐢𝐬𝐬𝐨𝐮." In the OST, there are other tracks by 𝘋𝘶𝘤𝘢 𝘉𝘪𝘢𝘯𝘤𝘰 but sung in Portuguese by 𝐒𝐞𝐮 𝐉𝐨𝐫𝐠𝐞, the true bossa nova singer who plays the character of 𝐏𝐞𝐥𝐞́ 𝐝𝐨𝐬 𝐒𝐚𝐧𝐭𝐨𝐬, one of the crew members of the famous oceanographer and documentarian 𝐒𝐭𝐞𝐯𝐞 𝐙𝐢𝐬𝐬𝐨𝐮, and that’s it...
 
Deep Purple-Hard Lovin' Man
Intermediate guitar and organ solos and an ending based solely on Blackmore's guitar effects.
Last track of Deep Purple In Rock.
 
Taraf De Haïdouks Cind Eram La '48
Closing the OST of "Morvern Callar," a film from 2002 directed by Lynne Ramsay, based on the eponymous story written in '95 by Alan Warner (which I haven't seen and haven't read but would like to see), this gypsy piece and, oh wait, for those interested, here’s a list of some members of the Romanian musical/traditional group:

Nicolae Neacșu ("Culai"): violin, vocals; born 1924; died September 2002 (age 78)
Dumitru Baicu ("Cacurică"): cimbalom, vocals; born 1931; died September 2007 (age 76)
Ilie Iorga: vocals; actually from Mârşă, near Clejani; born 1928; died June 2012 (age 84)
Ion Manole ("Şaică" or "Boşorogu"): violin, vocals; born 1920; died May 2002 (age 82)
Gheorghe Anghel ("Caliu"): violin
Gheorghe Fălcaru ("Fluierici"): flute, double bass; born 1954; died September 2016 (age 62)
Ionică Tănase: cimbalom
Constantin Sandu ("Dinu"): cimbalom, vocals
Florea Pârvan: double bass
Marin Sandu ("Țagoe"): accordion
Paul Guiclea ("Pasalan"): voice, violin
Marin Manole ("Marius"): accordion
Constantin Lăutaru ("Costică Boieru"): violin, voice
Viorel Vlad: double bass
Robert Gheorghe: violin
 
Neil Young - Words (Between the Lines of Age) ( Harvest )
Last piece with a duration of 6 minutes from the famous Harvest by Neil Young.
 
JJ Cale - All Mama's Children

Taken from "Rewind: The Unreleased Recordings," a compilation by J.J. Cale from 2007, these are previously unreleased tracks, and this last one was recorded precisely on January 22, '80 in Nashville, Tennessee. Accompanying him on acoustic guitar is Christine Lakeland, his partner in life as well.
 
The Stray Cats - Wild Saxophone first album by the Stray Cats Last track cool cool cool......
 
Sergio Caputo | Tigre Contro Tigre a so-so piece that closes a so-so album.... Personal Effects
 
Crosby Stills Nash and Young - Find the Cost of Freedom

This track marked the end of the beautiful double album "4 Way Street," recorded live in 1970 and released in 1971. This version (still live) lasts 1 minute and 40 seconds longer and nothing.
 
Saigon (De Gregori)

in this "Last Track," the prolific Edoardo De Angelis is featured as a second voice, and that's it...
 
Vado alle Hawaii - Sergio Caputo Caputo's second album ended with an exceptional song.
 
Depeche Mode- Pimpf [HD]

And so it ended, and defined, "Music For The Masses"..... Piano, voice, and assorted synths in a crescendo with a vaguely Nazi rally allure, deliberately pompous, almost Wagnerian, used for years as the intro to concerts.....