You are not logged in
DeRank ™: 0,90 • DeAge™ : 7688 days
"This CD makes Miles Davis’s statement about Evans clearer: 'He plays the piano the way it should be (played)'." "The piece [Lover man] is performed in absolute ease and 'drinkable' listen after listen without fatigue."
"This CD makes Miles Davis’s statement about Evans clearer: 'He plays the piano the way it should be (played)'."
"The piece [Lover man] is performed in absolute ease and 'drinkable' listen after listen without fatigue."
This live album from 1974 captures a rare collaboration between Bill Evans' trio and saxophonist Stan Getz. The review praises the musicians’ empathy, technical skill, and the album’s elegant, timeless jazz performances. Despite minor setbacks, the music shines with emotional depth and brilliance. The reviewer highly recommends this well-recorded gem with standout moments on each track. Listen to 'But Beautiful' and experience the perfect synergy of Bill Evans and Stan Getz—an essential jazz masterpiece!
A visceral and swinging but cerebral music, carefully crafted and refined "just enough" to silence the most snobbish of critics. Don’t put it on in the morning if you’re about to go to work: you’ll miss the bus (personal experience)!
A visceral and swinging but cerebral music, carefully crafted and refined "just enough" to silence the most snobbish of critics.
Don’t put it on in the morning if you’re about to go to work: you’ll miss the bus (personal experience)!
Money In The Pocket is an exceptional album by Cannonball Adderley, ideal for newcomers to his extensive work. The review highlights its engaging, soulful soul-jazz style and impressive musicianship. It provides insightful track descriptions and details the album’s unique recording and late release history. Praised for its accessibility and rich grooves, the album serves as a solid foundation for jazz appreciation. Discover the soulful grooves and timeless energy of Cannonball Adderley’s Money In The Pocket – listen now and feel the jazz magic!
"The first track 'Lonely Woman'... is perhaps the best version available on record." "'Rejoicing' is music from twenty-five years ago, music for the next twenty-five years. No compromise."
"The first track 'Lonely Woman'... is perhaps the best version available on record."
"'Rejoicing' is music from twenty-five years ago, music for the next twenty-five years. No compromise."
Pat Metheny's 'Rejoicing' is a bold and innovative jazz trio album recorded with Billy Higgins and Charlie Haden. It delves into jazz tradition with fresh instrumentation and timbral choices influenced by Ornette Coleman. The album features standout tracks like 'Lonely Woman' and 'Rejoicing', balancing emotional depth with technical mastery. While experimental moments challenge listeners, the album remains a vital link between classic jazz trio formats and broader musical exploration. Discover the timeless artistry of Pat Metheny's 'Rejoicing'—listen now and experience a jazz trio classic!
Glasper is the prototype of the new contemporary pianist as a perfect musical transgender. The variety of moods and the already well-defined personality of the young man already surely predict a future as a star on the international jazz scene.
Glasper is the prototype of the new contemporary pianist as a perfect musical transgender.
The variety of moods and the already well-defined personality of the young man already surely predict a future as a star on the international jazz scene.
Robert Glasper's early albums Mood (2003) and Canvas (2005) highlight his emergence as a distinctive jazz pianist and composer within a trio format. Featuring collaborations with notable artists like Bilal, these albums blend jazz tradition with contemporary influences. Glasper's skillful interplay with drummer Damion Reid and bassists Bob Hurst and Vincent Archer creates dynamic, flowing performances. The review praises Glasper's originality and his homage to Herbie Hancock, predicting his bright future in the jazz world. Both albums are highly recommended. Listen to Robert Glasper’s Mood and Canvas to experience groundbreaking modern jazz brilliance today!
Despite being timbrically varied, it is not 'scattered'—a strong foundational blend and well-defined group identity stand out. This disc is a new stimulus for those fascinated by new things, where music and beauty lie where you least expect them.
Despite being timbrically varied, it is not 'scattered'—a strong foundational blend and well-defined group identity stand out.
This disc is a new stimulus for those fascinated by new things, where music and beauty lie where you least expect them.
This detailed review praises Makoto Ozone’s 2005 trio album featuring James Genus and Clarence Penn. It highlights the album’s blend of electric and acoustic sounds, jazz fusion influences, and strong group cohesion. The reviewer provides a thoughtful, track-by-track analysis, noting the unique styles and interplay of the musicians. The album is recommended for those intrigued by innovative jazz blends and high musical quality. Dive into Makoto Ozone’s trio album and experience a masterful blend of jazz fusion and classical influences—listen now!
"The tone of the session is brilliant and captivating. A compact, cohesive, and absolutely energetic 'live' work." "Inside, there is already all the Mehldau that will unfold enormously soon after, with Joshua Redman and then as a leader."
"The tone of the session is brilliant and captivating. A compact, cohesive, and absolutely energetic 'live' work."
"Inside, there is already all the Mehldau that will unfold enormously soon after, with Joshua Redman and then as a leader."
This review highlights the 1993 debut album 'When I Fall In Love' by the Mehldau & Rossy Trio, showcasing the early and energetic work of pianist Brad Mehldau alongside talented Spanish musicians Mario and Jordy Rossy. The album combines Latin flair with precise jazz timing, featuring jazz standards and a Mehldau original. It's described as a captivating and mature work that prefaces Mehldau's illustrious career. The reviewer highly recommends hunting down this rare gem. Explore the vibrant beginnings of Brad Mehldau with the Mehldau & Rossy Trio's 'When I Fall In Love'—a must-listen jazz classic waiting to be discovered!
To find out and to reveal the absolute greatness of a musician like Mc Laughlin, to fall to your knees with open mouths in incredulous adoration and musical abstraction. This album, just in case, buy it quickly: the old Gibson flat-top of this monolith of European jazz will keep playing until your player betrays you!
To find out and to reveal the absolute greatness of a musician like Mc Laughlin, to fall to your knees with open mouths in incredulous adoration and musical abstraction.
This album, just in case, buy it quickly: the old Gibson flat-top of this monolith of European jazz will keep playing until your player betrays you!
The review praises John McLaughlin's 1969 album Extrapolation as a groundbreaking acoustic jazz masterpiece that showcases his unique guitar style. It highlights the album's innovative approach within the jazz guitar scene and the strong supporting cast. The work is described as timeless and essential for fans of jazz guitar, capturing a moment of deep musical creativity and influence. The reviewer expresses personal admiration and nostalgia, encouraging listeners to experience this influential record. Dive into John McLaughlin's Extrapolation and experience a defining moment in jazz guitar history today!
A "Live at Vartan Jazz" that is captivating and passionate. Karlsson’s piano approach is exactly midway between Oscar Peterson and Evans.
A "Live at Vartan Jazz" that is captivating and passionate.
Karlsson’s piano approach is exactly midway between Oscar Peterson and Evans.
The review praises Stefan Karlsson's 'Live at Vartan Jazz 1997' as a captivating and passionate live jazz piano album. It highlights the stimulating piano trio format and emphasizes the warmth and spontaneity of live recordings versus studio sessions. The interplay with Eddie Gomez and Elliot Zigmund is celebrated, as well as Karlsson's style positioned between Oscar Peterson and Bill Evans. Each track offers distinct interpretative value, making the album a highly recommended listen for jazz enthusiasts. Listen to Stefan Karlsson's live jazz masterpiece and immerse yourself in a timeless piano trio experience.
"Bill’s pianism is here at its highest possible level, all life’s joys and pains flowing into this recording." "A communicative Bill Evans transforming himself, often unrecognizable yet stellar."
"Bill’s pianism is here at its highest possible level, all life’s joys and pains flowing into this recording."
"A communicative Bill Evans transforming himself, often unrecognizable yet stellar."
This six-CD set captures Bill Evans' last performances at NYC's Village Vanguard in 1980, offering a deeply emotional and communicative jazz experience. Evans, alongside Marc Johnson and Joe La Barbera, delivers mature, nuanced interpretations filled with empathy and musical dialogue. The recordings highlight Evans' evolving style and candid connection with the audience, making this release a vital part of his legacy and jazz history. Dive into Bill Evans' masterful final sessions—listen now to this timeless jazz gem from the Village Vanguard!
Perhaps experimenting with novelties without a specific goal, but generating gems like these two along the way. "Freedom jazz dance" ... will get stuck in your brain and will be the reference version against which to compare all others you will hear afterward.
Perhaps experimenting with novelties without a specific goal, but generating gems like these two along the way.
"Freedom jazz dance" ... will get stuck in your brain and will be the reference version against which to compare all others you will hear afterward.
This review covers a rare CD combining two debut albums: Chick Corea's 'Tones for Joan's Bones' (1968) and Miroslav Vitous' 'Mountain in the Clouds' (1972). Both works are praised as essential and innovative jazz contributions from the late 60s and early 70s. The album features prominent jazz musicians like Joe Farrell, John McLaughlin, and Herbie Hancock. The reviewer highlights the tracks' musical complexity and freshness, recommending both to fans of new jazz styles. The only criticism concerns a missing track from Vitous' album, which frustrates the reviewer. Discover the groundbreaking jazz debuts of Chick Corea and Miroslav Vitous—listen to these timeless masterpieces now!
DeRank™: 7,66
DeRank™: 4,46
DeRank™: 13,33
DeRank™: 0,37
DeRank™: 0,35
DeRank™: 14,42
DeRank™: 2,17
DeRank™: 0,39
DeRank™: 9,08
DeRank™: 6,80
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.